@PlNKG0RE I know you and I have never talked before but wouldn’t having any child in that situation be bad? Cause still we don’t know if that child could grow up and become a functioning adult that helps society
@ThemeParkScout@OdysseyJurassic Exactly, all the other projects have capabilities to “revitalize” them to bring more Lightning Lanes (and by extension profit) to Disney but not yeti. The yeti (and bringing down Everest in general) won’t necessarily bring profits back, and just shows that they do care
@JoptimusConvoyP TBH, I’m not the best artist, but here’s my interpretation so far. I’ll update when I’ve finished the rest of the sketch. (Time taken up to this point has been roughly 1 hour)
I was there for Homestuck. I was there in the Tumblr days of Seven Universe and Gravity Falls. I was there for the formative years of online fandoms all across the internet.
The TADC fandom is one of the most unruly, childish fandoms I've ever had the displeasure of interacting with. Instead of being happy that a small indie studio get's a chance at a theatrical release, y'all want to boycott it because you want it to "stay niche" and don't want the medium to mature and grow, and push bigger studios like Disney and Pixar out of the spotlight for once.
Despite what it might seem like on the internet, Glitch is small peanuts compared to those giants. The rest of the world outside of the internet bubble has NO IDEA what TADC even is, so these theatres need to be convinced that showing it will be worth it for them.
On top of that, despite GLITCH being an Australian company; TADC is an American production. Of COURSE they're going to focus on where the show originated and where it's most popular for their initial theatrical release; but if you want to see it closer to you, YOU NEED TO REACH OUT AND ASK FOR IT.
GLITCH can't do it all, THEY'RE INDIE. IT'S US. WE'RE THE DISTRIBUTORS. It's just like Iron Lung all over again, but GLITCH is getting shit on instead of supported like Iron Lung was.
I grew up in a time where I had to dodge spoilers for limited releases, and I managed to do it. Avoiding spoilers is surprisingly easy, you're just too entitled.
We should absolutely be supporting an indie studio when they make moves like this. It's unheard of for something like this to be happening, and these projects are backed by real people with real passions. GLITCH doesn't make their money from YouTube views, they make it on merch and MAYBE, JUST MAYBE, they'll make a LITTLE revenue from these movie releases, but we have to support them if we want to see more projects like Iron Lung and TADC moving into the big screens.
@JohnTheMon2@UncleWalt1971 Well before Frank Wells passed, he was the COO of the company while Eisner was the CEO. From what most people say, Eisner was the creative of the two, so it’s probably a situation like Eisner and Wells.
NEW: Bluey is FINALLY coming to Disneyland in a new show debuting on March 22 at Fantasyland Theatre at Disneyland Park. "Bluey’s Best Day Ever” will feature Bluey and Bingo in a new interactive live show inspired by the Disney+ animated series.
I like the book’s adaptation of Dorothy way way more. In there she literally begged for Elphaba’s forgiveness for taking her sister’s shoes and even said that she didn’t want to kill her like the Wizard commanded her to.
It was this kindness that Elphaba hadn’t experienced in so long that psychologically damaged her, as well as causing her to sympathize with Dorothy as they are both misunderstood outsiders.
She tossed water on her to save Elphaba when she was engulfed in flame, unaware of the myth that water kills her.
I think just reducing her into a spoiled brat who has no problem straight up murdering Elphaba and feels good doing it is not only uninspired but unreasonably cruel.