🌬️

what a funny place to rupture

[🌬️ @Ferlimoca]

A funar a la funeraria

[Vincent Alexander @NonsenseIsland]

RIP Marjane Satrapi, the great cartoonist and film director, best known for PERSEPOLIS. She was only 56. A great talent. She will be missed.

[🌬️ @Ferlimoca]

@the_mel_jar Oh, shit

[Mahsun Mirzaoglu @MahsunMirzaoglu]

Cinsel ilişki yoktur."
(Il n'y a pas de rapport sexuel.)

Lacan’ın en çok yanlış anlaşılan ama en radikal yalnızlık vurgusudur. Kastettiği şey biyolojik temas değil, iki özne arasında mutlak, eksiksiz, mükemmel bir ruhsal/biyolojik "birleşmenin" imkansızlığıdır. Erkek ve kadın, birbirleriyle değil, her biri kendi bilinçdışı fantezileriyle (nesne a) ilişki kurar. İlişki, iki insanın yan yana kurduğu iki ayrı yalnızlıktır.

[tanisha raghav @moonsrabbit7]

healed so much that I stopped caring about being healed enough

[valentine @valawakened]

I once heard someone say, “Healthy relationships aren’t conflict-free, they’re repair-rich,” and that sentence permanently altered my brain chemistry.

[stride @xedirts]

this is exactly how i think dua lipa’s life is

[Libriscent @libriscent]

The weirdest experience for me is being wildly mistreated & then going somewhere else & everyone respects you

[Dolce @daily_dolce]

Frog cake 🐸

[Queen ✰ @QUEENP0P]

This scene between Maddy and Rosalía’s character is honestly one of the darkest conversations in the season because Magick basically tells both Maddy and the audience the truth about the world they’re living in. She’s essentially saying, “Yes, this place is evil and the people around us are dangerous, but just survive it and endure it because eventually it will be worth it.”

What makes it even darker is that Magick has completely accepted her situation emotionally. She no longer fights against the environment she’s trapped in and instead survives by adapting to it. Maddy on the other hand still has that rebellious nature inside her and feels like someone who would eventually fight back against the system instead of fully accepting it.

The swimsuit scene was also extremely symbolic because the moment Maddy puts on Alamo’s swimsuit, it feels like she has officially entered his world. He’s now giving commands without explanation and Maddy is simply expected to obey and follow through, which makes the entire scene feel quietly terrifying. #euphoria

[Michael’s #2 Italian Restaurant 🤌 @myitalianhell]

I have a pork shoulder roasting and wine ready for our Criterion watch night and wife just texted to say she’ll be home late.

[adrian liberman @adrianliberman]

El dolor emocional no es un asunto de “dentro” vs “afuera”. Hay sufrimiento que mejora elaborando las marcas de lo vivido pero que también necesita mejores condiciones materiales para vivir. Lo psíquico y lo social se entrelazan, no se oponen…

[Cora @Coranalyste]

“Love loves to love love.”

James Joyce, Ulysses

[​𝐥𝐲𝐫𝐚 @sunnkssdseraph]

According to psychology, being the "good, low maintenance" child isn't a sign of innate maturity. It is a survival strategy known as parentification or fawning. You subconsciously recognized that your caregivers were too emotionally overwhelmed, volatile, or fragile to handle your age appropriate needs. You swallowed your own childhood and became invisible just to keep the peace

[🌬️ @Ferlimoca]

@adrianliberman Loquera seguro 🤭

[J. @UnUribeBueno]

No lo explica en El Capital pero sí lo define en los escritos de 1844.

[❀ @marsrled]

and by how cringe and embarrassing they think everything is

[Elizabeth @ePerezJandette]

Un vínculo también se sostiene en la posibilidad de atravesar malestares o diferencias sin desaparecer. El conflicto no siempre implica la pérdida del amor.

[SEMARNAT México @SEMARNAT_mx]

🔴 #ÚltimoMomento | La secretaria de Medio Ambiente, @aliciabarcena anuncia «No se va a aprobar el proyecto «Perfect Day» de Royal Caribbean, en #Mahahual, Quintana Roo.

#SomosMedioAmbiente

[Auteur House @auteurhouse]

Michael Haneke's storyboard for The Piano Teacher (2001). #filmtwt