This ad is (unintentional) perfect metaphor for today's creative dark age: compress organic instruments, joyful/imperfect machines, tangible art, our entire physical reality into a soulless, postmodern, read-only device a multi-trillion $ corporation controls what you do with
This is how to use cutting edge tech to make the most efficient use of our time on set. I can't wait till this becomes common practice in pre-pro. Especially when you can scan real shooting locations or sets virtually designed at shooting scale.
@theDESK9@SJTimes13 The colorist is one person & that award will fall under the cinematography award. That's why when a cinematographer wins, they always thank their crew first. But agreed, Greig Fraser should most definitely win an Oscar again. The crews work is even more impressive for Dune 2.
"God, I love cinema. I wish I could add more films I love.. like “Children of Men” (2006), “Inception” (2010) or “Amores Perros” (2001). When I started making movies, the previous generation of filmmakers said cinema was dead. Well… long live cinema!"
--- Denis Villeneuve
Got to interview Greig Fraser about the cinematography of the Dune movies, in which “analog and digital are stacked like the layers of a cake.” https://t.co/um6ApUhH4J
I liked Dune I. I LOVED Dune II. Such an incredible theater going experience. Masterfully crafted by Denis Villeneuve. Loved seeing Greig Fraser's fingerprints all over this film. Go see it!!
@RealAlIturralde@SteveRogers1943 Not all working on set requires physical action. I come up with my best idea while seated on the dolly or an Apple box. Having focus on set is essential, so is physical rest.