@BookLockdown@CONELRAD6401240@TolkienSociety@MavrocksGirl May QPB, but I think HMCo did this "signature" set in 1978, adding Hobbit to the box in 1979 (perhaps first instance of Adult poaching from Children's? or UK run-on). The (first) Alan Lee designed covers - the muted grey-ish ones) appeared in 1980 (type and image frame). Not sure
@BookLockdown@CONELRAD6401240@TolkienSociety@MavrocksGirl I'm not entirely sure HMCo's hand is in this. It's LotR (and Hobbit) focused, not Silmarillion that I can see, and all HM had at the time (for the most part) was the hardcovers. Maybe just Ian capitalizing on Silmarillion?
A few more thoughts on this tweet that I typed as I was walking off the House floor today, angry and wondering what has become of any semblance of decency among the Republican caucus:
This 1958 Abbott Laboratories ad for Nembutal got me wondering about the artist and whether the illustrator may have added a subversive element to his depiction of the zombie child.
The style reminded me of the work of David Stone Martin and Ben Shahn. 1/7
@ArchivesBoston@CllrKendraLara@JPHistoricalSoc The raised beds of the Arborway (L-R), the massive granite heavy rail viaduct, and the steady march of the Elevated rail down Washington - waiting on station construction.
Grateful for the @billjanovitz bio of Leon Russell: monumental, enormously entertaining and informative. Russell was everywhere and everything to such profoundly great and lasting music; an accomplished and complex cat. So many voices help tell the story so well. You'd love it.
🧵 20 years ago today, I was the overnight desk editor for City News.
My one reporter was busy checking on the usual list of fires and murders.
We were the only 2 journalists on duty in Chicago when a crazy tip came in: Bulldozers were rolling down the street, toward Meigs Field.
Since this once-spunky-if-odd website seems destined to collapse in on itself in the days ahead, becoming a black hole occupied by people who think the globe is cooling, polio wouldn't be so bad, and being awake is a terrible fate, I feel like getting a few things out while I can
@hhharlow Seriously though: fabulous storytelling and tribute to Carla tucked in there like an emotional landmine - props for being able to deliver it with such grace. I was blubbering just watching.