Anyone else finding that under every hit tweet you have to wade through 100s of blue ticks with clearly AI written replies before you get to the humans? Makes most of this platform unusable. It’s robots have conversations with themselves with a few humans sprinkled in between.
The amount of seats likely to be empty for the Eras tour because codes are going to people who live on the other side of the world isn’t triggering at all. 🥲🔫
The worst thing Spain can do on Sunday is score first. The power of St. George is activated when we’re 1-0 down. Stonehenge reveals itself as crates of Fosters. Benidorm lowers its flag to half-mast. Poppies spontaneously bloom. You cannot stop us. We are shit. We can only play when behind. We are fucking inevitable.
When Real Madrid footballer, Nacho Fernandez, was diagnosed with #Type1Diabetes at 12 years old, he was told his footballing days were over 💙⚽
This Sunday, Nacho is playing for Spain in the #EURO2024 final!
#T1D doesn’t stop you from following your dreams!
#GBDoc
I have zero lived experiences that would make me relate to Soul, Turning Red, or Luca but still adored those movies. So this idea that they should go back to being about more universal themes doesn’t quite stack up….
Pixar are losing their way, but it’s not because of that.
Reading that Pixar excerpt was painful. SOUL, TURNING RED, and LUCA were by far a little mini renaissance that made me feel seen and at home across the board. For many animation lovers too.
These are some POINTS.
Looking at Twitter discourse would leave you massively unprepared for how harrowing BR was. So many of the takes spoke about its brilliance with zero reference to it having such traumatic content - as if those scenes were totally unremarkable.
I haven’t watched Baby Reindeer. I saw the play at Roundabout in 2019 and i felt it to be an extremely unsafe experience for the audience and the actor. I have however seen much of the discourse which has followed.
I find it utterly horrifying that 🧵