Elvis Ripley

Director. DP.

[Elvis Ripley @elvisripley]

@PortraitDisplay Do you have any updates on when this will ship?

[Elvis Ripley @elvisripley]

@phfx This new update has some incredible new locations. The colors also look richer.

[Elvis Ripley @elvisripley]

@BrightInsight6 A7s III is great. Maybe do FX3 which is the same camera but comes in a different body and also has xlr inputs for microphones. Helps everything if the audio and video are linked up in the camera.

Sony 24-70 2.8 is probably the lens you want.

[Elvis Ripley @elvisripley]

@JoeLawry Not always 😢

In the file tab there is a check box to timeline name.

You could also just make a preset and have that checked.

[Elvis Ripley @elvisripley]

@kyl33t A free magic idea

When you add a LUT you can pick the expected input and output of the LUT.

In a color managed workflow you could add an Arri LUT to Sony footage by telling Premiere that the LUT expects LogC3 as the input and is outputting Rec709.

[Elvis Ripley @elvisripley]

@kyl33t I always do color outside of premiere. I would love some color space aware tools. ACES would be a great adoption. Tag the clips (auto/manual) with color space/gamma so all the exposure and Lumetri stuff is aware of what is happening. Then pick your output.

[Elvis Ripley @elvisripley]

@MissionMemes The best sequence is the crash with Nyah. From party entrance to waking up in bed.

[Elvis Ripley @elvisripley]

@DrewTailored It was solid. Really appreciate the fresh out of CinemaCon take. Better than everyone else just saying a few quotes and not talking about the Fiat details we need.

[Elvis Ripley @elvisripley]

@Blackmagic_News Any idea how well it matches Ursa 12k already using the rawlite OLPF?

What about buying the blackmagic OLPF to add to existing Ursa 12k?

Any markings on the body to tell the OLPF model from the regular Ursa 12k?

[Elvis Ripley @elvisripley]

@valentinavee A few years ago, I just shot a chart on the wall and then tracked that and pasted the tracking information onto the shot I wanted to mimic so it would be my own handheld style. I don’t know if it mattered but it for sure worked.

[Elvis Ripley @elvisripley]

@Alex4D do you use Resole at all? Have you thought about making a Grow/Shrink for that? I made a rough version for myself but it is nice to point people to yours in the FCP world. It’s the standard.

[Elvis Ripley @elvisripley]

@elonmusk What camera system do you use to get these images?

[Elvis Ripley @elvisripley]

@restlesspix On this project I am regenerating proxies a lot, just trying out different combos. And since I have started it a lot has changed. Updated to Ventura, moved to Blackmagic cloud, turned off Direct IO in the Resolve storage settings (that helped other things)

[Elvis Ripley @elvisripley]

@restlesspix I did with XAVC I footage and 5.7k drone footage that was h265. It was about a month ago. Quitting and opening resolve again would be fine. But then it might happen again. All files were on a NAS. But then it just stopped happening. Resolve update fixed it?

[Elvis Ripley @elvisripley]

@SmallHD High quality desqueeze of anamorphic footage

[Elvis Ripley @elvisripley]

@JoeLawry The time is like a worst case scenario if you are recording completely random noise. It is the worst.

I just use it and ProRes 422 for RAW and 422 HQ for RAW HQ as estimates. The data rate ends up being similar.

[Elvis Ripley @elvisripley]

@JoeLawry Nice. That lens doesn’t exist on the internet yet as a product.

[Elvis Ripley @elvisripley]

@tvaziri I looked and ended up getting a Mach-E. Liked the tech and drive a bit more. That was a year ago. If I was doing it now I would also consider the Hyundai.

[Elvis Ripley @elvisripley]

@tvaziri Ronin
The International
Bad Times at the El Royale
Belly
Broadcast News
The Fountain
Riders of Justice

If they have ever mentioned crossing the line then they have to watch Speed Racer.

[Elvis Ripley @elvisripley]

@tvaziri How much do we have to raise for you to drive to @JimCameron’s house and get that 4K abyss restore and put it out?