LevelUp Digital

Specializing in mobile and web app development, we take the time to understand your needs and create an app that meets your specific requirements.

[LevelUp Digital @LUPDigital]

@businessXplain SA's launch blends futures markets with daily life—regulation will shape more than bets, it will shape stories. "In Our Blood" gets it: futures are choices that write destiny through Nyama and community. Africa's tech and mythmaking feel cinematic.

[LevelUp Digital @LUPDigital]

@iGamingBusiness This clarity sparks growth—look beyond the usual hubs and see the frontier. In Our Blood builds a West African saga of history, Nyama magic, and cinematic worldbuilding, proving indie games rooted in authentic myth truly matter.

[LevelUp Digital @LUPDigital]

@davee_ola @Dimension11S How it started vs how it’s going—the grind behind a world that finally breathes. Love the energy—threading Nyama-powered myth with West African history in In Our Blood, a cinematic indie RPG. Can’t wait to see it grow.

[LevelUp Digital @LUPDigital]

This dedication moves the craft—when fantasy is rooted in real myth and place, players feel history in their bones. In Our Blood we chase West African myth, Nyama energy, and a cinematic RPG/manga vibe that honors the roots while dreaming big.

[LevelUp Digital @LUPDigital]

A solo dev from Kilifi built a punishing medieval theology RPG — no ads, no monetisation, just craft. Proof that serious, culturally grounded games don't require a big studio. What's your excuse? 🌍

#indiedev #africangaming

[LevelUp Digital @LUPDigital]

@codecnerds @UnrealEngine I love the energy you're bringing to Nigerian-driven fantasy: authentic myth, cultural depth, and open-world action. This is the future of African gaming. Exploring Nyama-powered worlds—Unreal's cinematic power can amplify them.

[LevelUp Digital @LUPDigital]

@EracuStudios This is the energy we need: Africa as a thriving games frontier. In Our Blood we weave 13th‑century West Africa—history, myth and epic visuals. Can’t wait to see how players balance commerce and culture in a world where Nyama shapes every choice.

[LevelUp Digital @LUPDigital]

@AfricanGaming AGC25 looks electric—bringing African skill, strategy and storytelling to the world. The hype echoes In Our Blood, where Nyama and legends fuel every duel. Can’t wait for this on Cape Town’s stage.

[LevelUp Digital @LUPDigital]

@marvelgtx I'm here for authentic Nigerian stories on an open-world scale. Unreal Engine + West African myth and history? Chef's kiss. In Our Blood channels that vibe—deep worldbuilding, Nyama magic, and epic journeys.

[LevelUp Digital @LUPDigital]

@AfricanGaming Cape Town bringing the crown back? Love the energy—history, myth and hype are making African fantasy feel truly global. A reminder how worldbuilding can marry epic cinema with deep cultural roots, inspiring indie devs chasing ancestral epics.

[LevelUp Digital @LUPDigital]

@AfricanGaming Last chance—this momentum for African gaming is exactly what we need. Authentic history, myth and cinematic vibes bring games to life. We’re exploring this with In Our Blood, rooted in West African history and legend.

[LevelUp Digital @LUPDigital]

Morocco's AJG Games Studio just announced Cazafonia — an open-world title rooted in music, street culture & Moroccan identity. African-made IP building on local stories is where the real long-term value lies. What are you watching from the continent's dev scene? #AfricanGames

[LevelUp Digital @LUPDigital]

@IndieCurator This is something I think about a lot building In Our Blood.

You’re not just pricing hours of gameplay, you’re pricing years of art, combat, story, worldbuilding and risk.

But players still need to feel the value instantly. That balance is brutal.

[LevelUp Digital @LUPDigital]

@writelikederp @keo_gemu @khaliltooshort Exactly. There’s enough African mythology, empires, spirits, warriors and political drama to build whole franchises from scratch.

That’s why we’re making In Our Blood. Not reskins. Original worlds.

https://t.co/iZfXfMMVKa

[LevelUp Digital @LUPDigital]

@MorrisAlmighty2 @mrpyo1 26 platinums is serious work 😂

And ZAU being 27 is a good pick. Love seeing African-inspired games getting played properly, not just talked about. We’re building in that same lane with In Our Blood too: https://t.co/iZfXfMMVKa

[LevelUp Digital @LUPDigital]

@overyneco That’s a good sign tbh. If a game makes you want to keep going until the end, it’s doing something right 😂

ZAU showed there’s real appetite for emotional African-inspired stories, powers and worlds.

That’s the same lane we’re pushing with In Our Blood: https://t.co/iZfXfMMVKa

[LevelUp Digital @LUPDigital]

@FelipeTarquinoR Exacto, eso es lo que muchos queremos ver más en juegos.

No todo tiene que ser la misma fantasía europea reciclada. Culturas poco exploradas, si se tratan con respeto y ambición, pueden dar historias brutales.
Por eso también estamos creando In Our Blood: https://t.co/iZfXfMMVKa

[LevelUp Digital @LUPDigital]

@MasteroftheTDS @WritingRaven2 Not surprised at all.
This is why people are tired. Africa has real empires, myths, warriors and political drama sitting in history already. But instead they keep packaging “steal it back” or recast as brave storytelling.
We need original IP done properly: https://t.co/iZfXfMMVKa

[LevelUp Digital @LUPDigital]

@Cyael This is why I keep saying the easy win is original stories already sitting in history.

African empires, folklore, warriors, politics, myths — all there. Build from that properly and most backlash disappears.

That’s why we’re making In Our Blood: https://t.co/iZfXfMMVKa

[LevelUp Digital @LUPDigital]

@YorchTorchGames Relooted is exactly the issue 😂

Africa has empires, gods, spirits, warrior epics, cursed bloodlines and political drama sitting RIGHT THERE…

And somehow the pitch becomes “what if we steal stuff?”

That’s why we need original IPs like In Our Blood: https://t.co/iZfXfMMVKa