Kabbalah:
The Tree of Life is no Jewish invention.
It is plundered Druidic knowledge.
Ripped from sacred groves in Ireland, Britain, and the North.
What they call Kabbalah was born under oak, ash, and yew.
Not desert sand.
Its core symbol is a Tree.
Biblical cultures of the Levant did not venerate trees.
They condemned them.
Tree-worship belonged to the Druids and Aryans alone.
Kabbalah was created by tree-revering peoples who read sky and soil.
They were the ones who saw the cosmos as a living organism.
The Tree of Life wasn’t an abstract theological chart.
It was a working map of consciousness, seasons, poles, and the regenerative power of nature itself.
Irish Druids forged the system first.
It crossed to Egypt.
It fused with Amenist and stellar cults.
Then it was seized.
Rebranded.
Sold as another people’s exclusive property.
Then came the purge.
Druids hunted.
Colleges smashed.
Oral libraries erased.
Their knowledge confiscated.
Astro-theology rewritten.
Body-cosmos correspondences stolen.
Serpent renewal wisdom buried.
Sacred geometry hijacked.
Jehovah and the Elohim, are overlays.
Laid over older tree and stellar gods.
Christianity gorged on the theft.
Masonry gorged on it.
Every occult order gorged on it.
They kept the symbols.
They murdered the living context.
Today’s Kabbalah is a castrated husk.
Domesticated.
Commercialised.
The original demanded more.
It was about standing inside the Tree.
Recognising that human consciousness is itself a branch of the same living continuum that produces leaf, root, and star.
Druids understood the language.
They knew the true temple is the forest and the open sky.
Reclaim it.
This is restitution.
Not nostalgia.
The Tree still stands.
Rooted deeper than any single tradition that later claimed ownership of it.
Modern Kabbalah is a truncated fraud.
Politicised.
Historically inverted.
Roman marble statuette of Mithraic lion-headed Chronos-Aion, discovered in the ruins of the Villa of Domitian (Villa Barberini) in Castel Gandolfo, Italy, 1933
El Rosa-Cruz inglés, Thomas Vaughan (1622-1666), narra aquí su encuentro con Thalía, la musa de la naturaleza florida. Esta, después de quejarse vehementemente de haber sido violada por los alquimistas del laboratorio, lo conduce a los montes de sal filosóficos de la luna, de donde nace el Nilo espermático de la Prima Materia. Las tinieblas de la región representan las falsas doctrinas aristotélicas, en las que se yerra hasta el descubrimiento de la sal álcali, la divina e invisible luz de la Naturaleza. El dragón verde es el <<mercurio de los sabios>>, cuyo tesoro solo descubrirán los que son puros como los niños.
Ireneo Philalethe, 1693.
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A striking numerical relationship connects the Great Pyramid’s geometry with Alpha, the fine structure constant associated with electromagnetic interaction. Its base perimeter of approximately 3,024 feet, expressed here through π⁷, returns to 137 when divided through the corresponding 7π relationship. The Pyramid’s 11:7 base to height proportion adds another layer, connecting linear and circular geometry through the ancient approximation 22/7 while symbolically balancing Heaven and Earth.
The same numerical pattern continues inside the King’s Chamber. The relationship between the chamber and sarcophagus volumes is presented as 137, while the sarcophagus is associated with a resonance of 117 Hz, echoing the 11.7 harmonic. Together, these relationships connect geometry, proportion, sound, light, and electromagnetic interaction through recurring numbers.
Even the symbolism of divine breath enters the pattern through Yod Heh Vav Heh, connecting creation with breath and the expression of being. Through this framework, the Great Pyramid becomes a living Codex, encoding the harmonic relationships between matter, energy, consciousness, and the architecture of the universe.
“But to love me is better than all things: if under the night-stars in the desert thou presently burnest mine incense before me, invoking me with a pure heart, and the Serpent flame therein, thou shalt come a little to lie in my bosom. For one kiss wilt thou then be willing to give all; but whoso gives one particle of dust shall lose all in that hour. Ye shall gather goods and store of women and spices; ye shall wear rich jewels; ye shall exceed the nations of the earth in splendour & pride; but always in the love of me, and so shall ye come to my joy. I charge you earnestly to come before me in a single robe, and covered with a rich headdress. I love you! I yearn to you! Pale or purple, veiled or voluptuous, I who am all pleasure and purple, and drunkenness of the innermost sense, desire you. Put on the wings, and arouse the coiled splendour within you: come unto me!”
— Liber AL vel Legis, 1:61
Liber Resh vel Helios ☀️
“The object of this practice is firstly to remind the aspirant at regular intervals of the Great Work; secondly, to bring him into conscious personal relation with the centre of our system; and thirdly, for advanced students, to make actual magical contact with the spiritual energy of the sun and thus to draw actual force from him.”
— The Confessions of Aleister Crowley
“The first essential is the dedication of all that one is and all that one has to the Great Work, without reservation of any sort. This must be kept constantly in mind; the way to do this is to practice Liber Resh vel Helios... The important thing is not to forget.”
“Particularly useful against the fear of death is the punctual and vigorous performance of Liber Resh. Meditate on the sun in each station: his continuous and even way: the endless circle.”
— Magick Without Tears
Partidario del ideal revolucionario de libertad y adversario de todo tutelaje moral y político, Blake redactó en 1790, con su Matrimonio del Cielo y el Infierno (Marriage of Heaven and Hell), una agria polémica contra los valores tradicionales del Bien y el Mal asimilados en alma y cuerpo. <<Lo cierto es que el cuerpo del hombre no se diferencia del alma. Pues lo que se llama cuerpo, es parte del alma, percibido por los cinco sentidos. La única vida es la energía y esta proviene del cuerpo; la razón es el límite externo de la energía>>. Según el modelo cabalístico, los mundos inferiores son reflejo de los mundos superiores de la luz, y por consiguiente todos los valores terrenales y las representaciones morales en este mundo se ven como invertidos en un espejo. Blake comprara esta inversión de valores con la inversión característica de las cajas tipográficas.