We welcome discussions
on inter-, multi- and transdisciplinary approaches in labor arts studies and the cultural and artistic artifacts of labor movements and of working people over the course of history https://t.co/rvNHu95KVG
📢 We are excited to announce our landmark event #CreativeNation2020 with @CreativeEngland.
This inaugural event will feature thought-provoking discussions with key figures from across the sectors to harness the UK's creative industries.
https://t.co/9cdar30lFU
H-Labor-Arts: Discussions - The Workers' Festival: A History of Labour Day in Canada
by Craig Heron & Steve Penfold
2005, Published by: University of Toronto Press...Go to https://t.co/rvNHu95KVG and start a discussion
H-Labor-Arts: Call for Editors - we're recruiting editors to join the newly re-launched H-Labor-Arts network!
Have one hour per week, passion for research, looking for the opportunity/platform? https://t.co/W8cOsRVf5T #creativeindustries#laborstudies#work#laborarts
Mediators, Contract Men, and Colonial Capital “invaluable to historians of colonial mining economies”: Alice Wiemers reviews @CMarkThiesen’s insightful labor history in IJAHS 52.1! Find the book: https://t.co/RfZ6pmi3vJ #URP#AfricanStudies#Twitterstorians
“We wanted to see if we could make people’s mental health better, reduce social isolation and help them get back into the labour market via culture.” Pilot Kulturvitaminer (culture vitamins) programme in Denmark ... https://t.co/Ptp5OuxFLL
Likely attribution to George Robert Lewis (1782-1871)
Pen and ink and wash drawing.
Loading on to the hay rick.
A page from a brown leather sketch book.
V&A Museum.