Lecturer and Researcher @UniHalle
Historian and Educator @DHMBerlin
Early modern Europe - diplomacy, ceremony, material culture, war, and state formation
Am Sonntag in der @morgenpost: Wie Künstler des Nationalsozialismus nach 1945 erfolgreich bleiben konnten. Ein Magazin über Netzwerke und Kontinuitäten anlässlich einer neuen Ausstellung @DHMBerlin
While it might be 6 months away we're also eagerly planning for the exhibition: "Karl Marx und Capitalism". Leftist Simpsons memes pinned up in our office are currently serving as inspiration.
Very cool to see my forthcoming seminar up online. Students of @UniHalle come and attend! Very much looking forward to teaching it when the Winter Semester begins in October!
STELLENAUSSCHREIBUNG: Wird Teil der Bildung und Vermittlung Abteilung im DHM! Mit dieser tollen Stelle wirst du zuständig für die Entwicklung und Durchführung von Vermittlungsangeboten für die Interimsdauerausstellung „Roads not taken“ ab November 2022.
Very excited about this. Currently working on the audio guide, it's raising some interesting questions. What does the success of 'divinely gifted' NS Artists say about postwar German society? How free are artists, and can they avoid conforming?
#Countdown zur nächsten Ausstellung:
genau in einem Monat, am 27.8., öffnet die #Ausstellung "Die Liste der „Gottbegnadeten“. Künstler des Nationalsozialismus in der Bundesrepublik" im Pei-Bau für Besucher*innen.
Infos unter: https://t.co/JHLg1A42xx
#DHMGottbegnadete#DHMBerlin
Today's library is the Staatsbibliothek on Unter den Linden. It's my first time back at the since its renovation and it's looking glorious Currently enjoying a croissant in this lovely interior courtyard.
Enjoying wiling away the afternoon in this cute little library inside the @DHMBerlin In the 19th century it was a bank, and it's vaguely giving me Mary Poppins film vibes.
Ab sofort gibt es die #ControversiaetConfessio Schimpfwörter des Monats in Buchform! Hg. von unseren Kollegen Jan Martin Lies und Hans-Otto Schneider mit neuen Illustrationen von Ulrike Selders. Mehr Infos unter https://t.co/yAXrjoaE7P
In 2014 I came to Berlin for the first time and almost bored my then girlfriend to tears dragging her around the German Historical Museum. The experience awoke my interest in German history and inspired me to study Prussian history for my MA and PhD.
We have a depiction of the installation in the documenta exhibition, as well as Kienholz's art work 'Sawdy', which shows the scene through a dismounted car door. We're trying to work out how to deal with and discuss this with visitors.
Has anyone ever been in contact with Kiezholz's 'five car stud' tableau? Either at documenta 5 @LACMA or @FondazionePrada ? I would be particularly interested to know how people of colour felt upon seeing it.
Perks of the job. Glad to finally get my hands on a physical copy of the exhibition catalogue that will take pride of place on the coffee table at home.