My PhD thesis 'The Crypto-Museum: Investigating the impact of blockchain and NFTs on digital ownership, authority, and authenticity in museums' is now freely available online: https://t.co/9tZZ2Tsavj
#musetech#NFTs#blockchain#Museums
Creators are often challenged with maintaining attribution and managing and sharing content in the digital cultural economy.
DECaDE researcher @FrancesLiddell shares ORAgen - a framework addressing licensing, ownership and attribution in digital content. https://t.co/A2PT2XWfMu
Are you interested in the impact of AI on the provenance and attribution of media content?
Join our free workshop 'The Value of Provenance Data in the Age of AI'.
🕑 When: 17 July, 2pm-4:30pm
📍 Where: online
Register here: https://t.co/sM4hibxcBw
That's a wrap on #DIS24 thanks to everyone I spoke to about our work on ORAgen which you can check out here https://t.co/vlfMzTAijg and if you're interested in learning more about digital #attribution#ownership or #licences we are still looking for participants, DM for details
Great to see my fab @DesignInf colleague @FrancesLiddell presenting (in hybrid mode) the ORAgen work that forms part of DECaDE project: https://t.co/cIyElgKJKS #TuringHumanities
Parcel delivery firm DPD have replaced their customer service chat with an AI robot thing. It’s utterly useless at answering any queries, and when asked, it happily produced a poem about how terrible they are as a company. It also swore at me. 😂
When the highest price achieved in a @ChristiesInc auction (alongside @harvey_rayner) is a poem. By a woman.
To the collector and to @gucci: thank you for believing in me.
To the person who told me the price was too high: I know my value. TBH, this was a bargain.
#SOLD
@______jpg______ Really sad to hear, your site has been the most amazing resource for teaching and providing a space for students to learn more about this art field, wishing you the best of luck in the future
My latest article 'The NFT Memento: Digital Thingness and Exhibition Design', in now published in Digital Creativity https://t.co/cfIA009SwV
#NFTs#musetech#blockchain
@RtClick_Save @HEK_Basel Great article, I think the term DAO gets thrown around a lot without much critical reflection on what it is but interested to see how museum community engagement work could contribute to this term. @HEK_Basel looking forward to hearing more about this tomorrow in Zurich!
To all Switzerland-based museum professionals 🇨🇭
The National Museum Zurich is organising a conference on web3 and museums via the audience engagement angle w/ @S_Himmelsbach @HEK_Basel @FrancesLiddell and more
https://t.co/pIOQN92TOj
A rainy trip to Liverpool Biennial and loved Binta Diaw's Chorus of Soil, a powerful message that echoes the city's colonial legacy, the rain splashing against the warehouse windows even added to the atmosphere
With the recent announcement of Fingerprints' transition to an NFT membership designed by @larvalabs, let's do a recap of how we all got to this point and the key moments of both Fingerprints and Larva Labs' story. 🧵
(Sneak peek at the end)
1/
@a_baronca jstor, sciencedirect etc.... if this *did* happen it might be more beneficial, I think people are too reliant on G scholar/ cba on trying to explore other engines that could come up with more interesting results!
Back in January I had the privilege of taking part in the Belvedere online digital museum conference, you can catch my lecture online 'NFTs as a Social Practice'
📢 Unsere Konferenz „Das Kunstmuseum im digitalen Zeitalter – 2023“ im Jänner verpasst?💡Keine Sorge, alle Vorträge der internationalen Expert*innen rund um das Thema #Metaverse sind ab sofort auf unserer Website zu finden🔗https://t.co/wG4DqZlRNu #digitalmuseum#digamus#digsmus