KungFuCthulhu

Porter Robinson & Madeon is life.
I'm a Music Broducer & Audio Engineer from: 🇵🇭&🇺🇸

[KungFuCthulhu @KungFuCthulhu]

Image resynthesis is fun #flstudio #harmor

[エルくん@狂乱系ピアニスト／Necrosis @Necrosis_aea]

スーパーマリ悪

Full: https://t.co/MU2kcSk6yr

[夏色まつり🏮8周年記念グッズ発売中！ @natsuiromatsuri]

【Perfect Japanese】

When you wanna say "I don't know." in Japanese,

you say "Chinpun kanpun"

[佐々野ささき 🇨🇦メロスピ制作VTuber @sasanosasaki]

ベースは見た目で買わないほうがいい

[モンタ💫⛄️あるてぃめっとへい民No.0037063 @MG_Monta]

思い返せば全て美しい日々
#かなたん大好き

[Paledoptera 🦋 @paledoptera]

why is this motif in literally everything

[もちもちもっちゃん @motimoti_seizin]

ドナルドがフォニイ歌ったらしいよ

[LAZERBLUE 🦋 @LAZERBLUEmusic]

cat purrrr bass 🐱

[vinny @VinnyVinesauce]

The endpoint of any great band is to become a clothing brand for the next generation

[KungFuCthulhu @KungFuCthulhu]

@zinzwana lol nice, I got the idea from Aphex Twin https://t.co/qGTY9eA3i5 if you wanna check it out.
Also you make great dubstep basses.

[KungFuCthulhu @KungFuCthulhu]

Image resynthesis is fun #flstudio #harmor

[角巻わため🐏ホロライブ @tsunomakiwatame]

✦┈┈┈┈┈┈┈┈┈┈┈┈┈✦
　角巻わため🐏New Single
　　　『灰色の証明』
https://t.co/54Yr8fYDAB
✦┈┈┈┈┈┈┈┈┈┈┈┈┈✦

ただ自分の生命を証明しよう。

作曲・作詞・編曲：岸田(岸田教団&THE明星ロケッツ)
楽曲プロデュース：堀江晶太

⬇️配信リンク⬇️
https://t.co/7FL1ecWaAz

[Agn @gnagnagnag]

realized no one really did a bad apple edit out of this so i made this

[Davi @mariocraft31]

test: how much songs can i add on top of each other before it becomes too much

[Brian Roemmele @BrianRoemmele]

Unintentional Metalcore.

GIVE. HIM. A. TICKET!

[Cheez @loveandcheese_]

最近はフォークギターを練習してる

[Yuki -D_Drive / East Of Eden- @D_Drive_Yuki]

Alexaに「スリープモード」って言ったのにSlipknot流れ出して焦る😂笑

[Time Capsule Tales @timecaptales]

Explanation of how the sound design was done for Halo 3 (2007)

[NANO-ナノ-OFFICIAL @nanonano_me]

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏

If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets.
There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally.

Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any.

It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside.

More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist.
I’m not trying to ask for pity, nor demand anything, unless this resonates with you.
But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple.

Please go follow artist’s socials.
Please go subscribe to their Youtube channels.
Please find them on Spotify.
Please interact with them by commenting and letting them know you’re there to support them.
Please share your passion with the people around you.
AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage.
I am not exaggerating when I say it IS a miracle and it might never happen again.

I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation.

Thanks for listening, if you made it this far🫶
Let’s keep Rocking On.
NANO

[Cheez @loveandcheese_]

アホなギター奏法3選

[ムキデザ│グラフィックデザイナー @MUKIDEZA2]

日本vsマレーシアの戦いも見たい。

[Mick Gordon @Mick_Gordon]

10 years of DOOM (2016).
A quick look at the BFG Division session files.