Trailer for my documentary Stuck in Stone. Set to air on PBS January 11th at 7pm. Stuck in Stone examines Richmond’s controversial Monument Avenue and its uncertain future. Make sure to check it out and spread the word!
I refilled some of my best sellers and added a few new designs. If you are nasty. Only buy these if you are nasty. If you are not nasty they won't work.
https://t.co/rI189YOp9w ....
"The only website worth dying for....!"
If we had a nickel for every time we've won a national championship 13-2, we'd have two nickels. Which isn't a lot, but it's weird that it happened twice.
>be US
>enjoy an open strait of hormuz
>provoke iran into closing the strait
>"pays" iran $12 billion to open the strait
>iran opens the strait back to how it previously was
That water clarity is an engineering decision, and the math behind it is wilder than the video.
Roman aqueducts ran on gravity alone. No pumps, no pressure systems. Engineers carved channels with a gradient so shallow it borders on absurd. The Pont du Gard in southern France drops 2.5 centimeters over 275 meters. That's roughly the thickness of a coin over the length of three football fields. They surveyed that accuracy with plumb lines and wooden leveling instruments.
The clarity you're seeing is a direct product of flow velocity. Too steep and the water erodes the channel walls, picks up sediment, turns brown. Too flat and it stagnates. Roman engineers targeted a slope of about 20 centimeters per kilometer, which kept the water moving fast enough to stay fresh but slow enough to stay clear. Before the water reached the city, it passed through multi-chamber settling tanks where velocity dropped near zero. Suspended particles sank. Clean water flowed out the top into the next chamber. Repeat three or four times.
Pliny specified the minimum slope in writing. Vitruvius published the exact mortar ratio for hydraulic cement: one part lime to two parts volcanic ash for underwater work. The pozzolana from Pozzuoli reacted with water to form a calcium-aluminum-silicate compound that actually gets stronger the longer it sits submerged. Modern concrete degrades in water. Roman concrete bonds with it.
Scale the whole system and it gets harder to process. Eleven aqueducts fed Rome at its peak. Combined output: roughly 1 million cubic meters of water per day. That works out to about 250 gallons per person for a city of one million. Modern New York delivers about 125 gallons per person per day. Ancient Rome had access to double the per capita water supply of the largest city in the United States, running entirely on slope and stone.
The Trevi Fountain in Rome is still fed by one of them. Two thousand years, same source, same gravity, same water.
Everyone COPY this video, share it far and wide. Paramount Skydance billionaire baby David Ellison can’t handle that Stephen Colbert is getting millions of views . @Youtube we will cancel our subscription as we did when we dumped @paramountplus.
To my Oklahoma family;
this piece comes straight from the heart.
I hope you’ll take a moment to read it and feel what I felt.
Thank you for allowing me to be a small part of it.
I came to @okcthunder to play basketball. I left carrying 168 lives.
When I was traded to the Oklahoma City Thunder, I was thinking about basketball, nothing more.
I didn’t know that before I ever stepped on the court, this place would show me something that would stay with me far longer than any game.
Like any player, my mind was on the game. A new team, a new city, a new opportunity. I expected the usual routine when I landed in Oklahoma City. Physicals, practices, meetings, and a jersey waiting in a locker.
But before any of that, Sam Presti pulled me aside and told me there was somewhere we needed to go.
He didn’t explain much, and I didn’t think to ask. I was focused on the next step in my career.
What I didn’t understand was that, before I could represent the place I was about to play for, I needed to understand it.
So instead of heading to the facility, he took me to the Oklahoma City National Memorial & Museum.
I walked in without knowing what I was about to see, and within minutes, everything slowed down.
There are 168 chairs at the memorial, each one representing a life lost on April 19, 1995. They are arranged in quiet rows, each engraved with a name, each standing where a person once stood in that building. Then you notice something that is impossible to process the first time you see it. Some of the chairs are smaller.
They belong to children.
There is no speech that prepares you for that, no headline that captures it. You simply stand there, and the silence carries a kind of weight that is hard to describe but impossible to ignore.
As you walk through the memorial, you pass between two gates marked 9:01 and 9:03. At first, they seem like simple numbers, but then you understand what they hold. One marks the last minute before the attack. The other marks the first minute after. And in between those two gates is 9:02, the moment when everything changed.
That minute does not feel like history when you are standing there. It feels present.
The reflecting pool stretches across what used to be a city street, its surface calm and still. When you look into it, you do not just see water. You see yourself standing in a place where unimaginable loss occurred, and for a moment, everything else in your life becomes quieter.
Nearby stands the Survivor Tree, an American elm that was damaged in the blast but endured. It is not untouched. Its scars are part of what it represents. But it is still standing, and in that, it carries a kind of strength that does not need to be explained.
We did not speak much while we were inside. It did not feel like a place for conversation. Some places ask for words. This one asks for reflection.
When we stepped outside, Sam Presti looked me in the eye and said, “This is what this state has been through.”
Then he said something I will never forget.
“Every time you step on that court, you are not just playing in front of fans. You are playing for a state that carries this with it. Give them everything you have. They deserve that.”
In that moment, basketball felt different.
Not smaller, but clearer.
Because what I had just seen was not only about what was lost. It was about what remained. A state that had experienced unimaginable pain and still chose to come together, to rebuild, and to move forward without losing its humanity.
From that day on, every time I stepped on the court, I carried that with me.
On the nights when I was tired, when I was hurt, when I was dealing with challenges that felt heavy in the moment, I would think about those chairs, about that minute, about the people behind those names. And I was reminded that what I was going through did not compare to what this state had endured.
https://t.co/XfNLliRVaO
If you are crying and wearing pajama pants in your own yard in northern Virginia they send you to the mental hospital and shave all your hair off. If you have two functioning headlights in Richmond someone will call you an undercover police officer
me: these are headphones. they go over your ears so you can privately listen to music or podcasts
time-traveling pilgrim: so then why do people play stuff loudly off their phone in public spaces?
me: okay, you're actually picking up on things way faster than I thought