"life is too short to hold onto hate and too valuable to waste ur time trying to prove urself to every1 so they could understand u so live ur life happily and dont let anyone’s words define ur happiness"
another day another bonnie asking us to love ourselves before loving others
lmao noey straight up closing her eyes and it’s like she’s trying her best not to look at the screen by repeatedly touching her eyes 😂😂
THE FIRE FINAL EPISODE
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Bonnie + Dorami = the absolute cutest combo ever! 🐱💛
Since Doraemon is one of my all-time favorite anime, seeing @beonnnie as Dorami gave me so much joy that I just had to make this fanart!
A huge thank you to PondPhuwin for inviting EmiBonnie to their concert, otherwise we wouldn't have gotten to witness this adorable Borami! ☺️🤏✨
📷: arumchanakan | semiranomismakeup
#beonnnie
After studying the post shared by the colourist who color grades for P’Fon’s team, it turns out Moonshadow was filmed on an ARRI ALEXA 35. No wonder the color profile and depth of field looks so organic, true to life and visceral with a film-like finish, whereas the night scenes are still able to retain so much detail and contrast between highlights and shadows.
The budget that went into Moonshadow is seriously insane guys. These cameras retail at USD65K-USD90K (also expensive to rent) depending on accessories and configuration, and requires a huge team to operate as it is first of all bulky and can't be fully operated handheld, 100% manual focus, which means aside from the DOP (Director of Photography) composing the frame, another Focus Puller or 1st AC (1st Assistant Camera) needs to manually focus the lense simultaneously as the camera pans etc.
To give you more context, ARRI ALEXA 35 is well known for its 4K Super 35 sensor, 17 stops dynamic range and LogC4 color profile with a color palette that's got a greener baseline compared to the more well known Sony S-Log3 which is more magenta. (Sony camera line is generally nightmare for skin and the bane of many editors' existence, but they're popular because they're cheap, fast, accurate and light) As a result the colors are really rich and vibrant, and if you notice, the brightest part and the darkest part of the scenes captured have so much more details retained.
The Super 35 is the long-standing standard digital sensor format for motion picture film, and ARRI ALEXA 35 delivers modern 4K resolution via its Super 35 sensor. In layman terms, it looks like it was recorded on film but with insane resolution optimised for modern screens. While many colorist can emulate colors and grains of film in post processing, there are color profiles and datas that you simply can't achieve without a super machine like this.
It's no wonder why I felt the production value was Netflix level! I'm completely mindblown. I guess I understand why they went with this setup because a lot of the scenes were shot indoors or at night, having a more robust color space and wider dynamic range would give more depth and detail to the scenes, otherwise it might come off as flat-ish.
they included the part when fai rested her head on phrao while they were watching the sunset at the waterpark 😭
THE FIRE FINAL EPISODE
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"Boss Nam is so kind"
"No one bullies me. Life is so peaceful here but I'm not used to it at all"
Baby's first day in non toxic workplace, kind and helpful colleagues, and non abusive boss😭 stay there and dont go back to surat
THE FIRE FINAL EPISODE
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