@ScottMendelson In Netflix, a podcast is just as valuable as a $100 mil film.filmmakers in a position to, should go to MGM/Sony or the traditional studios where they get what the want rather than hav their cake(the big upfront Cheque) and eating it too(getting/complaining about theatrical) 3/3
@ScottMendelson Putting it in theatres incentivizes everyone to make a better film , from back end to the fear of embarrassment If no one shows up in he theatre because it’s too long etc, to the fact that a film has to be well made enough to draw people outside to the theatres…2/
Renate Reinsve in 2026:
• Earned her first Oscar nomination for ‘Sentimental Value’
• Won the European Actress award
• Starred in Palme d’Or-winning film ‘Fjord’ at Cannes
• Delivered the biggest box office opening of her career with ‘Backrooms’
@zieikon@sethsfilmreview The odyssey is a mythology but Nolan is entitled to artistic liberties like anyone else, and ppl want to watch HIS iteration on it, to see what HE finds compelling in it , which is perfectly fine
@TheRochaSays Jlo is a romcom queen, the number and profitability of her romcoms, she literally has over 10, the quality does vary, but yes she is one
Emma stone is many things but not a rom com queen
she did Easy A , a classic but she doesn’t have the breath of romcoms as the others
@TheRochaSays Jennifer Aniston film work is also not worth the title either, so that is not true
Rachel has classic romances and comedies and coming of age comedies but very few ROMCOMS,
So while i don’t care for JLos work , she is definitely a ROMCOM queen far higher than where u say