Derek Weiner

Manga, Anime, Cartoons

[Animation Magazine @animag]

Ida Melum and Michelle Brøndum ('Ovary-Acting') have won the Animation prize from the 2026 Sony Future Filmmaker Awards.

#SonyFutureFilmmakerAwards #IdaMelum #MichelleBrondum #OvaryActing

https://t.co/0NxFfK6wUT

[タマケン | デザイン @DesignSpot_Jap]

フォトショで簡単に表現できる画像エフェクト例💡
#Photoshop

[Kiana Mai 🌹 @kianamaiart]

i just think marginalized creators should also be given the grace to make stuff they like without the pressure of it having to be a masterpiece or the pressures of being a voice for their entire community

[双龍 @Souryu_std]

編集にされたミスや無礼の過去最大は、4つ連載やってる時に原稿料の差が４社のうち一社が開きすぎてバカ安状態になったので各社ほぼ統一価格にしてと交渉したら1社は渋りまくった後、あと7話で完結なのを4話で終わらせろと言ってきた。

[Nate Curtiss @natecurtiss_yt]

This is the easiest way to instantly 10x your views without making more content.

Plan out the second, third, and fourth lives of your content.

The brands that win social media in 2026 are showing up in EVERYONE'S feeds, many times per day, on every platform. Not just on one platform, once or twice per day.

[Awesombrosos @TheAwesombroso]

Today is the day!!! I am Frankelda is now on Netflix worldwide💙❤️this movie is dedicated to all the artist that feel like their work is not valid in any way. Our souls are made out of ink, and as long as we keep on existing we will keep creating

[林士平（りんしへい） @SHIHEILIN]

【仙台説明会のお知らせ】

仙台にて説明会を開催します！！！
東北では初開催です。

持ち込みも大歓迎ですので、
「漫画を描いている」「これから本気でやりたい」という方はぜひお越しください。

作品を直接見ながら、お話しできればと思っています。
参加希望の方は、下記フォームより事前申し込みをお願いいたします！
https://t.co/Xu5wFC6Duw

[Nate Curtiss @natecurtiss_yt]

TikTok videos die in 48 hours.

IG reels die in a few days.

Ads stop working when you stop spending money.

YouTube videos almost never die.

[Chris DeRose (ScratchyDerose.bsky.social) @ScratchyDerose]

I remember watching this in 6th grade class, and for the life of me I couldn’t remember the name of this short. But I had absolutely NO IDEA it was directed by THE Chuck Jones.

[1 of 10 Youtube Strategy @1of10media]

How to actually find winning ideas (save this)

1. Find the 10x outliers in your niche
Open 1of10 and sort by outlier score
Look for videos that got 10x more views than the channel's average

2. Ask WHY it worked
Don't just copy the topic, but instead find the psychological reason why it worked, for example:
- Asymmetric payoff (small effort, huge result)
- Curiosity gap (incomplete information)
- Contrarian claim (challenges belief)

3. Steal formats
"The Rise and Fall of [X]" is a format
"The Dark Side of [Y]" is a format
"What Everyone Gets Wrong About [Z]" is a format

The 1of10 Trending Formats feature shows you exactly which formats are rising vs dying right now with average outlier scores

4. Leave your niche
And this one is super underrated..
Search 3-4 adjacent niches and find their outliers
Bring winning formats to YOUR niche before anyone else does

5. Remix 2 viral concepts
Nothing is original.. everything is just new combinations
So find 2 high outlier score videos and blend their formats together

6. Study your own outliers
Which of YOUR videos performed really well?
That's the content your audience actually wants
Double down on those formats/angles

Ideas are everywhere but you just need to train your eye to see the patterns, because in the end, YouTube is all about pattern recognition

Or skip all of this and use the 1of10 Idea Generator to generate titles & thumbnails based on your channel's data in seconds 👀

Try it through the link in bio!

[Deb Aoki @debaoki]

If you haven’t read “Thunder 3” from @KodanshaManga and @KMANGA_KODANSHA, just know that this anime will take you on a ride. Strap in and get ready.⚡️⚡️⚡️Read the manga & you’ll see what i mean…! https://t.co/hysLjxhdE7

[あびば @abibasleepy]

普通に担当着くと思うから幅広い出版社の賞に出した方が良いと思う

[日々是 鳥山先生 @hozonkaiin]

ホ-ア)鳥山ラフデザインワｰク先生エト・セトラ：連載作品の新キャラ・発表読切作品・或るアニメ企画の草案あたりになりますやっぱりプロの方は出力時の正解率が高いようにおもわれます

[RegularCapital @RegularTweetsUK]

I Am Frankelda: Mexico's First Stop-Motion Feature:

Cartoon Brew interviewed sibling filmmakers Arturo and Roy Ambriz about the creation of I Am Frankelda (Soy Frankelda). The fantasy musical is Mexico's first feature-length stop-motion film and serves as a prequel to their acclaimed series, Frankelda's Book of Spooks.

Production and Self-Funding

Originally commissioned by Warner Bros. Discovery as a half-hour special, the Ambriz brothers ambitiously decided to scale the project into a feature film. Because arts financing in Mexico is notoriously difficult to secure, they took the risk of self-funding the rest of the production. To manage their limited budget, they adopted a highly agile process—writing, editing, building, and animating simultaneously rather than following a traditional, staggered timeline.

Success and Mentorship

Guillermo del Toro acted as a vital mentor throughout the production. He advised the brothers on camera movements, character emotional arcs, and editing, helping them trim the film's runtime to better suit general audiences.
With del Toro's help in securing local distribution, the film premiered in Mexico in 2025 and became a monumental success. It grossed $50 million, making it the highest-earning animated film in Mexico since the pandemic. Following its domestic triumph, Netflix acquired the film for international distribution.

Championing Mexican Animation

The brothers operate Cinema Fantasma, an independent stop-motion studio in Mexico City that employed over 100 people during the making of the film. They are deeply committed to fostering a local animation industry and offer classes to young Mexican artists, teaching them how to produce art locally rather than relying on the US studio system.

Despite current global contractions in the animation industry, the brothers remain optimistic. Having always navigated a local environment without a structured industry safety net, they feel well-equipped to handle uncertainty and are currently developing their next feature, Battle of the Phoenix.

Interview by @CartoonBrew, link on the following post.

[John "F" Fountain @FountainCartoon]

I was on a conference call with him once as we were both consulting on something and it was all i could do to keep myself from gushing like a dweeb.

In addition to everything else, his taste in hats is impeccable.

[浦沢直樹_Naoki Urasawa公式情報 @urasawa_naoki]

『あさドラ！』描いて、新連載描いて
すごく忙しいです。

[林士平（りんしへい） @SHIHEILIN]

遠藤達哉先生が特別審査員を務めてくださいます。
ぜひ漫画家を志す皆様に応募いただけますと幸いです。

https://t.co/WIJ5Ub6z0i

[Kiana Mai 🌹 @kianamaiart]

feeling this still

[むぎわら しんたろう @mugishinbase]

漫画家とアシスタントをつなぐ
マッチングプラットフォーム
『COMIC WORKS』が6月より再始動❗️
https://t.co/5X7wzvHuyO

作画技法など動画に参加させていただきました。
みなさんの漫画ライフがより良いものとなりますように✍️✨

#漫画家×アシスタント
#COMIC WORKS

[Dr. Gonzo @N3DrGonzo]

There's this idea in animation Twitter that kids live in this bubble totally unaware of the wider world.

Motherfucker, kids in my school were wearing "They killed Kenny!" T-shirts and mimicking Beavis and Butthead. We weren't sequestered away like nuns.