Something for this week's @NewStatesman on M. John Harrison's fifty-year war on certainty.
All the great catastrophists included: Wyndham, Ballard, and Mick McCarthy.
Having not picked up a controller for well over a decade, I'm not exactly what you would call a gamer. The @NewStatesman, however, do love a challenge.
For the magazine this week: James Bond versus the machines, and why Britain needs him to win.
https://t.co/XwQeT47uvf
Thought I'd distract myself from monitoring the situation by writing about it instead. Some thoughts on living through history, with the help of my friends Elizabeth Bowen, Bold Ibis, and the tennis ball I've been bouncing all around Maida Vale.
https://t.co/aQjnXZo1eh
War. Claude Code. The AI apocalypse. In a time where crises of faith are no longer confined to nuns, I wrote something this week on why it’s time to crack out the Rumer Godden.
https://t.co/xcq76rfEAJ
John Wyndham walked through twenty thousand dead at Falaise and came home to write about a handyman on Mars. Alex Garland has made two films that understand why. Me in today’s @NewStatesman on 28 Years Later, and the return of the English strange.
https://t.co/FxdOEhbUUz
Thrilled to have written this for today's Ruffian, in praise of the bad, the bawdy, and the return of the body. Ft. After Dark, Aphra Behn, and the Inbetweeners Movie.
Great conversation. Really excited by this project. And 1956 Calder Hall looks as good as ever. Thanks as well @andrewjb_ for the very kind mention at the end.
I wrote for @the_met_review on the phenomenology of Tom Cruise, and why in Mission: Impossible films, the villains have to Google things and the heroes do not.
In the early 1980s, the watchmakers of Switzerland faced an existential problem: a new technology that produced watches cheaper, more accurate, and functionally superior in every way to anything they made at the time.
I wrote something for @worksinprogmag about the fightback - and what it says about human craftsmanship in a world that sometimes feels it might no longer need it.
https://t.co/AbGry7oGVQ
On a good day for UK nuclear, wrote something about how the National Trust engineered Britain's nuclear aesthetic for the better - and how we might do it on an even bigger scale
What's better: to be incompetently competent, or competently incompetent? My latest, on Mick Herron's Clown Town, cosy catastrophes, and our national art of getting away with it.
What does it mean to think in flesh? My latest here, on @jordan_castro2's Muscle Man, the bowling green at Shandy Hall, and the mind–muscle connection.
Excited to have a piece in the new print edition of @WorksInProgMag, out this November. If tales of men living out of camper vans in 1984 Basel sound like your thing, you’re in for a treat.
Nuclear power is wrapped up in the matter of Britain.
‘Roots that reach as far as the water / And help keep it dark. At night that lake / Burns like a torch. No one knows its bottom / No wisdom reaches such depths.’
Great Sunday morning reading from Aled.