उत्तर प्रदेश ने ढाँचागत विकास में जो मानदंड बनाए हैं, वह यूपी की छवि को राष्ट्र के ग्रोथ इंजन के रूप में स्थापित करता है। ट्रिलियन डॉलर इकॉनमी के लिए पोर्ट, कारगो टर्मिनल आदि के साथ छोटे-बड़े उद्योग आदि की आवश्यकता पड़ती ही है। आज के समय में किसी भी राज्य को अंतरराष्ट्रीय बाजार से जोड़ने के लिए उसी स्तर का एयरपोर्ट भी चाहिए।
जेवर वही एयरपोर्ट है जिसे सरकार ‘gateway to UP’ कह कर प्रचारित कर रही है। तीन करोड़ लोगों के जीवन को पर्यटन, रोजगार, आर्थिक तंत्र से जोड़ने वाला यह एयरपोर्ट यूपी की विकास यात्रा का इंजन बन सकता है। आशा है कि इसे डेडिकेटेड मेट्रो आदि से जोड़ कर नोएडा जैसे औद्योगिक क्षेत्रों को आधे-पौने घंटे की दूरी पर ला दिया जाएगा।
योगी आदित्यनाथ का पूरा विजन उत्तर प्रदेश को उस गुंडागर्दी, विकासहीनता की छवि से बाहर निकालने का है। ऐसे में यह एयरपोर्ट और संबद्ध विकास के ढाँचे नरेन्द्र मोदी के राष्ट्रीय इन्फ्रास्ट्रक्चरल विजन को भी आगे ले जाते हैं। यह #NayeUPKiUdaan है जो नए भारत को नई ऊँचाइयों तक ले जाएगी।
@Dharm9971056932@OfficialGMDA@cmohry@HsvpHaryana@DC_Gurugram@gurgaonpolice Despite repeated complaints, the contractor is not even listening or taking responsibility. Work in Sec 82/83 is dividing the road and creating daily chaos.
Authorities must intervene immediately and ensure accountability.
@Dharm9971056932@OfficialGMDA@cmohry@HsvpHaryana@DC_Gurugram@gurgaonpolice Due to sheer negligence of concerned authorities, thousands of residents are suffering daily. Societies are forced to run on diesel generators draining residents’ money.
Why are authorities not held accountable for these losses? Why should only citizens pay the price?
@OfficialGMDA why contract is given to unprofessional contractor, who is damaging infra regularly and residents are forced to live without Gas and electricity? On top of it contractor not listening! Work Sec 82/83 dividing road !
@cmohry@HsvpHaryana@DC_Gurugram@gurgaonpolice
DHURANDHAR is not a film , it is a QUANTUM LEAP in INDIAN CINEMA
I believe that @AdityaDharFilms has completely and single handedly changed the future of Indian cinema , be it north or south ..That’s because Duradhar is not just a film.. it is a quantum leap
What Dhurandhar achieves is not just scale, but a never before experienced vision not just in sight but in the mind . Aditya Dhar doesn’t direct scenes here… he engineers the states of minds of both the characters and us audience
The film doesn’t ask for your attention.. it commands it. From the very first shot , there’s a sense that something irreversible has been set in motion, and the audience is no longer a spectator but an accomplice to the happenings on screen
This is a film that refuses to be polite. The writing cuts with intent, the staging breathes menace, and the silences are as weaponized as the thunderous sound effects . Dhar understands that power in storytelling is not volume… it’s pressure building . Every sequence feels compressed, like a spring being wound never knowing when it will snap . And when it does, the impact is not just brutal but it is also symphonically operatic
The Performances in the film aren’t designed to be liked but they’re designed to linger long after we leave the theatre .. Characters walk in carrying history on their shoulders, and the film trusts the audience enough to read their scars rather than spoon feed their backstories. This confidence which could be easily mistaken for arrogance is precisely what marks Dhurandhar as a turning point for Indian cinema . Dhar assumes that the audience are intelligent which is the highest respect a director can pay to an audience , whereas most film makers believe in dumbing down their films
Technically, the film redraws the grammar of mainstream Indian cinema. The sound design doesn’t decorate scenes, it stalks them. The camera doesn’t observe but it circles it like a predator. Action here isn’t choreography for applause.. it’s perspectively justified and extremely ugly , the way real violence should feel.
But beyond craft, what truly elevates Dhurandhar is its intent. This is not a film chasing trends or validation. It is a solemn declaration, that Indian cinema doesn’t need to dilute itself to become successful and doesn’t need to mindlessly copy Hollywood. Dhar proved that it can be rooted and still be internationally cinematic.
When the final credits roll, you don’t feel just entertained, you feel altered. And that’s the mark of a filmmaker who isn’t just making movies, but he is reshaping the very ground that all us film makers stand on.
@DEEPAKKAHUJA@OfficialGMDA@cmohry@NayabSainiBJP@csharyana That’s the state of roads everywhere.
Most pathetic is Western Peripheral expressway by HSIIDC.
It’s expressway which has big potholes 1 feet deep & there are patches which are not motor-able & guess what, you take it and pay toll on that, even those gates are not maintenance’s
.@diljitdosanjh has correctly pointed out the hypocrisy when it comes to India-Pakistan match.
But that does not make him right on the issue of Pakistani actors in Punjabi movies. He is the not the first one to have a Punjabi actors in his movie - this trend has been there for many years now.
It is part of a larger attempt to show some sort of linkage between the 'Lehanda Punjab' (Pakistani Punjab) and the 'Charda Punjab' (Indian Punjab).
Weaved into this narrative is the sub-narrative of Sikhs and Muslims being brothers, separated by the political powers (guess who is the political power), and that 1947 was an exception to a long, shared history of peaceful, mutual coexistence.
Of all things that cricket matches do, they don't normalize Pakistan or Pakistanis. And in IPL, we've kept them out from the benefiting from the Indian economy.
But including Pakistani actors in Indian Punjabi films normalizes Pakistan. These people benefit from revenue generated by an Indian movie.
Its not OK to fraternize with those whose worldview involves destruction of your country and fantasies of enslaving your women.
@braddy_Codie05@BCCI Why should an Indian get offended at this gesture that looks like antiques of a mentally retard ?
Most likely
He is complaining that India hit so many air bases, 8-9 F16s downed, Ammunitions cooked in basement, COAS hiding in bunkers for a week.
@vikrantgupta73@abhiwhy
@LGIndia
What’s the TAT to resolve an issue?
An issue logged with ur cust. care.
Attended after multiple calls.
Post visit, I was given a date on which it will be addressed
I kept waiting
No one turned up
Called also to no avail
1 guy came today, again to just see the issue
Trump's trade advisor vilifying India for buying Russian oil is deceitful, to say the least.
This will blow your mind: Did you know that not only is Europe still buying Russian oil?
Hell, Ukraine is getting its oil from Russia via India!
So, can you guess why Mr. Navarro singled out India?
@gurgaon_live@Suhelseth@leenadhankhar The apathy is appalling and hopelessness is evident.
Couple of years back people used to tweet in 1000s on such days, but hopelessness is so much that people have even stopped that.
Nothing will happen. We know
The so called city is an Urban shame.@narendramodi@Suhelseth