Terrence Malick's note to producer Nicolas Gonda after seeing Chloé Zhao's #Hamnet:
“Dear Nic,
I watched Hamnet last night. My heart was in my throat the whole time. I felt shaken to the core. It was searing, wondrous. What a magnificent piece of work. Please tell Chloé and the whole filmmaking team what you all know so well: what a wonderful film you all have made, full of love, tenderness, humanity and compassion.
Love, Terry.”
(via @THR)
I wrote about Payal Kapadia's ALL WE IMAGINE AS LIGHT, one of the most beautiful new movies you'll see this year. Opens today in Los Angeles and New York: https://t.co/fQC5mP21CM
#Anora ends with a grand gesture, and a moment of gratitude that curdles into despair and possibly hope. Director Sean Baker walks us through one of the great movie endings: https://t.co/vhY4sckuRd.
I watched GAME NIGHT for the first time and holy shit, why is this more fluidly shot than most modern action movies lol. And the tilt shift visuals! Plemons is great, McAdams is the MVP. the glass tables are acting weird tonight. this is platonic ideal of a big comedy imo!
yall they saying they shrunk the tampons and the pads without telling anyone (shrinkflation). so many people think their flows have gotten heavier bc they’re running thru the menstrual products when its really just companies being greedy!!!! i hate it here OMG!!!
First look at the trailer for Made in England: The Films of Powell and Pressburger, narrated and presented by Martin Scorsese ✨
In UK and Irish theaters May 10 via @AltitudeFilms
Park Ji-min is extraordinary in RETURN TO SEOUL, a total force of nature. Hard to believe it’s a debut performance; her molten intensity of presence defines the character, so expressive and propulsive:
For the first time in 70 years the #SightAndSoundPoll has been topped by a film directed by a woman – and one that takes a consciously, radically feminist approach to cinema. Things will never be the same, writes Laura Mulvey https://t.co/oXcXFRbE4P