Ali Fazal M / میر علی فضل / अली

A visible shout. Actor. मुझे सीखना है - और यह सिलसिला जारी रहेगा ।

[BollyHungama @Bollyhungama]

#AliFazal starrer #Raakh becomes its #1 non-English series on Prime Video worldwide for second consecutive week; emerges as platform’s biggest Indian Original debut in two years

@alifazal9 @PrimeVideoIN

https://t.co/lxkJM1MQXV

[Ali Fazal M / میر علی فضل / अली @alifazal9]

@AnasRizvi89 Yes

[Ali Fazal M / میر علی فضل / अली @alifazal9]

Teaser Out - Mirzapur Film. .
😉

[Farhan Akhtar @FarOutAkhtar]

Humein empire chalana nahi, banana hai.
Bablu Bhaiya aa rahe hain, ab bade parde par 4th September ko. #MirzapurTheMovie, teaser out now.

Watch #MirzapurTheMovie only in cinemas in Hindi & Telugu

#JitendraKumar @gu@gurmmeet #PuneetKrishna @ri@ritesh_sid @vishalrr @J10Kassim @excelmovies @AMZMGMstudiosIN @AAFilmsIndia @UMusicIndia

[Farhan Akhtar @FarOutAkhtar]

Witness the epic untold story, this September. Get ready for bhaukaal on the big screen.

Watch #MirzapurTheMovie only in cinemas on 4th September in Hindi & Telugu

इस सितंबर, एक ज़बरदस्त अनकही कहानी देखें। भौकाल के लिए तैयार हो जाइए बड़े पर्दे पर

#MirzapurTheMovie देखें 4 सितंबर से सिर्फ सिनेमाघरों में हिंदी और तेलुगु में।

#AliFazal @TripathiiPankaj @divyenndu #JitendraKumar @ravikishann @nowitsabhi @RasikaDugal @battatawada @ShriyaP @HarshitaGaur12 @sushant_says @ItsMohitMalik #SheebaChadha @rajeshtailang #KulbhushanKharbanda @sonalchauhan7 @thepramodpathak @AnangshaB @gurmmeet #PuneetKrishna @ritesh_sid @J10kassim @vishalrr #AbbasKhan #SanjayKapoor @excelmovies @AMZMGMstudiosIN @AAFilmsIndia @UMusicIndia

[Ali Fazal M / میر علی فضل / अली @alifazal9]

🙏🏽🙏🏽🙏🏽.

[Chandra Agarwal, CA @agarchandu]

@alifazal9 what an actor u r, damn good , total finesse , Raakh is brilliant and disturbing, kudos!!!

[Ali Fazal M / میر علی فضل / अली @alifazal9]

🙏🏽🙏🏽🙏🏽

[pallavi ghosh @_pallavighosh]

.@alifazal9 - what a stupendous performance and more importantly giving us hope - that there are people in the system who do fight for justice ..

[IgnisInternum @IInternum]

@DipeshDutt @chandkpaarchalo Every frame, act, dialogue is worth its weight in gold.

Raakh is a perfect successor to Delhi Crime, Patallok & Sacred Games S1

Take a bow @alifazal9 & the whole cast, crew, esp. the production design to get the 70s Delhi/ India so perfect

PS - song in the end breaks you!

[Ali Fazal M / میر علی فضل / अली @alifazal9]

And that brings us back to Kafka ka ka ka ka….

[Saurabh Thomas @saurabhft]

#SFTFilmReview #RuleBreakers (2025) Rate7/10 🎼📖📽️4/5 😍8/10 🇦🇫10/10 #NikohlBoosheri #AliFazal #PhoebeWallerBridge #AmberAfzali 🎥 #BillGuttentag is a thoughtful poignant “life / feminism / society” biopic movie 📺 #OnDemand @nikohl_boosheri @alifazal9 #review

[Ali Fazal M / میر علی فضل / अली @alifazal9]

Thanks

[Maverick ✌🏼 @Mandar_240Bhp]

@alifazal9
First look #Raakh 👌🏼👍🏼

[Ali Fazal M / میر علی فضل / अली @alifazal9]

@memadhumita Mubi

[The Academy @TheAcademy]

Presenting this year’s Best Picture nominees:

• BUGONIA
• F1
• FRANKENSTEIN
• HAMNET
• MARTY SUPREME
• ONE BATTLE AFTER ANOTHER
• THE SECRET AGENT
• SENTIMENTAL VALUE
• SINNERS
• TRAIN DREAMS

Watch the #Oscars LIVE on Sunday, March 15th, at 7e/4p on ABC and Hulu. #OnlyAtTheOscars

Song: "Mystified" | Artist: James Dooley | Video edit by Sleepy Skunk

[Ali Fazal M / میر علی فضل / अली @alifazal9]

@SrBachchan Game on! Thank you . Merry christmas

[Ali Fazal M / میر علی فضل / अली @alifazal9]

So so proud to see Preeti right there . @preetipani32141 !! #Girlswillbegirls

[Filmfare @filmfare]

Spot your favourites!🫶��

Here are the nominees for Best Actor, Web Original Film (Female) at the #FilmfareOTTAwards2025

#FilmfareOTTAwards2025 are set to happen on 15 December 2025! Stay tuned 🥳

Co-powered by @hyundaiindia
In association with: @amanteindia

#FilmfareOTTAwards
#FilmfareAwards
#Filmfare
#OTT
#HyundaiIndia

[Ali Fazal M / میر علی فضل / अली @alifazal9]

@suchin545 Haaha

[Kanu Behl @KanuBehl]

Update on ‘Agra’, the film: We’re being denied shows because of the so called ‘big blockbusters’ and because small films ‘don’t fit into’ multiplex chain programming. It’s up to you the audience now! Speak up and tag the chains. Say that you want to see the film!

[Ali Fazal M / میر علی فضل / अली @alifazal9]

@KanuBehl ❤️❤️❤️❤️❤️❤️

[Aditya Devulapally @sparky_pan]

#Agra review – A fever dream about sex, small towns, and the rot inside our polite Indian homes.

Caught a private screening of the original uncut version of  #Agra by @KanuBehl at the infamous Shiva Preview Theatre (fyi, that sound system is phenomenal).

Everyone online keeps jacking off to the sex scenes and missing the point (The film got leaked because of an actor’s glorious scenes, hate the word - bold). We talk about sex like embarrassed virgins pretending to be experts. 

But #Agra isn’t about sex, it’s about how sex haunts lonely people who don’t know what to do with their desires.

#KanuBehl isn’t making a “bold” film, he’s performing an autopsy. Every character here has been mangled by the weight of wanting. Their need for touch, power, ownership, it all becomes the same desperate clawing.

Sex isn’t just pleasure here, although the film does play to sensory pleasures in a flow, It’s something closer to breathing through a dirty, sweat drenched pillow. And through that, Behl has somehow made one of the most Indian films in recent memory.

Small-town India, where everyone’s horny, broke, and the family is just another cage you fuck up inside. People chase money and orgasms with equal desperation.

Everyone’s house is half-constructed, both physically and emotionally. We’ve all seen such homes where, 
the father juggling mistresses,
the mother muttering her practical martyrdom,
the once-beautiful “other woman” rotting in her own compromise,
the son growing up to be both a victim and monster.

And Behl, thankfully, doesn’t wrap it in allegorical crap like half the festival films do. He shoots the grotesque straight. You want to look away but can’t.

Guru is repressed, pathetic, dangerous. But you understand him anyway, which is worse. He’s the guy you’d never trust, yet can’t stop understanding. You look at him and realise India is full of such men…horny, humiliated, marinated in repression.

#Agra isn’t disturbing because it’s “shocking.” It’s disturbing because it’s accurate. And what’s refreshing is that Behl doesn’t judge.

He just opens the wound and watches. No speeches, no morals. Most filmmakers can’t shut up. Behl knows when to step aside.

He doesn’t explain India, he lets India reveal itself in sweat, gossip, and cathartic moans.

It’s a wild, flawed, honest piece of work and probably the most truthful Indian film about repression since #MonsoonWedding for me.

#Agra will mess you up. Not because it’s shocking. Because it’s recognisable.

Because somewhere in the dark, as you watch these characters claw at desire, you’ll realise that most people live in some version of that house.

[Aditya Devulapally @sparky_pan]

#Agra review – A fever dream about sex, small towns, and the rot inside our polite Indian homes.

Caught a private screening of the original uncut version of  #Agra by @KanuBehl at the infamous Shiva Preview Theatre (fyi, that sound system is phenomenal).

Everyone online keeps jacking off to the sex scenes and missing the point (The film got leaked because of an actor’s glorious scenes, hate the word - bold). We talk about sex like embarrassed virgins pretending to be experts. 

But #Agra isn’t about sex, it’s about how sex haunts lonely people who don’t know what to do with their desires.

#KanuBehl isn’t making a “bold” film, he’s performing an autopsy. Every character here has been mangled by the weight of wanting. Their need for touch, power, ownership, it all becomes the same desperate clawing.

Sex isn’t just pleasure here, although the film does play to sensory pleasures in a flow, It’s something closer to breathing through a dirty, sweat drenched pillow. And through that, Behl has somehow made one of the most Indian films in recent memory.

Small-town India, where everyone’s horny, broke, and the family is just another cage you fuck up inside. People chase money and orgasms with equal desperation.

Everyone’s house is half-constructed, both physically and emotionally. We’ve all seen such homes where, 
the father juggling mistresses,
the mother muttering her practical martyrdom,
the once-beautiful “other woman” rotting in her own compromise,
the son growing up to be both a victim and monster.

And Behl, thankfully, doesn’t wrap it in allegorical crap like half the festival films do. He shoots the grotesque straight. You want to look away but can’t.

Guru is repressed, pathetic, dangerous. But you understand him anyway, which is worse. He’s the guy you’d never trust, yet can’t stop understanding. You look at him and realise India is full of such men…horny, humiliated, marinated in repression.

#Agra isn’t disturbing because it’s “shocking.” It’s disturbing because it’s accurate. And what’s refreshing is that Behl doesn’t judge.

He just opens the wound and watches. No speeches, no morals. Most filmmakers can’t shut up. Behl knows when to step aside.

He doesn’t explain India, he lets India reveal itself in sweat, gossip, and cathartic moans.

It’s a wild, flawed, honest piece of work and probably the most truthful Indian film about repression since #MonsoonWedding for me.

#Agra will mess you up. Not because it’s shocking. Because it’s recognisable.

Because somewhere in the dark, as you watch these characters claw at desire, you’ll realise that most people live in some version of that house.

[Ali Fazal M / میر علی فضل / अली @alifazal9]

THIS DAY SHALL BE REMEMBERED FOREVER!!! What a win.. what a tournament. All salute!! #WomenInBlue !!

[BCCI Women @BCCIWomen]

𝐂.𝐇.𝐀.𝐌.𝐏.𝐈.𝐎.𝐍.𝐒 🏆

Congratulations to #TeamIndia on winning their maiden ICC Women's Cricket World Cup 🇮🇳

Take. A. Bow 🙌

#WomenInBlue | #CWC25 | #Final | #INDvSA