Also adding to this, if you want your mixer to love you, take the time and bounce it all from the same measure start, so the mixer doesn’t have to find where each track begins. Doesn’t have to end the same.
And if you change your gain somewhere during your takes, put it on a new track. My absolute biggest pet peeve is when someone runs multiple gains on the same track, and I have to guesstimate what the right gain is for each section.
Tbh I don’t really personally care if it’s mono or stereo (that’s actually a mono) sent to me. It’s one click for me to change it to mono, but I get the idea.
When making a cover, this is what the rendered files you send to your mixers should roughly look like o7
Each individual/overlapping layer being a separate file, rendered from the beginning of the project, not from where the vocal starts
Vocals in WAV 24 bit format, set to mono
*My favourite DAW is (grim) REAPER*
I sang in this project, and got to repair/tune/time/mix/master!
🙇♂️Thank you Beck for hosting this project, and everyone on the team who participated in having a voice.
This was fun!! Happy belated Halloween, everyone 👻🎃
Me and a bunch of cool peepo covered Mrs. Pumpkin’s Comical Dream!
Take a looksie for one more goodbye to Halloween for this year oooo
https://t.co/RdO1grqf0g
This piece, honestly, is an earworm. I look forward to the cover material released for this song.
Thanks @DyokrVT getting this little video prepared for me.