Alex McCulloch

[sylvie longeron @sylvie_longeron]

Man Ray (b. Emmanuel Radnitzky)
Lee Miller's silhouette, 1930
Paris, France

[The Magic Mod @TaylorMod]

Dirty Old Town
The Pogues

[Expanding Dan: the Steely Dan newsletter @ExpandingDan]

RIP Phil Lesh, a legend for so much including his hilariously honest testimony during a Jerry Garcia estate hearing in 1996.

[.stuff @vintagestuff4]

Irving Penn, Miles Davis-Hand and Trumpet, New York City, 1986

[𝑷𝒂𝒕𝒓𝒊𝒄𝒌 @LKpaddy]

Francesca Woodman •
Untitled, Rome, 1977

[Badger @Bertrom]

Peter Mitchell began taking photographs of Leeds in the early 1970s.

“I was amazed by the great deserts springing up in south Leeds. It was so easy to demolish the back-to-back terraces. They just wrapped a chain around them and pulled.”

[mair⭐️ @301mair]

OJ Simpson still insane for this shit dawg

[𝑷𝒂𝒕𝒓𝒊𝒄𝒌 @LKpaddy]

Francesca Woodman •
Photo by George Lange, c. 1975

[DepressedBergman @DannyDrinksWine]

The opening sequence in Martin Scorsese's "Raging Bull" (1980) features the lighting from photographers' flashes. There was only one person setting off the flash bulbs, & that was cinematographer Michael Chapman running around in the ring in a black velour tracksuit.

[Daniel Marley @UlteriousFilm]

THE SEARCHERS (1956). Dir. John Ford

[𝑵𝒐𝒔𝒕𝒂𝒍𝒈𝒊𝒂 @Dear_Grateful1]

James Cagney, White Heat
(1949, Raoul Walsh)

[nightly moth @nightly_moth]

Bob Dylan answering an e-mail about Sheryl Crow using Buddy Holly's Not Fade Away for a TV hair dye commercial.
—
Painting by Bob Dylan. Recording Studio.

[Josh @joshpearson180]

The big bad wolf seeing this idea

[Queen City Jamz @QueenCityJamz]

OTD 1974 The Grateful Dead debuted the Wall of Sound at the Cow Palace.

[JayKeeley @doomedparade]

#VanillaFudge. “Keep Me Hanging On.” 1968. Ed Sullivan show. Look at these guys covering The Supremes, dressed in something Julie Andrews whipped together from a pair of curtains. But the flair, the dramatics…the 60s. Live on TV! And #CarmineAppice on drums, woooow 🍄

[jg @jacquesgreene]

got big plans this weekend

[DepressedBergman @DannyDrinksWine]

"I couldn’t find any money for 'Bande à part' (1964). So I wrote to Columbia, Paramount asking could they give me $100,000 to make a picture. They said, “Well, that’s a huge fee for a director.” & I said, “No, that’s not for me, that’s for the whole picture.”

---Jean-Luc Godard

[DepressedBergman @DannyDrinksWine]

Polish poster of Francis Ford Coppola's "Apocalypse Now" (1979)

(©- Waldemar Świerzy)