Jason Kennedy @EditorTheEar - Twitter Profile

Jason Kennedy @EditorTheEar

1 day ago

Cambridge L/R M speakers plus Room Magic EQ https://t.co/dvg88olfmH

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Jason Kennedy @EditorTheEar

2 days ago

SME arm servicing by the man that knows https://t.co/6s0IFIRrP5

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Jason Kennedy @EditorTheEar

2 days ago

Arendal’s Wood Edition veneer deluxe https://t.co/Nbjaj7SraC

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Jason Kennedy @EditorTheEar

7 days ago

Silent Angel H1 music hub for all your digital needs https://t.co/UMz2Wz8HD8

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Who to follow

Acoustic Energy

@Acoustic_Energy

Acoustic Energy is an award-winning British loudspeaker manufacturer that is one of the most highly regarded brands in the audio industry.

hifi lounge

@hifilounge

HFL are offering something different in hifi sales, based in a converted Granary, offering the best in quality hifi where the customer will always come first.

DELA Audio (Formerly Melco Audio)

@DelaAudio

Dedicated hi-res digital audio components giving outstanding performance

Jason Kennedy @EditorTheEar

7 days ago

Audiolab 6000CDT MkII gets slot loading https://t.co/8pBcH7IfAF

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Jason Kennedy @EditorTheEar

8 days ago

Cumbrian retailer Peter Tyson shows world how it’s done for 60 years https://t.co/E0PTEmsBle

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Jason Kennedy @EditorTheEar

9 days ago

AE500 series – the Corinium effect https://t.co/eb9lFeMvRV

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9 days ago

Qobuz and Warp Records join forces https://t.co/45llLtGD2p

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EditorTheEar retweeted

Pulp Librarian

@PulpLibrarian

11 days ago

Jonathan Meades: Remember The Future (1997). The first documentary from his series Even Further Abroad, Meades asks about Britain and technological modernism and our national dread of awe. Big Tech was never going to fit into Little England he concludes, despite the postwar lurch towards the white heat of technology and a brief flirtation with architectural determinism. Instead "The shape of things to come is the shape of what's already been. We're invited to advance timorously into the past." What's old is new again and Meades's arguments about Nineties Britain are back in play: data centres and high speed rail, wind farms and modular nuclear reactors - is it really us? Is our suspicion of technological utopia a hangup, or a well honed defence against the petty tyrannies of planned progress? Or is it just an argument over taste? One person's national heritage is another person's Victorian monstrosity etc. We're headed into the future regardless, why argue about the brickwork there. Meades is acerbic as well as informed and thoughtful, and his documentaries should be Grade 2 listed: preserved for future generations to gawp at on school visits to the world of analogue television, where we thought 30 minutes of architecture on BBC2 before the snooker started was good for us.