Painter interested in pockets of life that we ignore every day; places that are still or have been inhabited. Shortlisted for the ES Contemporary Art Prize 2017
‘Yellow House’ 2026. On display in CORNERS, an exhibition of new work @townhousespitalfields June13-July5 @thegentleauthor @PaintersofLondon @ahistoryinart
This Saturday 6th June, join me for ramble through 2000 years of culture and history in Spitalfields followed by tea and cakes freshly baked to recipe of 1720 served in a 300 year old house overlooking Christ Church. https://t.co/fcj3uslAsV
Between 1948-1950, Keith Vaughan made a series of images depicting steelworkers in a foundry. In this work from 1949, three furnacemen are taking a tea break. The image is related to a sketchbook he made entitled 'Steel,' which is now housed in the Tate Britain archive.
Visibly upset by the terrible footage, Kemi Badenoch said ‘Everyone matters. Henry Novak matters.’ She didn’t want to be forced to divide human life into colours.
This Adrian Amos, founder of London Architectural Salvage & Supply Company (LASSCO) with his son Harry. Portrait by Rachel Ferriman. Read the full story on Spitalfields Life: https://t.co/5pVyBMYqCD
'Farm on a Hillside,' (1914) shows the characteristic hallmarks of John Nash's pattern-making. Before WW1 John and Paul were spoken of as ‘the Nash brothers’ because their work was so close in spirit; John’s paintings frequently received better reviews than those of Paul.