Amun Ra

Photographer & Art Director | AI Creative

[Amun Ra @EyeOfRa_Studio]

"The things we never say" | original kdrama short

made in @higgsfield and @Blender

post and colored via premiere pro

[Amun Ra @EyeOfRa_Studio]

@higgsfield @grok how much does it cost to run higgsfield katana?

[Amun Ra @EyeOfRa_Studio]

leveling the playing field and making people more creative than ever

[Future Brian @ForwardEditor]

You can literally do anything you can think of now and it's ridiculous

[Amun Ra @EyeOfRa_Studio]

A starving lion limps into a cave. The king is waiting.

Lion King-inspired but with a twist. Previz'd in Blender first. Generated in Seedance 2.5, Seedream 5.0 Pro and GPT Image 2.0

[Amun Ra @EyeOfRa_Studio]

@0xInk_ bangers after bangers!

[Amun Ra @EyeOfRa_Studio]

@Goyart_studio @argildotai Awesome work! 🔥

[Amun Ra @EyeOfRa_Studio]

@higgsfield If you try this look, share your version. I'd love to see what you do with it.

[Amun Ra @EyeOfRa_Studio]

Two lions. Two destinies.

AI-generated character concepts inspired by The Lion King. Same shard-brush style, opposite energy: the scarred one in charcoal and umber, the golden one in molten ochre.

Which one are you following?

Prompts and tools below.

[Amun Ra @EyeOfRa_Studio]

[STYLE = absolute top priority, applies to every line below]
A hand-painted animation pre-production creature design sheet of a lion: digital palette-knife and flat-brush concept art, as done in a film pre-production art department. The image is built entirely from hard-edged, angular, shard-like flat paint strokes, like torn pieces of colored paper laid over a pale ground. Bold, fast, confident, stylized and exaggerated. Not 3D, not CGI, not a photo, not rendered fur. This lion has been painted, not rendered.

[STROKE RULES = the entire look comes from here]
· Every form is built from flat angular shards: wedge, triangle and blade-shaped strokes with straight cut edges, as if each was laid down once with a palette knife or wide flat brush and lifted.
· Each shard is one flat color, uniform inside. Shards meet with hard edges: no blending, no soft gradients, no airbrush.
· The silhouette is broken: shards splinter outward into the white ground, with a few thin stray slashes flicking off the mane, back and tail.
· The top of the body (mane, shoulders, back) is fully painted and dense. Moving downward it dissolves: the legs are lighter and partly unfinished, with dry-brush scratches and the white ground showing through. The paws are the least finished part of each view.
· Restraint: if one shard can describe a form, never use three.

[FORM = key: massive, heavy and exaggerated, never anatomically realistic]
· This is a heavyweight: a huge, powerful lion built like a battering ram. All the weight is concentrated in the front.
· The mane and shoulders form one enormous golden jagged boulder, more than half the body's mass, wider than the body behind it.
· The mane is not hair. It is a massive explosion of golden blade-shaped shards radiating from the face and spilling down over the chest and shoulders, spiky at the edges, darkest in its deep interior and around the face, brightest at its outer tips.
· The neck is thick, the chest is a deep, wide barrel, and the shoulders are heavy, rolling slabs of muscle.
· The back line drops from the high shoulder hump toward the hips; the waist narrows behind the ribcage, but the hindquarters stay solid and strong.
· The forelegs are thick, angular pillars with heavy elbows; the hind legs are strong with sharp hocks. The paws are big, broad and blunt.
· The tail is one long stroke ending in a dark tuft made from a single jagged dry-brush flick.

[POSE & EXPRESSION = main view]
Stalking three-quarter front view, advancing toward the viewer's left. Head dropped below the shoulder line, shoulders rolling high above it, one heavy front leg reaching forward. Eyes narrow and focused, set in dark shadow shards, each with one small sharp pale-amber point: tiny, not glowing, no light effect. Lips pulled back in a low snarl showing a few fangs, painted in two or three pale strokes. No tongue detail, no blood. The face is completely unmarked: no scars.

[PALETTE = golden three-block collage]
· Dark block: deep burnt gold and raw umber, for the mane's interior, the shadow side of the shoulders, the eye sockets and the tail tuft. These are the darkest shards and they hold the silhouette.
· Mid block: rich honey gold and warm ochre, for most of the mane, the shoulders, back and flanks.
· Light block: pale straw gold and cream, for the mane's outer tips, the muzzle, chest and the lit planes of the legs.
The legs fade from straw gold into cream as they dissolve into the white ground. The gold is pigment, not metal: matte, painted, never shiny, metallic or glowing. Warm and rich, but the shards stay flat.

[LIGHT]
Soft, even, diffuse light with no direction. Light and dark come only from which flat color block a shard belongs to, never from shading or gradients. No rim light, no dramatic lighting, no glow.

[CONTENT & COMPOSITION = three-view character sheet]
Character design sheet on a flat off-white background, three views of the same lion, arranged across the sheet with clear white space between them, none overlapping:
(1) Main view, the largest: the full-body stalking lion as described above.
(2) Back view, slightly smaller: the full body seen from behind and a little to one side (rear three-quarter), standing, the head turned slightly to look back over its left shoulder. It shows the huge mane spreading wider than the body, the broad heavy shoulders, the solid hindquarters and the tail hanging down the center.
(3) Head close-up, the smallest: a 3/4 view of the head, clearly showing the massive golden mane, the narrow focused eyes and the unmarked face.
Same lion, same light, same palette, same shard technique in all three views. No environment, no ground plane, no cast shadow; at most a couple of faint horizontal scuffs under the paws. 16:9 landscape.

[CONSTRAINTS]
Menacing through silhouette, mass and pose, never through gore. No scars, no wounds, no marks of any kind, no blood, no exposed bone, no glowing eyes, no armor or fantasy features. Joints are exaggerated but structurally believable: it could charge and leap. No text, no labels, no watermark, no signature.

[DOUBLE THE SHARDS = final override, takes priority over everything above]
Push the painterliness harder. The whole lion should read as a collection of countable flat shards. Every edge is hard, every plane is flat, and the lower body breaks apart into the white ground. Any smooth gradient, soft fur, realistic hair strands, glossy or metallic highlight, golden glow or 3D-rendered look is a mistake; replace it with a visible flat shard. When in doubt: fewer, flatter, sharper, heavier, more exaggerated. Never realistic.

[sam kolder @samkolder]

bruh anyone saying that AI isnt creative is living under a rock. if you play with latest AI tools you can see its objectively creative AF. yes i know it was trained on human data, just like every single one of us was...

[Amun Ra @EyeOfRa_Studio]

@notjazii is this thru higgsfield bridge? if not can I know how did you connect Claude to Blender without it. Thanks in advance ✌️

[Ryan Lightbourn @ryanlightbourn]

“You made nothing.”

I made everything.

The script. Characters. Costumes. Props. Sets. Shots. Edit. VFX. ADR w real actors.

A few X-buck grifters control the hive minds & somehow convinced them this is “like ordering from a menu & calling yourself a chef.”

I'M THE RESTAURANT

[Amun Ra @EyeOfRa_Studio]

@higgsfield give your boy a boost and react ✌️

[Amun Ra @EyeOfRa_Studio]

"The things we never say" | original kdrama short

made in @higgsfield and @Blender

post and colored via premiere pro

[Amun Ra @EyeOfRa_Studio]

not someone but something

[BMX @bmx_ai13]

What’s harder: walking away from someone you love or staying when you know it’s over?

[Amun Ra @EyeOfRa_Studio]

Holy shit I can't wait for the next episodes of #Lanterns #SeasonFinale

[Amun Ra @EyeOfRa_Studio]

used Claude Code Opus 5.5 Medium effort.

30 seconds video explainer on how earth was made

[Shub @shub0414]

Hot take:

AI slop is because of humans not because of AI. Many people are creating amazing stuff with the help of AI.