Christoph Petersen @Cannes2022

Chefkritiker bei

[Christoph Petersen @Cannes2022 @ChristophPeter6]

Nachdem ich den zweiten Teil ja als Horror-Slasher mit Dinos ja zumindest inszenatorisch ziemlich interessant fand ist #JurassicWorldDominion leider eine ziemliche Enttäuschung. Meine komplette Kritik bei @Filmstarts : https://t.co/x6KKWLwSr2

[Christoph Petersen @Cannes2022 @ChristophPeter6]

The worst film of the cannes competition won the Golden Palme in #Cannes2022 . But that‘s okay, better than something middle of the road. Also if people laugh as much, they absolutly should give prizes as well. I‘m happy for Park Chan-wool winning best director.

[Christoph Petersen @Cannes2022 @ChristophPeter6]

Saw the complete competition of #cannes2022 my three favorites are 3. "Les Amandiers" by Valeria Bruni‑Tedeschi 2. "Pacifiction" by Albert Serra 1. "Decision To Leave" by Park Chan-wook. (Favorite for winning the palm: "R.M.N." by Cristian Mungiu)

[Christoph Petersen @Cannes2022 @ChristophPeter6]

Of all things an action movie from the directors of „Bad Boys 3“ is the best film in #Cannes2022 #Rebel should have been in competition (and win the palm) instead of „just“ being a midnight screening!

[Christoph Petersen @Cannes2022 @ChristophPeter6]

#Elvis in #Cannes2022 is glorious blazing big budget trash, that starts out great, but loses steam, because it itn't interested in it's own title character at all. Best taken as an over the top concert movie.

[Christoph Petersen @Cannes2022 @ChristophPeter6]

Joao Pedro Rodrigues’ queer fireman fantasy musical „FOGO-FATUO“ is the funniest movie in #Cannes2022 Everything „Triangle of Sadness“ wanted to be. Interviewer wears fireman drag for Q&A. Fitting.

[Christoph Petersen @Cannes2022 @ChristophPeter6]

#CrimesOfTheFuture in #cannes2022 is not shocking at all - and also at least a bit of a letdown. My full review on @Filmstarts https://t.co/xkWHjvCwFj

[Christoph Petersen @Cannes2022 @ChristophPeter6]

Partyvorbereitungen für „Elvis“ in #Cannes2022

[Christoph Petersen @Cannes2022 @ChristophPeter6]

It‘s quiet sweet that David Cronenberg actually thinks that „crimes of the future“ will shock anybody. Just talk, no show in #cannes2022

[Christoph Petersen @Cannes2022 @ChristophPeter6]

Ironically, the mastermind behind such hard-hitting revenge thrillers as "Sympathy For Mr. Vengeance" or "Oldboy" gifts us one of the most tender film noir of all time. Chan-Wook Parks #DecisionToLeave is the first real masterpiece of #cannes2022

[Christoph Petersen @Cannes2022 @ChristophPeter6]

#Cannes2022 There will be A LOT of talk about the final 15 minutes! WTF to the max. My review for „Men“ on @Filmstarts https://t.co/b6rRKHX1DV

[Christoph Petersen @Cannes2022 @ChristophPeter6]

I really value Serge Bozon, but his musical-burrying of „Don Juan“ is just boring as fuck. And all that for the realization that the character isn‘t fit for the #metoo era. No shit sherlock! Biggest disappointment of #Cannes2022

[Christoph Petersen @Cannes2022 @ChristophPeter6]

Lea Mysius follows „Ava“ with a flawed, but magical, tender time travel voodoo love story drama. Right now, „The Five Devils“ is my favorite of #Cannes2022

[Christoph Petersen @Cannes2022 @ChristophPeter6]

#SmokingCausesCoughing ist ein Superheldenfilm, wie ihn nur #QuentinDupieux machen kann. Blutig, grotesk , wahnsinnig unterhaltsam. #cannes2022 #Filmstarts https://t.co/K0BWQJqWtG

[Christoph Petersen @Cannes2022 @ChristophPeter6]

invasion #Cannes2022 (there are way more, but don‘t know for what marketing campaign)

[Christoph Petersen @Cannes2022 @ChristophPeter6]

Dominik Molls „La Nuit de 12“ stopped because of missing sibtitles. Maybe it will start again. Errors like this happen all the time. But in Cannes it‘s always like a political faux pas of the highest order. Anybod remembering „Okja“? #cannes2022

[Christoph Petersen @Cannes2022 @ChristophPeter6]

#SquidGame Star Lee Jung-jae gibt mit "Hunt" sein Debüt als Regisseur. Agenten-Action-Thriller mit gewissen "The Departed"-Vibes, bei denen dir Charaktere aber so blass bleiben, dass man auch irgendwann die ganzen Wendungen nachvollziehen kann. #Cannes2022

[Christoph Petersen @Cannes2022 @ChristophPeter6]

#Cannes2022 the future (or current state) of cinema?

[Christoph Petersen @Cannes2022 @ChristophPeter6]

Warum dreht James Grey, einer der aufregendsten Großgedachtes-Kino-Regisseure unserer Zeit, plötzlich naive Sundance-Filme? #ArmageddonTime #Cannes2022

[Christoph Petersen @Cannes2022 @ChristophPeter6]

Erste #Cannes2022 Kritik für @Filmstarts : Nachdem uns „Leto“ noch weggepustet hat, ist KIRILL SEREBRENNIKOVS „Tchaikovsky‘s Wife“ leider auch gleich eine erste kleine Enttäuschung… https://t.co/uvXV3xarMU