Zedman

Subo pendejadas en internet:

[Zedman @zedmanyt]

Mi teoría es que Youtube decidió contabilizar de esta forma las visitas para darle más visibilidad a los nuevos creadores.

Mucha gente percibe un video de muchas visitas como de “mayor calidad” y uno de pocas como de “malo”.

Con esto se soluciona, pero tiene sus consecuencias

[Willyrex @WillyrexYT]

YouTube lo ha vuelto a hacer. El nuevo “robo”.

Con el cambio de las visualizaciones ahora los creadores que tenían 100k visitas tienen 180k-200k.

Hasta aquí todo bien. Quieren contar las visitas como hace TikTok o Instagram, con 1segundo ya es suficiente. Así las visitas se asemejan a las otras plataformas, marcas y creadores atraídos por números más grandes.

Ahora las visitas que cuentan son las “interesadas”. Y aquí está el truco.

Tenía mis sospechas pero con el podcast lo he podido ver claro. Llevamos 150 episodios y las visitas son similares siempre.

Antes del cambio 120k visitas.

Después del cambio 240k visitas.

Visitas interesas 100k visitas.

Es decir, ahora algunas visitas “buenas” que son las que había antes pasan a ser “no buenas”.

- Y el problema Willy!?

El problema es que YouTube solo paga las visitas “interesadas” las otras (más de la mitad a veces) son infladas y ego de gente que ha visto 1-5s de tu vídeo.

Pero por la cara YouTube ha pasado a quitar 15-30% de las visitas “buenas” y catalogarlas como “malas”.

Y para lo que paga YouTube… bueno un 15-30% menos de ingresos, se nota pero tampoco es la primera vez que ocurre.

El problema está en las marcas y sponsors que no son bobos y mirarán las visitas “interesadas”.

Por lo que YouTube queriendo inflar las visitas con este movimiento, ha hecho lo contrario, una vez más perjudicando a los creadores.

Lo hemos reportado varios creadores, pero al igual que muchas veces, se quedará en el limbo. Hago este post por si eres creador y sientes que te han robado, no estás solo.

[Zedman @zedmanyt]

Hay gente que se deja llevar por las notas para no gastar $60-$70 en un juego chafa (lo entiendo)

Sin embargo, no todo tiene que ser GOTY.
Puedes disfrutar perfectamente un juego de “70” y que no te llame la atención un juego de “90”.

Los gustos no son universales.

[Zephryss⛩️ @TheRealZephryss]

Metacritic & Review scores don't always tell the full story.

🔸 Days Gone: 71
🔸 Crimson Desert: 77
🔸 Lies of P: 80
🔸 Batman Arkham Origins: 74

I've played many games that received surprisingly low scores but ended up becoming some of my favorite games. I believe sometimes you just have to play the game yourself and decide.

[Zedman @zedmanyt]

Amigo el juego no lleva ni 1 semana y ya se lo platinaron como carajo hacen eso jajaja

[Kazuliski @Kazuliski]

The Blood of Dawnwalker - 100% ⚔️

[Zedman @zedmanyt]

Llevo un par de horas jugadas y hasta ahora:

Lo bueno:
✅Graficazos hechos en UE5
✅Una trama diferente que engancha
✅La mecánica del tiempo atrapa
✅Doblaje excelente

Lo malo:
❌Pésima optimización
❌Animaciones faciales horribles

Veremos como evoluciona.

[Zedman @zedmanyt]

Mientras grandes videojuegos dejan de recibir soporte al año de ser lanzados, The Witcher 3 recibe OTRO remaster 11 años después.
Son las autenticas cabras.

[GameVerse @TheGameVerse]

NEW: ‘The Witcher 3: Wild Hunt REMASTERED’ is announced.

• Upgraded visuals
• Enhanced combat
• Improved movement
• Revamped skill tree
• FREE upgrade for existing owners
• September 29, 2026 release

[EthrA KICKSTARTER NOW LIVE! @stonelabstudio]

Thanks a lot @zedmanyt for showcasing EthrA!
We had so much fun watching the video.

https://t.co/lWtpO9kKk2

[Zedman @zedmanyt]

Que dolor de bolas cuando hacen eso

[Zedman @zedmanyt]

Soy ese

[Zedman @zedmanyt]

Junto a Fable es el juego mundo abierto que mas estoy esperando.

Historia oscura, toma de decisiones, ex-desarrolladores de The Witcher 3, pinta increíble.

[Shinobi602 @shinobi602]

I played 4 hours of The Blood of Dawnwalker - and it's damn good. My full thoughts below 👇

The version we played was in beta and running on some powerful PCs. It was from the beginning of the game so I wasn't able to explore the entire map. It felt pretty polished overall and I didn't experience any bugs or performance issues during my time.

The game takes place in Vale Sangora - it's a beautiful valley near the Carpathian Mountains full of lush trees, bogs, mines, and all kinds of wildlife and villages and communities roughly comparable in size to The Witcher 3's Blood and Wine but packed with detail. There's a lot of neat history everywhere you look and explore, with references to Genghis Khan's hordes, the Tatars, and more. There are also little details that help make the setting a bit more real. Because Vale Sangora is run by the vampire leaders, silver is forbidden to have in your possession, and not every merchant will buy or sell them.

It looks great visually, but I wouldn't say in a way that blew my socks off. Environments look good, trees, bushes etc all swaying in the wind, good lighting, character models are nicely detailed. It's not pushing things on a technical level but I found that perfectly ok.

From the beginning of the game, a series of events introduces you to Coen's family - his parents and siblings. His father Pieter is a strong and stern caretaker who knows his way around a sword but deeply cares for his family. Coen's mother Esme is stricken by an illness that the whole family is trying to wrangle with, and his siblings are playful and endearing. As the vampires don't tolerate 'weakness', you start the feel the weight of the family's plight that gives off an aura of despair.

At least in these initial hours, I found myself surprisingly growing attached pretty quickly. While there's an ominous metaphorical 'cloud' that hangs over the valley, there are bits of lightheartedness thrown in too. One charming quest saw me play tag with my siblings and go fishing in the old family hangout spot.

Character performances and voice acting are excellent. There weren't really any characters that felt out place or miscast. I especially enjoyed the gravelly voices of Pieter and Brencis - the leader of the vampires. Brencis comes off formidable, and events in the game gave me a motivational drive for revenge, which I always like in games.

The story is set up in a way that each of the vampire leaders needs to be taken down, with Brencis as the head honcho. You can attack them in any order, even going directly to Brencis from the outset, but you'll probably find you'll have a bit of trouble with that approach. While I've always been a little hesitant about plots that have open-ended structures, the team at Rebel Wolves told me that each vampire 'captain' is unique with many quests tailored to their specific stories, and there was a lot of effort and care put into each. They urge players to play through each storyline to get the most out of the game.

There were lots of endearing characters in just the first few hours. Anca - a local herbalist and a witch, reminded me a lot of The Witcher 3's Keira. And she's a romance option.

There are other sentient races as well, like the Uriash which I would say resemble something like the Qunari from Dragon Age. They're big, tough and brooding and are seen as monsters and somewhat shunned. There's a nice variety of monsters too, like kobolds who are basically ghouls that talk smack, and I came across the "Great Bog Wurm" in a swampy area which was it's own mini-boss fight.

When I compare to something like The Witcher 3 (because many people understandably do with Dawnwalker given how the game looks and the makeup of the Rebel Wolves team), movement and navigation in the game felt fairly fluid overall. Walking, sprinting, vaulting ledges, etc were smooth. There's a bit of clunkiness when it comes to jumping, where I'd sometimes starting sliding jumping down a hill or onto rocks.

There's also an ability that Coen automatically gets after he becomes a half-vampire called "Planeshift". It lets him teleport dash around the world so he can reach higher areas or across gaps. It felt a little clunky and imprecise when scaling things like towers and trying to land back on solid ground.

There's a glossary/beastiary that's structured just like The Witcher 3, and the soundtrack is basically, you guessed it, The Witcher 3 in all the best ways.

And like one of my favorite parts of The Witcher 3, there are plenty of points of interest that lead to unique little narrative beats or quests. One saw me come across a villager searching for his brother. Following that little quest line led me to a buried tomb which led to a boss fight with an ancient warrior and cool loot at the end.

One abrupt encounter in the world saw me chase the village asshole talking shit about my family. When his drunkard father catches us arguing, he scolds him more and tells me I should teach him a lesson myself and beat him with a stick. I can choose to partake in it, stand by and watch, or stop the father in a physical altercation.

There's been a lot of questions about combat and from what I played, I liked it, moreso than The Witcher 3's. There are two ways to play: directional and traditional. With directional combat, you hold down a shoulder button to block while aiming in whatever direction you see an enemy attacking from. That's either up, down, left or right. It's simpler than something like Kingdom Come and I got used to it real quick. It sometimes got a liiiittle overwhelming when multiple enemies are attacking at the same time - and they do that a lot.

Enemies don't wait around for their turn, instead opting to gang up on you to take you down. There's also the traditional or 'standard' combat, which is basically pressing a button that blocks enemies no matter what direction (your standard action game). You can also expectedly parry enemies that open them up for more damage.

There is a stamina meter that depletes with blocks, and it depletes faster if you're playing standard, though you can upgrade your stamina as you play too.

There are active abilities you can put into quick slots for faster use during combat. As there's a day/night cycle and Coen is a 'dawnwalker' - meaning he's human during the day and a vampire at night, you can switch between your swords in daytime and bring out your claws at night, which are more powerful. There are many abilities, though because I was playing the first hours of the game, I didn't get to see them all. One that I got to use was a powerful charge attack, and another was a flurry of deadly slashes with my claws.

You can drain enemies to regain health with 'voracious bite', though enemies won't wait around while you're doing it so you have to be mindful. There are shrines dotted around the map that you can use to fast travel and upgrade your skills. There are tons of resources and items in the world just like The Witcher that you can use to craft potions and the like. Some can only be done during the day or at night.

In terms of time progression, there are 8 time 'segments' per day and certain quests and activities can push the time forward a set amount of segments. I thought I would hate it at first, but it actually makes for some compelling choices in how you choose to progress the game. You're always shown when an action will progress time by the way, so nothing will take you by surprise. Running around and exploring the world doesn't push time forward.

When your vampiric health drops really low, you become hungry and start to really crave blood. You can even lose control during dialogue and drain the person you're talking to - including friends. I didn't encounter that myself but the devs said those can have lasting effects throughout the game.

This has definitely jumped up my most anticipated list for the rest of the year. It's practically The Witcher 3: Medieval Vampire Edition with its own flavor and unique mechanics and honestly...that is something I'm quite happy about.

#BloodofDawnwalker

[Zedman @zedmanyt]

Nunca habia jugado Hotline Miami.
Vi que estaba en Steam (por unos $0.57 aprox), lo compré y que maldito juegazo.
Cada vez me encanta jugar juegos más "simples".
Buena música, una trama, un gameplay satisfactorio y un bucle jugable adictivo es todo lo que necesito.
Una joyita.

[Zedman @zedmanyt]

Sinceramente me la pela el señor de los anillos pero un mundo abierto de fantasía de los creadores del kingdom come si me la pone bien dura

[Warhorse Studios @WarhorseStudios]

You might have heard the rumours, it's time to reveal what we are working on.

🗺️ An open world Middle-earth RPG.
⚔️ A new Kingdom Come adventure.

We’re excited to tell you more when the time is right.

#WarhorseStudios #Annoucement #lotr #KingdomComeDeliverance

[Zedman @zedmanyt]

Estamos ante un posiblemente uno de los juegos mundo abierto mas legendarios.

[DiscussingFilm @DiscussingFilm]

An open-world ‘LORD OF THE RINGS’ RPG game is officially in the works.

Developed by Warhorse Studios (‘Kingdom Come Deliverance’).

[Zedman @zedmanyt]

@Adrian_PSI La primera es la que mas me gusta pero la tercera refleja la idea del video en su máxima expresión

[Zedman @zedmanyt]

@klevermaciassss Yo me uno a la causa 🫡

[AntarTik0 @AntarTik0]

2026 deffinitely is gonna be amazing for Survival Games

[Zedman @zedmanyt]

@Krozthh Ahí falta claramente el goat

[Last Chalice @lastchalice]

15-30 hours is the perfect game length.

[Zedman @zedmanyt]

@jocsanuwu Crack!

[Zedman @zedmanyt]

No todo es problema del Engine, muchas desarrolladoras no priorizan optimizar sus juegos.

Quieren que el motor haga magia y eso es imposible. En buenas manos se ha visto que funciona: Fortnite, The Finals, Arc Raiders.

El problema no es el motor, son las manos que lo usan.

[Alex White @SoyAlexWhite]

Nah, por mas que intente ver el lado positivo del tema: Unreal Engine 5 es el mayor error de la industria de esta generación.