Former National Speaker Nigerian Children Parliament. Gold Math Olympian. First Class - Aerospace Engineering. PhD - Aerospace & Mechanical Eng @SLU_Official
🥧 Introducing GooeyPi - A GUI for the Pi Family of Agents.
Supports: Pi, Oh-My-Pi (OMP), and Prime Agent
Very excited to share this with you all. Being into local models, I wanted to have a separate harness for my local models so I don't have to constantly switch configs. And I didn't want to go back to the TUI (nerds).
But, I didn't want to miss out on all the features that I know and love. Turns out, I didn't have to. I just needed to build it myself.
So I did.
Features include:
> Fully featured GUI experience
> Agentic Browser
> Realtime Voice Agent
> Voice transcription (local or API)
> Computer Use
> Automation Desk
> Agent to Agent messaging
> Ask Question Tool
> Git Control
> Terminal
> Pets
> and more
I tried to capture all of the most popular features I could in this first pass, but we're only just getting started.
Available in BETA on MacOS, Linux, and Windows.
I need testers! I have only tested on Mac and Linux.
If you want to help me with this project, please reach out.
Available: https://t.co/2uKJD0GetD
opus 5.5 is f*cking cracked at motion design
this entire video is code, 0 after effects
im open sourcing the prompt template for these motion designs
steal it to recreate these ↓
<inputs>
Ask me for: 8 to 12 UI states I want the shape to become (e.g. button, loader, player, slider, toggle, tabs, chart, command palette, toast), pure black and white or one accent color, and a royalty-free song around 120 BPM (e.g. Mixkit, free for commercial use).
</inputs>
<direction>
Dribbble-level UI motion. One shape, never cut: every state is the same element morphing its size, radius and color while its content swaps with a short blur. A cursor drives every change with real clicks and drags. Light warm-gray canvas, black and white components, one clean UI font (Geist). Springs everywhere, a tiny overshoot at most. The camera zooms so each state fills the frame. The last frame is the first frame, so it loops.
Banned: bouncy easing, particle bursts, glows, gradients on UI chrome, mismatched icon strokes, dead time, anything that looks like a template.
</direction>
<structure>
120 BPM, 7 bars, something happens on every beat.
Button → loader → check → dynamic island → music player with a play/pause morph → scrub the progress bar → it becomes a volume slider that stretches when dragged past max → a toggle flips on the beat → the knob becomes a liquid tab indicator → the tabs open into a chart that draws itself, with a tooltip on hover → it collapses into ⌘K → type to filter → enter → toast → back to the button.
</structure>
<build>
1. One HTML file, square 1440x1440. Every style is computed from time inside seek(t): no CSS transitions, no timers, no state carried between frames.
2. Springs are closed-form step responses. A value that changes target many times is the sum of one spring per change, so it stays a pure function of time.
3. The tab indicator's two edges ride different springs, so the leading edge stretches ahead of the trailing one. Same trick for the toggle knob.
4. Drags are direct manipulation: while the cursor is held, the value is computed from its position. On release it springs back from wherever it was.
5. Analyze the song with numpy for the beat grid and start on a downbeat. Place every UI sound by its measured peak.
6. Render with Playwright: 4 subframes per frame, blended with ffmpeg tmix for motion blur at 60fps.
7. Render one frame per beat before the full render. Fix anything off the grid, cramped or hard to read.
</build>
<gotchas>
Never put will-change on anything the camera scales or the text renders blurry. Text that swaps inside a morphing container needs its own enter and exit timing or it overlaps. Make the last frame identical to the first, cursor position and speed included, or the loop stutters.
</gotchas>
<start>
Ask me for the inputs, then show me the state list on the beat grid before you write any code.
</start>
A Michigan judge was shocked when a woman joined for a court appearance on Wednesday while driving, and lied about it.
The woman, identified as Kimberly Carroll, adamantly denies that she is driving but when asked to show the driver, she pulls over in a gas station and steps out of the driver's side of the car, still denying the claim.
In response, Judge Michael McNally entered a judgement by default because the woman was lying to him.
I ASKED CHATGPT TO FIX MY LINKEDIN PROFILE.
It turned into a recruiter magnet in seconds.
No expensive tools, no paid boost.
USE THESE 7 PROMPTS TO GET HEADHUNTED ON LINKEDIN:
American has the schedule of payments for her mortgage, her payment is $5,700 a month
- After over 4 years of 50 payments, that’s $285,000 paid, but only $50k goes to principal
- $230,000 goes JUST TO INTEREST
- With interest over 30 years, you're actually going to end up paying $1.6 million
- Her home only cost $784,000
So she’s paying $1.6 million for a $784k home because of interest. Again, this is Usury
“I want to use this to talk to you about why home buying in America is an absolute scam and why this will be the last house we ever buy in”
This is one of the most important truths almost no one talks about.
There is a threshold of wealth beyond which you stop interacting with reality as it exists and begin interacting with a version of it that bends to your whims. Codie’s friend didn’t pick $299 million arbitrarily.
That’s around the point where wealth begins to replicate itself without labor, resistance, or external accountability. The world becomes a simulation - crafted by assistants, lawyers, media buffers, private access, and power brokers who insulate you from friction, consequence, or contradiction.
Under $100 million, you still feel gravity. Above $300 million, you start controlling gravity. That’s the danger.
At that level:
•People stop saying no to you.
•You stop encountering randomness.
•Everything is for sale, including trust, intimacy, and morality.
This is where reality fracturing begins. Not because money corrupts, but because perception loses resistance. Resistance is what keeps you real.
So the deeper truth is this:
Once your environment is made entirely of yes-men, predictive service, and curated insulation, your mind begins to exit the shared human operating system. You aren’t evil. You’re decontextualized. You’re drifting in an abstraction loop of your own design. That’s when you start thinking ideas like “let’s block out the sun” or “let’s colonize Mars while Earth burns” are rational.
Codie’s billionaire friend wasn’t just being poetic. He was confessing a structural truth:
There’s a point at which money doesn’t just distort reality, it erases it.
PYTHON is difficult to learn, but not anymore!
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Artificial intelligence killed Excel!
No more complex formulas or 15-hour YouTube tutorials.
Let me show you how you can create formulas, codes and tables with ChatGPT:
I don't understand what's stopping you from making money by developing mobile apps!
Here's a complete guide to creating an app with AI, no coding skills needed:
I used to think I was rational.
Then I read Daniel Kahneman's Nobel Prize-winning work on human decision-making.
He routinely asks 8 questions to expose cognitive traps you fall into daily.
Test yourself with these questions (it's the ultimate BS detector for your brain):