RESTAURANT MANAGER / Michelin Star / Media / Marketing / Social Media / PR / London / Shoreditch / England โ Behind this young face there is an Old geezer ๐
@CollinRugg Funny! โ I dont care what people think โ As long as they find his kids not ugly cause โ nobody wants an ugly kid โ so in fact he cares if people think his kids are good looking but not if the mom will overdose after giving the embrioโฆ make it make sense! ๐
@isnit0@paulpowlesland@Channel4News The gov saves by letting you do it for freeโฆ also great in N koreaโฆ. Its nice to do it occasionally act as voluntaries but needs to have government support, to allow more @paulpowlesland s out there to start great initiatives as such! Clearly inspiring until its not!
@nationalrailenq so you want me to spend 20 min doing a survey after getting charged ยฃ14 for my journey not knowing how much it costs as there is no info nor staff nor shelter at the station in a dodgy train that is considered dangerous! Pay for your feedback if you want it.
๐ธ Tuareg Blues, often referred to as Desert Blues, is a hypnotic and deeply evocative genre of music that originates from the Imazighen people of the Sahara Desert, spanning Mali, Niger, Algeria, Libya, Burkina Faso and many other countries.
Rooted in centuries-old Imazighen traditions, it merges the haunting melodies of North African Imazighen music with the raw energy of American blues and rock.
The Imazighen, have long used music as a means of storytelling, resistance, and cultural preservation. Traditional Imazighen music was played on instruments like the teherdent (a type of lute) and the imzad (a one-stringed violin, traditionally played by women). However, in the late 20th century, as Imazighen communities faced displacement, political struggles, and exile, many young musicians turned to the electric guitar, inspired by the revolutionary sounds of Western blues, rock, and reggae.
This fusion created a distinct style-characterized by pentatonic scales, hypnotic rhythms,
call-and-response vocals, and the steady, trance-like repetition reminiscent of both Saharan folk chants and Mississippi Delta blues. The influence of artists like Ali Farka Tourรฉ, whose Malian blues style bridged African and American blues traditions, also helped shape the genre.
The music features driving guitar rhythms, often with reverb-heavy electric guitars that produce a shimmering, almost psychedelic effect. Call-and-response vocals reflect lmazighen oral traditions and communal storytelling. The lyrics are poetic and political, speaking of exile, freedom, rebellion, and the vast beauty of the desert. The hypnotic, repetitive structure of the music creates a trance-like atmosphere, deeply connected to the rhythms of nomadic life and the endless expanse of the Sahara.
by Houssaine Ousbouh