Commercial Type

Christian Schwartz handles the twittering. Find Paul Barnes at @PauloBarnesi. DMs not checked, email info@ for assistance.

[Monograph @mngrph]

Delighted to share the cover for On Posthuman War was selected for @CommArts Typography Annual 13!

AD: Ana Bichanich
Editor: Douglas Armato
Editorial assistant: Zenyse Miller
Publisher: @UMinnPress
Atlas Typewriter from @carvalho_bernau (ASCII art)
Graphik from @commercialtype

[Commercial Type @commercialtype]

@lubalincenter @mttymtt The typesetting inside Fact is some of the best-looking Times I've ever seen. A lot of the content hasn't aged particularly well, though... Ralph Ginzburg was progressive on many topics, but also extremely homophobic.

[Commercial Type @commercialtype]

@lubalincenter @mttymtt Everything about this is great - tracking, contrast, weight... This was one of our main references for the headline sizes of Feature, though it ended up in a pretty different place.

[Mecob Design @mecobdesign]

Happy publication day to these beauts (for yesterday!) by @SimonNapierBell, published by @Unbounders. Uses Druk from @commercialtype. Thanks also to Alex Eccles and @johnmitchinson for trusting me with the design and Jo Carlill for the Picture Research.

[Commercial Type @commercialtype]

@LyricWest2 It could, but I have no plans to draw one. This is a question for @Monotype

[Commercial Type @commercialtype]

@plain_form @delurepointorg @grifi_txt Really looking forward to reading this, sounds super interesting!

[Commercial Type @commercialtype]

Congratulations to @plain_form on opening today!
https://t.co/m0m4hsABB5

There's a lot to love here but Ready is especially great.
https://t.co/jIJm5qH0gL

[Sandrine Nugue @SNugue]

A new specimen is out. What is your favorite article and what are your favorite type combinaisons?

[Matthew Marco @matthewmarco]

Incisive food writing as beautiful type specimen be still my heart. https://t.co/VyfLGYNx4U

[derrick has started yet another project @dvsch]

Really excited to have contributed all of the illustrations for this one! And I got to collab with @diandrecaprice on the Beef Patty illo 😀

(I made these like 6 months ago so its Disco Diffusion not Stable Diffusion in most places)

[Commercial Type @commercialtype]

...and an listicle written with help from the folks at Kuih Cafe, a Malaysian snack shop around the corner from our office in New York.

Illustrations by @dvsch, with help from @diandrecaprice.

We hope you enjoy it!
https://t.co/jt9AWioQaT

[Commercial Type @commercialtype]

NEW: The Food Issue, a type specimen for immersive reading. Edited by @litherland, designed by Nikhil Misra, built by Daniel Gamage
https://t.co/jt9AWioQaT

[Commercial Type @commercialtype]

Explore the text faces from our library in six different kinds of articles, all centered around food and eating: an interview with @hels by @navalang, short fiction by @robinsloan, an essay by @helfitzgerald, a news story by Daniel Pravit Fathke, a recipe by Diane Chang…

[Commercial Type @commercialtype]

Check out this great new release from @letterror, LTR Principia: https://t.co/xNUUbW1b8y
Berthold Wolpe influence, a lovely italic, a wide range of widths, fish… what more could you need?

[Commercial Classics @commerclassics]

Original Sans in its original form

[Commercial Type @commercialtype]

The collection of type specimens from before 1831 that @stbridelibrary has digitized is incredible. See more here:
https://t.co/JyZyl2rWdt

[Commercial Type @commercialtype]

@LyricWest2 It would, but I don't have any plans to draw one. This is a question for @Monotype

[Commercial Type @commercialtype]

New in the Vault: Lovesong, an homage to Brush Script that can be used in all caps, drawn by Miguel Reyes @font_taste for @Mr_Turley.

https://t.co/hMFbWvJ16F

[Commercial Type @commercialtype]

Updated in the Vault: @SNugue's asymetrically flared Moulin has been expanded to a full range of weights, from Thin to Super.

https://t.co/sMgYOK6Nvw