wink

[wink @yul_ppkk]

@mingrui55941 @_wjunpimeow_ 首先我没提他们做错什么，有超过没超过边界你们粉丝可以自己评判。其次我只针对这个贴主的发言，她对爱豆职业的理解本来就不对啊，难道你希望爱豆是跟她说的那样吗？好赖话都看不明白就在这开麦。。。

[wink @yul_ppkk]

@_wjunpimeow_ 你好像根本没理解这份职业，这份职业该做什么不该做什么在出道之前就已经规定好了。如果idol 转型成演员艺人歌手了，那自然可以追求自己的幸福生活了，粉丝不会有这么大意见😅你天天就在那说是粉丝觉得自己是他们闺蜜和女朋友，你搞清楚idol的本职是什么再开口吧。

[wink @yul_ppkk]

@yoon_chon1995 23年竟然出现这种状况了，克拉女神们你们真的很能忍🥲

[wink @yul_ppkk]

某些批皮逼不要净给moa和正主招黑，然竣solo不管是队员还是moa都开心和支持，就你在那蹦跶真显着你了我呸

[Yeonjun_Epoch @YeonEpoch_CN]

We demand BigHit properly protect YEONJUN against all hateful harassment and hate trucks.

#BIGHIT_PROTECT_YEONJUN
#YeonjunDeservesBetterTreat
#YeonjunWillAlwaysBeLoved
#STOP_HATE_TRUCKS_AGAINST_YEONJUN

The sight of Yeonjun's tears at GOCHEOK SKYDOME in 2023 feels like it was only yesterday.

Over these years, Yeonjun has continuously given his all to the team — bearing responsibilities, carrying pressure, and never allowing his personal activities to disrupt the group's schedule.

For Part 01, his very first and most significant solo album, there was virtually no promotion — yet he still delivered results that far exceeded expectations. For the team's Tour, he cut short the recording of music shows and missed out on pre-voting. He sacrificed his health and rest to take on choreography for the team on multiple occasions, yet went uncredited. Silently, he has handled work both on and off stage—recording demos, coordinating stage movement, and more. This year, he even designed and gifted the team a commemorative ring, a testament to his loyalty and sincerity toward both the group and the fans.

We had thought that Part 02 would finally receive proper promotion — a plan that Yeonjun and all his supporters rightfully deserved. What followed, however, were abusive comments on anonymous forums and in the retweet sections of @TXT_bighit from OT4 and Anti-fans, along with protest trucks launched during his personal promotion period. All of this has brought deep sadness and bewilderment.

When Yeonjun's choreography went uncredited, where were those trucks? When Part 01 met with ZERO promotional support, where were those voices of so‑called justice? ? If those trucks were truly for the team, why were they not directed at the company during the glorious moment of a grand slam after the 7th anniversary comeback, rather than during Yeonjun's important solo activities???

We respect every fan’s right to raise reasonable opinions regarding the group's management, and we equally believe that the company should provide TXT with more comprehensive and long‑term development plans. However, the timing of this protest, along with the associated account interactions, looks more like a public trampling of a member's individual efforts — carried out by OT4 and Anti‑fans under the guise of "team interest." A member's personal growth is NEVER the antithesis of the team's growth. Treating a member's own opportunities as something to be restricted or questioned is simply absurd.

We will not remain indifferent to such malice. Going forward, we will continue to support and protect Yeonjun through our actions. We also urge more people to recognize that actions welcomed by Anti‑fans should not be condoned, and that @TXT_bighit @BIGHIT_MUSIC @HYBEOFFICIALtwt , as the agency, should better safeguard the legitimate concerns of fans and ensure the safety of their artists. Open and honest love is always a hundred times stronger than malice hiding in the shadows — we will turn our unity and love into the glory and awards that Yeonjun so rightfully deserves.

[wink @yul_ppkk]

@YeonEpoch_CN 不管对团还是对moa，然竣没有对不起任何人，他的真心和善良不是被你们这样践踏的

[Yeonjun_Epoch @YeonEpoch_CN]

We demand BigHit properly protect YEONJUN against all hateful harassment and hate trucks.

#BIGHIT_PROTECT_YEONJUN
#YeonjunDeservesBetterTreat
#YeonjunWillAlwaysBeLoved
#STOP_HATE_TRUCKS_AGAINST_YEONJUN

The sight of Yeonjun's tears at GOCHEOK SKYDOME in 2023 feels like it was only yesterday.

Over these years, Yeonjun has continuously given his all to the team — bearing responsibilities, carrying pressure, and never allowing his personal activities to disrupt the group's schedule.

For Part 01, his very first and most significant solo album, there was virtually no promotion — yet he still delivered results that far exceeded expectations. For the team's Tour, he cut short the recording of music shows and missed out on pre-voting. He sacrificed his health and rest to take on choreography for the team on multiple occasions, yet went uncredited. Silently, he has handled work both on and off stage—recording demos, coordinating stage movement, and more. This year, he even designed and gifted the team a commemorative ring, a testament to his loyalty and sincerity toward both the group and the fans.

We had thought that Part 02 would finally receive proper promotion — a plan that Yeonjun and all his supporters rightfully deserved. What followed, however, were abusive comments on anonymous forums and in the retweet sections of @TXT_bighit from OT4 and Anti-fans, along with protest trucks launched during his personal promotion period. All of this has brought deep sadness and bewilderment.

When Yeonjun's choreography went uncredited, where were those trucks? When Part 01 met with ZERO promotional support, where were those voices of so‑called justice? ? If those trucks were truly for the team, why were they not directed at the company during the glorious moment of a grand slam after the 7th anniversary comeback, rather than during Yeonjun's important solo activities???

We respect every fan’s right to raise reasonable opinions regarding the group's management, and we equally believe that the company should provide TXT with more comprehensive and long‑term development plans. However, the timing of this protest, along with the associated account interactions, looks more like a public trampling of a member's individual efforts — carried out by OT4 and Anti‑fans under the guise of "team interest." A member's personal growth is NEVER the antithesis of the team's growth. Treating a member's own opportunities as something to be restricted or questioned is simply absurd.

We will not remain indifferent to such malice. Going forward, we will continue to support and protect Yeonjun through our actions. We also urge more people to recognize that actions welcomed by Anti‑fans should not be condoned, and that @TXT_bighit @BIGHIT_MUSIC @HYBEOFFICIALtwt , as the agency, should better safeguard the legitimate concerns of fans and ensure the safety of their artists. Open and honest love is always a hundred times stronger than malice hiding in the shadows — we will turn our unity and love into the glory and awards that Yeonjun so rightfully deserves.