Ayoung Kim has been selected as the winner of the 2025 LG Guggenheim Award, presented by the LG Guggenheim Art and Technology Initiative—a five-year collaboration supporting pioneering artists working at the intersection of art and technology. Read more: https://t.co/NB1yQk4QLm
Was great to visit the 21st Century Museum in Kanazawa, especially for this exhibition before it closes for major repairs to lighting/ceiling after Jan’24 earthquake.
In “Dancing with All: The Ecology of Empathy” at the 21st Century Museum of Contemporary Art, more than 20 contemporary artists explored new, holistic approaches to seeing the relationship between humans and natural world. Read the full review https://t.co/FUo1seTyHp
The 2024 Asian Art Biennial "How to Hold Your Breath" explored minor histories and speculated on the role of rituals, both mystical and communal, that can anchor ourselves in dark times.
Read the full review by HG Masters here: https://t.co/J0V4RyKSnz
The ten-day-long Singapore Art Week (January 17–26) spans more than 130 events—from public festivals to art fairs and gallery shows.
Read AAP editors’ picks for what to see across the city:
https://t.co/AdIfIAsXzK
Kim Lim's long overdue survey in Singapore "The Space Between. A Retrospective" @natgallerysg highlights how the artist effortlessly merges the universal and the personal to elevate simplicity into profound expression.
Read the full review here:
https://t.co/8FhrSwopmG
The question of who permits versus who is permitted animated “Permessus,” a solo exhibition by Betül Aksu at the Istanbul-based independent space AVTO, taking inspiration from the eponymous, ancient, and imaginary city.
https://t.co/6fPLRoTbRJ
Deputy editor HG Masters responds to news that India’s financial capital, Mumbai, is set to host two art fairs in the same week of November 2025, prompting concerns about rapid growth.
https://t.co/3PLzsLUeWb
Not rivals but not quite friendly collaborators either, the American-owned Frieze art fair and the Korean International Art Fair (KIAF) have learned to cohabitate during the first week of September. By @HG_Masters via @artasiapacific https://t.co/cHYIkKIrPE
For the third year of Frieze Seoul and KIAF Seoul’s five-year partnership, the two concurrent fairs presented more than 300 galleries to visitors amid the 2024 Korea Art Festival.
https://t.co/C2r2vKx9MV
The 8th Yokohoma Triennale @yokotori_ proposed not only a historical vision but an awareness that the tensions and turmoil of the last century continue into the present. Click the link to read deputy editor @HG_Masters full review: https://t.co/a2CyLR8AaC
Deputy editor HG Masters reviewed M+’s exhibition “Ay-O: Hong Hong Hong,” which brought together several strands of influences that led him to become the internationally celebrated “rainbow artist.”
https://t.co/8evrxJ7EPS
In protest of the continued war in Gaza, the Israel Pavilion at the 60th Venice Biennale will only open “when a ceasefire and hostage release agreement is reached,” according to a sign taped to its door on April 16.
https://t.co/RUcBUjCw3M
On April 20, the 60th Venice Biennale named Aboriginal artist Archie Moore and the Māori Mataaho Collective as the winners of its most prestigious juried prizes, the Golden Lions.
https://t.co/mumCTC5LHM
When both nationalism and neoliberalism determine social value, how can one’s aspirations of recognition and transformation be understood? This question forms the center Diane Severin Nguyen’s new feature-length film, “In Her Time (Iris’s Version).”
https://t.co/nNgFId43zm