we gon b alright

[we gon b alright @HereForTheMusi3]

ayo

[we gon b alright @HereForTheMusi3]

@mrjinjin2612 Nah don't do that. Spiderman PS1 was a clear hit. One of the best Spidey games. Sequel wasn't too bad either.

[Mr. I Told You So @DotMyNameOnYou]

Crack must be in amazing feeling because every recovering addict be like “life was hell but damn was that crack good”

[GGMaidenslayer (Training Arc) @GGMaidenslayer0]

I have decided that I will be perusing Fighting games full time, and that I will be working hard to become a professional FGC esports player.

I'm ready for the grind

[we gon b alright @HereForTheMusi3]

@Rynge_ yo random question but do you think we'll ever hear you and Kitana Prime on Def Jam commentary again? You two were hilarious together

[Street Fighter EX Online @SFEXOnline]

This is why SFEXOnline exists.

We bring Street Fighter EX matches together in one place: organising footage, crediting players and uploaders to make the scene easier to find.

Celebrate 29 years of EX Plus Alpha through our archive👇

https://t.co/o6aDzgFIj9

#StreetFighterEX

[Street Fighter EX Online @SFEXOnline]

29 years later, people from Turkey to Chile to the UK are still playing Street Fighter EX Plus Alpha online through @Arkadyzja.

They’re running sets & sharing matches.

The EX series is connecting people across the world, and we want more people to find it and join in.

[Street Fighter EX Online @SFEXOnline]

Street Fighter EX Plus Alpha was brought to life by developers, artists, musicians and performers whose work still means so much to us.

With love and thanks to everyone in the original credits.

@arika_co_jp @nin_arika @miharasan @shinji_hosoe @ayako_saso @J99aihara

[Street Fighter EX Online @SFEXOnline]

Japan’s Street Fighter EX Plus Alpha release looked strikingly different from the NA and EU versions.

Years later, Evan Nixon created this brilliant wireframe redesign as a perfect tribute to EX’s distinct visual identity.

📷1–3: @launchboxapp | 4: @EvanNixonType4

[Street Fighter EX Online @SFEXOnline]

EX Plus Alpha brought the arcade version home and made it bigger.

Dhalsim and Sakura joined the roster, new modes were added, and every fighter received a CG ending.

Japan also got new text epilogues after beating Bison.

📷1–2: @Fighters_Gen | 3: @VGMuseum1 | 4: @FightingLore

[Street Fighter EX Online @SFEXOnline]

29 years ago today, Street Fighter EX Plus Alpha launched on PlayStation in Japan. 🇯🇵

This great game is the VERY reason SFEXOnline exists.

Today, we celebrate where it all began. 🧵

📼 Japanese commercial via @AKIRA_FGC

[we gon b alright @HereForTheMusi3]

amazing thread
well researched, credited history and spotlight on the growing online scene. hoping this reaches more people. love the passion behind this account

[Street Fighter EX Online @SFEXOnline]

29 years ago today, Street Fighter EX Plus Alpha launched on PlayStation in Japan. 🇯🇵

This great game is the VERY reason SFEXOnline exists.

Today, we celebrate where it all began. 🧵

📼 Japanese commercial via @AKIRA_FGC

[Rob Abelow @AbelowRob]

Start building.

[Z @BrianZisook]

Artists, if you want to build a strong community online, start by truly being a part of it. Think of yourself as the founding member—someone who sets the tone and energy. Even the briefest positive interactions can turn a casual listener into a lifelong fan.

[Elijah @eli1ah]

My optimistic view on London is most of the things you want in music and culture are here already. If it feels missing, it’s either not in your ends, not affordable to you or you don’t know it’s there. If what you want doesn’t exist you can be part of building it.

[Elijah @eli1ah]

One of my takeaways from ADE is most of the people that were pitching start ups would be better off investing in an artist / artists they believe in and building the idea around them. If I see an artist using the ting already I’m interested. Otherwise you are just burning cash.

[Mike E @heymike]

Apple Music just introduced a new feature allowing artists to promote their tour and show setlists on their profiles.

Here's how the new Set List feature works:

[Elijah @eli1ah]

Thank you. Next up 1000 Black British songs. From 1980s to present day. It’s been fun putting it together. Nearly there.

[DJ Pain 1 @djpain1]

I’m not gonna charge $5000 for a beat to an unsigned artist with a day job. That doesn’t make any sense.

At the same time, artists can’t expect me to sell them exclusive beats for $50 either.

Let’s all be more realistic.

[Z @BrianZisook]

More young artists are focusing on vibes over songwriting and structure, a direct byproduct of the modern creator economy. Vibes are essential, but to turn curiosity streams into repeat listens, the writing has to improve.