The Lil Pudgy AI toy in partnership with Curio is now live.
Each collectible includes its own interactive AI companion, styled with Springer’s voice.
Get yours below.
The reason people value hand drawn art over AI content is emotional satisfaction. If something was created by hand it contains: TIME.
And time equals effort. The artist had to learn the craft, hone it, and then put it to work with intent and passion.
AI on the other hand produces everything in seconds by recycling things which already exist. There's no effort behind it. It doesn't actually --create--.
Let me give you an example. Let's say you'd hand your mother a letter that expresses your gratitude and love for her. How do you think she'd react if you told her AI wrote it. She'd be disappointed, right?
Because even if you gave AI the input and even if AI maybe wrote the letter better than you could have yourself, it lacks the effort. It's simply not real.
And no matter how good AI will get, this void can never be filled. Anyone bullish on AI art or AI movies is completely out of touch with human nature. We do not value things which contain zero effort. Naturally we understand that they are hollow copies of the real thing and hence worthless.
Traditional art has proven the same point a long time ago. You can buy almost perfect replicas of famous paintings. But why are they worth so much less? Because, again, the artist can only give his soul to the artwork once. It cannot be copy pasted by plagiarizing the original.
Humans value time, effort, passion, and a love for the craft. That will never change. Never. In fact, that appreciation will only grow stronger as the world is flooded with slop.
That's why Majin builds on the foundation which Azuki laid. We honor the craft, we respect artistic integrity, and we make sure you can feel the soul in everything we create.
For the creation of our logo we relied on hand-brushed calligraphy by a Japanese artist. We went through hundreds of analog iterations before we arrived at the version which you see below.
Even the color is based on 朱色 (shuiro), which means; vermilion, and is a traditional orange-red.
Everything we do is done with purpose, great attention to detail, and respect for Japanese tradition.
In order for the collection and lore to be congruent it was important to build the world first and not just throw a bunch of PFPs onto the blockchain. I understand this is the way it has been done so far in the NFT space, but that creates a plethora of issues further down the road.
For example, right from the start you’re limited with the depth and authenticity of the lore. Because you have to come up with a story and meaning after the fact. That’s never going to be fully convincing and believable. And it’s one of the main weaknesses most on-chain IPs suffer from.
Another problem is that your future artwork, story, animations etc. is now dictated by randomly generated characters. None of them have an actual personality or justification for their existence. I believe most collectors and holders can feel that whenever a brand tries to go beyond being just a collection. Maybe it’s also the reason why even the biggest successes we have seen are primarily sold as gimmicks or toys, and not something that comes with the same charisma or weight as "real" IPs.
We'll stream live tomorrow in the @vvvdotnet Discord server.
Tune in for new art, fresh alpha, EXP codes, and chips rewards!
5 pm CET / 8 am PT / 11 am ET
The lifespan of great IP in the NFT world is much longer than you'd expect.
@cryptopunks has been around for 9 years.
This means as a new creator today you need to have a long-term vision. Otherwise you won't achieve the steadfastness of OG bluechips.
One key aspect I pursue is variety and creative diversity amongst traits and items. I believe this is what makes collections interesting to holders and where you as the creator can showcase your passion for the project.
That's why I go out of my way to avoid conventional traits that have already been (over)done by other collections (for example laser eyes, pirate hat, zombie).
But the real challenge is that you can't get rid of "boring" traits per se. Because the less desirable traits are those which differentiate floor NFTs from more expensive ones. That means you kind of have to make some characters less cool or more plain. Otherwise you might dilute the value at the top.
Then, yet again, you do not want floor NFTs to look bad. Otherwise the collection is not attractive to new buyers or you potentially hurt the quality of the brand.
So I'm working very carefully on making floor NFTs look great, but grails phenomenal... while at the same time balancing a clear visual differentiation between rarities.
Just like Naruto, Jujutsu Kaisen, and One Piece, we follow the tradition of chibi / SD (ちび・スーパーデフォルメ) content for bonus material, non-canon segments, and behind-the-scenes illustrations.
From a business perspective, this is commercially valuable because chibi / SD formats naturally translate into merchandise, social media content, short animated clips etc.
But it also gives Majin a clear separation between the main canon (serious, dark, beautiful, high-impact character art) vs. the chibi / SD style, which functions as a lighter, non-canon extension of the world.
This is a proven approach within anime / manga culture which allows a brand to keep its main story and visual identity while creating lighter, more accessible content that new fans can enjoy.
We want Majin to be authentic Japanese through and through. So we learn from the most successful franchises and empower our Japanese artists to uphold traditions and the highest standards.