At the CII Banaras Biennale, this story moves beyond the finished carpet to the hands, knowledge and processes that continue to carry the craft forward.
Banaras | 27 Nov-31 Dec 2026
Register Now: https://t.co/5kxUS6thdo
From routes of exchange to traditions rooted in homes, Bhadohi’s carpet-making story is one shaped by movement, adaptation and generations of skill.
Mr. Makarand Mehendale, Director of Operations, @obeeteecarpets traces how a weaving tradition across the region was shaped.
The story of Bharat Kala Bhavan shows how a museum can help people understand the shared threads running through India’s diverse artistic traditions. Prof. Sreerup Raychaudhuri, Director, Bharat Kala Bhavan, Banaras Hindu University, Varanasi, speaks about the same.
What does Banaras look like when remembered by an artist?
Rai Krishnadasa's collection became a meeting point for some of the most influential figures of modern India. Jawaharlal Nehru was struck by the care and devotion with which Rai Krishnadasa preserved the inanimate objects.
Banaras has always opened its living traditions to the world. We are simply building the platform for the world to see.
Come and experience the CII Banaras Biennale 2026
Banaras | 27 Nov-31 Dec 2026.
Register now: https://t.co/e5QTpO8YPt
#InTheirLight
A distinguished scholar of Indian art and textiles, Anjan Chakraverty brings to the Banaras Biennale a perspective shaped by research, deep scholarship and a sustained engagement with India’s visual and material traditions.
#InTheirLight
Pramod Kumar KG, whose work spans museums, archives, and cultural festivals, has brought engaging narratives about India’s artistic traditions to a wider global audience.