Because truthfully, we have to start elevating other black filmmakers. Otherwise we will never find the next Coogler. I’d want Juel Taylor the director of The Killed Tyrone
My buddy @grayson_wa came up with a crazy lanterns theory I’m like 95% sure is going to happen.
- first we know that antaan is likely atrocitus and he threatens to destroy part of south Nebraska if John fails to identify the manhunter.
- so what if obviously bc of John telling Hal and them trying to thwart them, which they will probably do, they instead target coast city to get back at Hal considering they already know he lives there, and that’s what sets Hal’s full transformation off as parallax in the 2026 timeline.
Kindly asking, @JamesGunn to greenlight the Batman Beyond film that was pitched to WB by Patrick Harpin & Yukhi Demers
They pitched an entire outline of the film along with concept art. Please make it happen James, this would be awesome.
adrenaline fueled cinema that is as effortlessly entertaining as it is profound. pursuit for greatness at any cost kinda movie that is one of the decades very best.
There have been countless projects where digital photography is intrinsically tied to the pieces DNA. To alter its formal aesthetics would be to remove a crucial part of what makes the project what it is. To say film>digital is a very narrow minded POV.
Statements like this just show such unfathomable ignorance for the breadth of digital photography. No, Inland Empire would not look better shot on film. Neither would Before the Devil Knows You're Dead, Silent Friend, Goodbye to Language, or Portrait of a Lady on Fire (etc.).
when i saw this scene for the first time, i started laughing bc it’s literally just there to show just how badly coogler runs laps round other directors