Yuchen

DH@EPFL

[Yuchen @Gregyang5]

Been working on finding ways to encode video archive content more holistically for better (and potentially more interesting) access to the public. Happy to have some progress published - https://t.co/IY0BuIZeUp

[Yuchen @Gregyang5]

Super stocked to have presented at ACM multimedia this year on my thesis progress - https://t.co/xaQFys0IoH

[Yuchen @Gregyang5]

@skirano @tunguz You fine tuned on stuff=pixar stuff, I’m not seeing why it’d be a surprise for the model to give you Pixar stuff for whatever your stuff in the prompt. If you trained one from scratch in that manner it’ll also do the same I assume.

[Yuchen @Gregyang5]

Excited to announce the 9th Eye International Conference, with topic ‘Presenting Audiovisual Collections: Experiments and Explorations. 26-29 May 2024. More info and CFP here >> https://t.co/I4A7HKf5Ek
#digitalhumanities #film #archive #culturalheritage

[Yuchen @Gregyang5]

I'm thrilled to announce our September workshop on computational audiovisual processing and quantitative audiovisual analysis aiming to unlock audiovisual content as research materials at EPFL.
INFO&APPLICATION LINK:
https://t.co/Ta5rkPkAkC

[Yuchen @Gregyang5]

@LeoImpett Still down the line of “tricking” people, eye or mind

[Yuchen @Gregyang5]

@LeoImpett would be a fabulous study to see the difference in habit. Lol

[Yuchen @Gregyang5]

@UkNatArchives Data schemas need to be more flexible and on the go, to ensure more can be included with little effort.

[Yuchen @Gregyang5]

Recently started on a project aiming to build flexible and efficient data system to capture and manage heterogeneous data from all sources for cultural and heritage archives - have you thought of solidifying the “datafied theatre” in to some kind of an archive and how?

[Miguel Escobar Varela @[email protected] @migueljogja]

PART III closes the book with a reflection on the importance of developing open and sustainable data infrastructures. I talk about #OpenAccess, and about the importance of learning to code to ensure that computational theater research is sustainable.

18/20

[Yuchen @Gregyang5]

I'll be presenting (no. 209) our pilot workflow on using instant segmentation to study of the shape of vases on the 27th @DH2022_Tokyo next week.
If you are interested in adopting computational methods in artifact studies - tune in and let’s catch up ;) #dh2022 #digitalhumanities

[Yuchen @Gregyang5]

It’s a pleasure to meet all the wonderful DARIAH people and share our work on narrative and large audiovisual archives :)

[DARIAH-EU | @dariaheu.bsky.social @DARIAHeu]

We were very happy to meet face to face in Athens for #DARIAH2022, listen to the inspiring keynotes by @andrewperkis and @louisewelsh00, papers and panels on the topic of Storytelling!

Here's a recap post with links to slides,videos and pictures! https://t.co/XqLQN69oIP

[McKinsey & Company @McKinsey]

Interacting in today's increasingly connected work environment is easier than ever, but achieving productive, value-creating collaboration is not.

These techniques boost the effectiveness and efficiency of interactions so teams can get things done ✅
https://t.co/lDbGHTFixO

[Yuchen @Gregyang5]

@dchavezheras @LeoImpett Genius

[Yuchen @Gregyang5]

Great thread on BJP

[duckrabbit @duckrabbitblog]

So The British Journal of Photography sold out its twitter account with 250000 followers into a NFT marketing account called 'art3'.

They started a new account for photography. Which has 836 followers.

And in doing so destroyed their reputation and reach.