Adam Edgett

HELLO🤳

[Adam Edgett @EdgettAdam]

Everrrry weeeekenddd .

[QQ @HeylKatme]

Realizing that the AI models are all trained on Snyder

[Yaz Minsky @Yaz_Minsky]

these were all from last year

[griffin🎃 @ohiojesustwink]

I know I say this a lot, but Scary Movie 6 is genuinely the worst thing I’ve seen in a cinema. Sold-out screening with zero laughs. Since all horror is meta now, it literally just plays like a Scream movie, albeit with more transphobia

[Paul Muad’Dib @trygraptor]

no it’s okay sir i know this 70mm showtime of The Odyssey is sold out, i just have to deliver this very large horse-shaped package to someone inside

[cael @curpenter]

okay?

[👁️ @nothingweirdhe]

Final post of Cailee’s butt until there’s new content, thank you beef for this gem

[Harry Nordlinger (New Account) @NewNordlinger]

Obsession/Backrooms is a really fun moment in culture, especially considering it might be the last good time we have before the hardest summer of our lives

[patrick. @imPatrickT]

this is what real filmmaking looks like and nothing will ever replace it

[Pop Base @PopBase]

Robert Pattinson on the delay of ‘THE BATMAN: PART 2’ production:

“I’m like, ‘Well, I’ll do another movie in between,’ And then I ended up doing fucking a lot of movies.”

(https://t.co/kzJV4Ty3wH)

[👁️ @nothingweirdhe]

More shots of Cailee’s butt from Civil War

[☀️AliquisNovus☀️ @PalmyrPar]

Dave Filoni after Disney executives are informed his $170 million blockbuster got annihilated by two budget horror flicks made by guys in their 20s

[𝑵𝑶𝑰𝑹 @iamnyct0n01r]

Having seen both films, I noticed they both tackle themes of loneliness which is increasingly relevant in a post Covid social media saturated world.

The success of both of them says a lot about what the younger generation is feeling.

[Yaz Minsky @Yaz_Minsky]

The Hansen story is such a nightmarish, perverse artifact of its age of mass media that any truthful telling would be like a modern Videodrome and there's no way-- ah. I see.

[Nick @aftersunfilm]

A lot of the hate for Obsession and Backrooms seems to be rooted in jealousy about the directors making it big in their 20s. So lame

[JT @Jtaylor0_3]

It’s the framing of Pattinson coming down the stairs like a predator closing in on its prey that just has me gassed as fuck for this movie and what it looks like it’s getting into. Cannot wait for this shit.

[xan loves OBSESSION @ColonelCochise]

a 26 year old directors theatrical debut horror film just surpassed a fucking star wars movie at the domestic box office and retook the #1 spot do you guys realize how insane this is

[Zak @zakfilm]

After finally watching Obsession I am bewildered by all the discourse that’s been happening. Frankly, Curry Barker made a great movie that best reflects the struggles of our current dating culture where people are unwilling to take steps to get to know each other and develop natural relationships, instead choosing to skip the process with shortcuts and force something that could have been there anyways by being emotionally honest, direct and patient. What’s impressive is how the film avoids your typical horror tropes or cliches by using suspense meaningfully through purposeful blocking, silhouettes, dim lighting and sound than cheap tricks. It allows the horror and even comedy to work in places that wouldn’t normally work.

But of course the real star of this movie is Inde Navarrette who makes herself known with a crowning performance that you hardly see in horror anymore. Emotionally vulnerable and physically deranged that can really overwhelm you from her sickly presence and impress vocal range alone. Bear’s issue is simple, he struggles to be honest with his feelings and mistakenly jumps a lot of hoops to wish for what he wants when he could have got it if he wasn’t so careless and obsessed himself.

[katherine @desertntv]

fat lana was so hot

[The Late Knight Show @Knightly_Hist]

Hardest image I've ever fucking seen