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[illuminatibot @iluminatibot]

Michael Jackson was also an enemy of the mainstream media and was slandered just like we are now.

Watch the symbolism in this performance. He tried to tell us the truth the whole time!

[chart data @chartdata]

Michael Jackson's "Billie Jean" remains at #1 on the global Spotify chart with 5.754 million streams.

It has now spent 7 days at #1.

[Divinyl Music @DivinylMusic]

@JamesMelville It’s nearly June, it’s called Summer… panic over 🙄

[Alan D Miller @alanvibe]

See what happens when the government snoops on our bank accounts - and us:

Savers are wrongly being ordered to pay thousands of pounds in tax after HMRC was given licence to monitor bank accounts.

The authority is clawing back tax on savings interest that either does not exist or is shielded in an Isa, after banks were forced to hand over details of their customers’ accounts.

An investigation by The Telegraph found taxpayers had been wrongly billed to the tune of thousands of pounds and had their tax codes adjusted to repay the sum.

Now with drive for 8 million directors on One Login along with Make Tax Digital for Self Employed, things worsen

Pls sign share the Pledge today below #scrapdigitalid

https://t.co/RhHjiRseFl

[wizzard @Sunwizking18]

On March 2, 1988, Michael Jackson delivered one of the most memorable Grammy performances ever.

Following the release of "Bad," which featured five #1 hits, he took to the stage for an electrifying ~10 minute medley that began with “The Way You Make Me Feel,” displaying his incredible dance skills and undeniable charisma, before smoothly transitioning into “Man in the Mirror.”

The Andraé Crouch Choir accompanied him, transforming the moment into a powerful gospel revival.

Michael dropped to his knees, expressing his feelings with genuine emotion, advocating for change, and giving it his all on stage, even after being snubbed for the top awards. It was pure transcendence.

The King of Pop. 👑

[Janet Jackson @JanetJackson]

I'm so grateful for the outpouring of love today. You have all made my 60th so special. Every single post, tribute, and wish touches my heart. I thank God for every additional day of life and for putting each of you in it. Wishing you all returned blessings & I look forward to seeing you soon.

I love you. ♥️ J

[billboard charts @billboardcharts]

Michael Jackson’s catalog has been surging in streams since the release of ‘Michael’ on April 24. 📈

His catalog raked in 61.5 million on-demand official U.S. weekly streams in the April 17-24 tracking week, according to Luminate. His catalog then rose to 144.5 million the following week (April 24-30), thanks to the first week of the film’s release — a 135% increase.

His catalog continued to rise the following week (May 1-7), logging 190.3 million streams as the film continued to resonate with audiences.

[Divinyl Music @DivinylMusic]

@JanetJackson Happy birthday 🥳

[chart data @chartdata]

Michael Jackson's 'Thriller' officially earns its first week in the top 5 on the Billboard 200 this century.

[Todd Spence @Todd_Spence]

At a JAMES BROWN show in 1983, the audience didn't realize they were about to witness the greatest concert ever when MICHAEL JACKSON and PRINCE joined to perform together on stage for the first and only time 🔥

[Divinyl Music @DivinylMusic]

https://t.co/naMycuUlBW https://t.co/naMycuUlBW

[Complex Music @ComplexMusic]

Michael Jackon's 'Thriller' has re-entered the Billboard 200 top 5 for the first time since 1984

[Official Charts @officialcharts]

Moonwalking to the top once more! The Essential from Michael Jackson (@michaeljackson) returns to Number 1 for the first time in 17 years 🕺

https://t.co/fj2o9qYuHF

[About Music @AboutMusicYT]

Michael Jackson is currently the most consumed artist on music platforms globally, despite making his debut six decades ago.

[music data @music__data]

Michael Jackson becomes the first artist in history to chart in the top 10 of the Billboard Hot 100 in six different decades (70s, 80s, 90s, 00s, 10s, 20s).

[Black Bond PTV @BlackBondPtv]

🚨😱 ILS N’ONT PAS JUSTE TUÉ LE KING OF POP…
ILS ONT ÉLIMINÉ UN PROPHÈTE QUI A OSÉ NOMMER LE DIABLE EN FACE

En 2002, à Harlem, Michael Jackson balance la vérité que personne n’osait dire :

« Tommy Mottola, le boss de Sony, est un raciste… un vrai diable. »

Quelques mois plus tard ? Accusations d’abus sexuels en rafale. Lynchage médiatique non-stop.
Acquitté en 2005 ? Peu importe. La machine l’avait déjà condamné à la mort sociale et médiatique.

Aujourd’hui, les Epstein Files 2026 sortent : le nom de Mottola apparaît des centaines de fois. Emails, cadeaux, connexions… exactement le réseau que MJ dénonçait.

Ils lui ont volé son enfance, son génie, puis sa vie pour protéger leur cartel.

MJ n’était pas parano.
Il était dans la pièce avec eux et savait de quoi il parlait.

Le King of Pop est mort.
Mais la vérité qu’il a hurlée est plus vivante que jamais.

[Rolling Stone @RollingStone]

Michael is on pace to gross upwards of $1 billion, and it's causing an enormous surge of interest in his back catalog, sending Thriller up to Number Seven on the Billboard 200.
https://t.co/E0ZD8detuu

[chart data @chartdata]

Michael Jackson's 'Thriller' aiming for its first week in the top 5 on the Billboard 200 this century.

[Tony Seruga @TonySeruga]

🚨 THEY DIDN’T JUST KILL THE KING OF POP—THEY ERASED A PROPHET WHO NAMED THE DEVIL TO HIS FACE 💥

In July 2002, Michael Jackson stood in Harlem at the National Action Network podium and detonated the one truth the entertainment cartel cannot forgive: Tommy Mottola—then Sony Music chairman—was “a mean, a racist… very, very, very devilish.”

He wasn’t ranting. He had just escaped his final Sony contract. For the first time in his adult life, the King of Pop owned his masters and his voice. Leverage acquired. Perimeter breached.

The machine’s reply was textbook institutional liquidation:

• 1993: Warning shot (Jordan Chandler).

• 2003: Full-spectrum assault (Gavin Arvizo)—launched within months of the Harlem speech.

Acquitted on all 14 counts in 2005? Irrelevant. The cultural verdict was pre-written by late-night monologues and tabloid headlines. Once the priesthood of entertainment declares you a monster, no jury can acquit you in the public mind.

Now the Epstein files—thousands of pages unsealed in 2026—have retroactively handed Jackson his vindication on a silver platter. Mottola’s name appears hundreds of times: emails, calls, gifts, “thank our lucky stars” exchanges during #MeToo scandals, and documented traffic in the very network Jackson tried to expose. The same players. The same leverage-through-compromise machine.

Jackson wasn’t paranoid. He was inside the room.

And they made him pay the ancient price for truth-tellers who refuse to stay bought: character assassination followed by pharmacological exile.

Propofol isn’t a party drug—it’s a surgical anesthetic. nightly infusions to sleep through the psychological siege they engineered.

The medical examiner called it “acute intoxication.” History will call it what it was: a two-decade execution by a thousand smears, ending in the only escape left.

Michael Jackson didn’t overdose on celebrity. He was hounded out of his own life by an industry that stole his childhood, harvested his genius, then sacrificed him to protect the cartel he dared unmask.

The message to every artist, every whistleblower, every soul who threatens the master narrative remains crystal clear:

Step out of line, and we will turn the greatest talent on Earth into a punchline… then into a corpse.

They can smear the man. They can never erase the mirror he held up.

The King of Pop is dead.

The truth he spoke is very much alive.

⚔️ Who’s next?

#MJWasRight #EpsteinFilesVindicateJackson #TommyMottolaExposed #SonyCartel #MusicIndustryBlackmail #TheKingTheyErased #WakeUpToTheMachine