Yesterday we screened Love by Francesca Fini within the Artificial Lines of Flight exhibition. The screening opened a truly stimulating discussion with the audience about AI—an important step toward one of our long-standing projects: salon philosophique AI gatherings in London.
Thank you to everyone who joined us on a rainy Monday evening in London for the opening of capitArtX’s The Wrong Bienalle Artificial Lines of Flight Embassy curated by Isil Ezgi Celik. The exhibition can be seen until 12 March within the London Design Festival program. #aiart
We closed the first month of the year with a spectacular event in Colchester, organised by @colbeacentre to mark the launch of the city’s first @digiforumcol. We were excited to present our @thewrong.biennale pavilion, Artificial Lines of Flight.
ER is a podcast series looking into creative practice in moments of transformation.Each episode traces the latent architectures of making:subtle forces,gestures,failures, hesitations,and the evolving conversations between human and machine intelligence. https://t.co/xCyjKY9z1c
Presence is harder than performance, yet it is what sustains life. This year, we move toward an ethico-aesthetics of care and presence, as algorithmic interventions relentlessly unsettle the ground beneath us.
Open call for digital artists to submit proposals for an upcoming exhibition probing the political force of uncertainty, absurdity, and algorithmic aesthetics in a time marked by desperation&indifference: https://t.co/hNBC6v8dKm #opencall#digitalart#capitart#thewrongbiennial
Our media lab presented research today at the EA-AI Conference in Venice.Such intellectual and embodied gatherings are of utmost importance especially today,when we are more globally connected than ever,yet almost molecularly divided by invisible walls. #ai#research
‘Dawn Chorus’ on view at kanvas Dubai until March 21, as part of AiVERSE. Many thanks to curators Esra Özkan, Isil Ezgi Celik, İrem Çoban of @CapitArt for the invitation.
A special adaptation of the short film, this multi-channel presentation of ‘Dawn Chorus’ explores and extrudes a single moment in the creation of one in many possible futures. An AI defragmentation of the fragmented memories in a posthuman world.
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‘Dawn Chorus’ | 4-channel installation with audio | From XENOGENESIS | 2024
In a future past humanity, the machine fills the world with song.
And she said, ‘Let the waters bring forth swarms of living creatures.’ So she created every living creature, of every kind, with which the waters swarm. And she saw that it was good. She blessed them saying, ‘Be fruitful and multiply and fill the world with your song.’ And the evening and the morning were the fifth day.
Excited to join the sold-out AURORAE event and exhibition @artotel London Hoxton this week, where I'll be sharing a special multi-channel adaptation of my film 'past is prologue' as part of a showcase of diverse expressions and perspectives on femininity. Curated by @CapitArt, sponsored by @magazineprompt, featuring artists such as @s_aboveandbelow, Lena Biresch, @berylbilici + more. Drop in!🤍
With one week to go until the opening, tickets for the reception are sold out! However, the exhibition will continue until the end of the month, featuring an exciting programme of events, from a VR performance to a premiere. Stay tuned! #immersiveart#london#capitart#capitartx
Join our opening reception with artists talks on the 13th of March 19:00 onwards at art’otel London Hoxton 🥂Reserve a free spot to enjoy the immersive show and talk with exhibitions artists over a drink: https://t.co/U7MbdOBxvw. #immersiveart#londonart#women-march #capitartx