focused on real narratives-no hype, just value-covering DeFi, infrastructure, and emerging tech. ambassador @oasisprotocol | @42space |kol - @Coinexcom
Just watched the latest Running Web3 episode and honestly, this one hit different.
Most Ethereum content right now is still focused on scaling. This episode goes somewhere more interesting: what happens after Fusaka, when the protocol starts tackling block construction and censorship resistance head on.
ePBS, block level access lists, and FOCIL in Hegotรก are no longer abstract research topics. They are the next wave, and if you are building anything serious on Ethereum, the environment your app runs in is about to change.
The part on FOCIL stood out the most. Censorship resistance at the protocol level is something the space talks about often but rarely acts on. Hegotรก might actually change that.
I have been using @getblockio for RPC access on a few projects, and it really makes you appreciate how much stability matters when the underlying protocol is evolving this fast. Upgrades are exciting until your node infrastructure is not ready for them.
๐จ Fusaka, Glamsterdam, and Hegota aren't just regular network upgrades.
Itโs a fundamental shift in how Ethereum actually operates โ changing how blocks are built ๐๏ธ, how MEV is extracted ๐ธ, and how execution becomes structured ๐ง
๐ Watch our full breakdown on Running Web3 by @getblockio
#Ethereum #Web3 #MEV #GetBlock
This is what it looks like when crypto meets community. ๐ Classrooms full of curious students, engaged professors, and real conversations about blockchain's potential. Excited to see @CoinExCharity and @BitcoinAR expanding this across Argentina. Education is the greatest investment. ๐ฆ๐ทโจ
Adoption doesn't start on charts it starts in rooms like this. And while the next gen is learning the fundamentals, I'm keeping my trades clean on @coinexcom. Low friction, solid execution.
Posted in collab with the CoinEx Creator Program. @coinexcreators
#Web3 #BlockchainEducation #CoinEx #CoinExCreator
Huge success! โจCoinEx Charity successfully hosted a blockchain education event together with @BitcoinAR at UCES University.
The room was packed with enthusiastic students and professors as we shared blockchain and new technology knowledge. ๐ CoinEx Charity remains committed to promoting education. This is just the beginning. Weโll be visiting more Argentine universities soon! Stay tuned for more. ๐ฆ๐ท
@ViaBTC_Spanish@CoinExSpanish
๐ต"Just JGGL it" drift team pilot Adam Zalewski stepped into the studio, and what started as a voiceprint session turned into a full track made entirely with his voice.
No music background, no training, just JGGL doing what it does. The energy in the room was something else. Even a racing driver can sound like an artist when the tools are right
Host Cities Are Not the Whole Market
The World Cup has host cities, but the real market is much wider.
Millions of fans will watch, react, share, create, and move conversations from local communities that never appear on a stadium map. For brands, attention does not only live where the match is played. It lives where trust, language, club culture and fan identity already exist.
Across the Atleta Network ecosystem, @bcs_arena shows this distribution logic in action: regional clubs and fanbases become routes into real fan markets, not just official host zones.
Backed by Atletaโs sports-first infrastructure, those actions can connect to records, reporting and value flows.
Global sport needs local context to scale
From crypto charts to the holy grail of racing! ๐
@TheMoonCarl is officially repping the community at Le Mans this week.
Proud to see our partner @WEEX_Official flying high on the world stage. Bring home the win! ๐
Get started: https://t.co/4Zjde1qIZ6
https://t.co/GGJVfpshBr
#WEEX #Crypto
๐ Getting a track onto streaming platforms is the easy part. Getting it in front of the right listeners, in the right markets, at the right moment is where most independent artists hit a wall. IMBA handles that entire layer automatically.
The platform routes each release across global markets using real-time data signals - audience behavior, regional trends, and listener engagement patterns that update continuously. Every track gets an individual distribution strategy built by the system at the moment of release, not a generic upload to an aggregator. The infrastructure identifies where the music has the highest probability of traction and pushes it there with precision. ๐ง
Artists on IMBA stay focused on the creative work while the platform manages the commercial layer that determines how far a release actually travels. ๐ค
Arteki Studio keeps everything in one environment from the very first idea to the last rendered pixel. We sketch a scene, build it out, light it, frame the camera, and see the finished result without leaving the platform or passing files between departments. The story stays ours throughout the entire process.
When we can move from a rough concept to a fully lit, fully rendered shot within the same session, creative decisions happen faster and with greater confidence. Every adjustment is visible immediately at full quality, allowing us to spend our time improving the work rather than waiting to see whether a decision was successful.
The path from imagination to a final frame becomes direct, clear, and dramatically more efficient.
Tournament scale breaks Matchday tools
A global tournament is not one match, one screen or one workflow.
Before the first whistle, everything is already moving:
schedules, squads, access, media flows, fan actions, partner activations, payments, rewards, live data
When each layer sits in a separate tool, scale turns into friction.
Sport needs infrastructure for the full tournament, not just the moment fans see.
Thatโs where https://t.co/TgKU6SqNgs sports-first design matters: execution, interoperability and storage working as one base layer for connected sports products.