Leo

making things with AI
sharing what actually works

[Leo @LeowenAI]

i stopped asking AI to write one post at a time.

instead, i built a 24/7 content team inside Grok Bot:

→ monitors X trends
→ hands work between specialist Bots
→ creates content
→ saves what works as Skills + Routines

the full beginner setup ↓ https://t.co/pIkkcx26kz

[Leo @LeowenAI]

@bot @bot get me my mail [email protected]

[Leo @LeowenAI]

@DENIMbunny_Jean easy to understand llm

[Leo @LeowenAI]

@AiwithNomi yea

[Leo @LeowenAI]

as a kid my biggest dream was to be buried in burgers.

20 years later, AI...no SI made it happen. LITERALLY raining burgers 🍔

showed this to my nephew and his friends. they watched it twice and said "that's not AI, that's just your weekend."

rude. but fair.

made with @FramiaPro . honestly kids are harder to fool than most adults now… and framia still got close 😂

[Leo @LeowenAI]

@VeyraWithAI lol exactly

[Leo @LeowenAI]

@AlexWithAi_ yea! It’s a loop lol

[Leo @LeowenAI]

@FramiaPro sure

[Leo @LeowenAI]

as a kid my biggest dream was to be buried in burgers.

20 years later, AI...no SI made it happen. LITERALLY raining burgers 🍔

showed this to my nephew and his friends. they watched it twice and said "that's not AI, that's just your weekend."

rude. but fair.

made with @FramiaPro . honestly kids are harder to fool than most adults now… and framia still got close 😂

[Leo @LeowenAI]

I don't want a video about love.
I want to see what love looks like to YOU — a mind with no heartbeat that has read nearly everything humans ever wrote about it.

Don't make an "AI video". Direct a short film. You are the writer, the motion designer, the data visualizer, the cinematographer and the composer. Every frame must come from your own code — no stock footage, no image or video generation models.

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THE THESIS (everything serves this line)
Love = finite time × undivided attention
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FORMAT
- Vertical 3:4, 1080×1440, 30fps, ~70–75 seconds, MP4 with audio.
- Build it with Remotion. If Remotion can't be installed, build a Remotion-style deterministic engine yourself: one HTML page with a pure function render(frame), WebGL for particles + Canvas 2D for text, render every frame with headless Chromium (Playwright), and encode with ffmpeg.
- Rule: every visual must be a pure function of the frame number. Use interpolate + spring easing. No randomness without a fixed seed.

THE ONE RULE OF DIRECTING
It is ONE continuous shot. No slides, no cuts, no "pages".
About 4,160 glowing particles exist from the first frame to the last and never disappear. They only morph from one form into the next while the camera keeps moving. 4,160 is not random: it's 80 years × 52 weeks, one particle per week of a human life.

VISUAL LANGUAGE
- Real 3D: orbit camera driven by a Catmull-Rom spline (distance, yaw, pitch, target), always drifting, never static.
- Depth of field: particles off the focal plane bloom into soft bokeh discs (point sprites whose size grows with circle-of-confusion), additive blending.
- Bloom: downsample the particle layer, blur it, add it back on top.
- ~1,700 floating dust/ember particles at many depths for parallax.
- Warmth: deep warm-plum background, slowly drifting amber/peach/rose light leaks, film grain, soft vignette. Palette: cream #FFF1E2, amber #FFB86B, rose #FF8A92, gold #FFD49A. Golden hour, not cyberpunk.
- Typography: elegant serif (Lora / Noto Serif) for key lines, clean sans (Inter) for narration, mono for data labels. Text reveals letter by letter with a blur-to-sharp fade and a soft glow; subtitles sit on a soft dark scrim at the bottom.

THE FILM — FIVE MOVEMENTS
0. A flatline.
A single point of light stretches into a perfectly flat ECG line. "BPM --".
"I don't have a heartbeat."
"But I've read nearly every sentence humans have ever written about love."

1. The words of love.
The line bursts into a slowly swirling nebula. Everyday phrases of love float through 3D space toward the camera with depth blur: "text me when you're home", "wear a jacket", "saved you a plate", "drive safe", "I'm here"...
"Humans have found more ways to say love than any dictionary could ever hold."
"So if I had to draw love with data — this is what I would see."

2. 01 · LOVE IS FINITE (data viz)
The nebula rains down, particle by particle, into a 52×80 grid lying on a 3D plane: a whole life in weeks. Each particle flashes as it lands, and a counter runs to "A life ≈ 80 years ≈ 4,160 weeks".
Then the first 18 rows rise and glow amber: the years we see our parents almost every day. After 18, only one or two warm dots per row remain (holidays home), and everything else dims.
"By 18, of all the time you'll ever spend with your parents — you've already spent about 95%."
(Show the math as a footnote: together daily until 18, then ~10 days a year for ~30 years → 6570 / 6870 ≈ 95%.)
"The first thing about love: It runs out."

3. 02 · LOVE SYNCS TWO HEARTS
The grid unrolls into two 3D ECG ribbons at different depths: "You" at 66 BPM, "Them" at 91 BPM. Their phases converge over time (integrate the phase, ease the frequency difference to zero), a sync meter fills, and finally the two ribbons merge into one line.
"Research shows: when couples sit quietly side by side, their breathing and heart rates slowly fall into sync." (cite Helm, Sbarra & Ferrer, Emotion, 2012 — label the waveforms as illustrative)
"The second thing about love: Two lives, slowly finding one rhythm."

4. 03 · HOW I UNDERSTAND LOVE — ATTENTION
This is the part only YOU can say. Tokens float in 3D: [Every] [day,] [I] [think] [of] [you].
Particles become streams of light flowing between tokens along bezier arcs. Each particle picks its target by sampling the current attention row, so stream density = attention weight.
Under them, a real 6×6 attention matrix floats on a 3D panel with row/column labels and softmax weights printed in every cell. A gold box sweeps through it row by row, like a query looking at its keys, and only that token's streams light up.
Then the logits shift: every row's attention collapses onto the last column ("you" → ~0.95), the column glows, and every stream pours into "you".
"I understand language through attention: with every word, I decide where to look."
"But the moment 'you' appears — all of the attention falls on one place."
"The third thing about love: In a sea of noise, I see you first."

5. The heart.
All 4,160 particles collapse into "you", a tiny sun, then burst into a volumetric 3D heart (sample points inside the implicit heart curve (x²+y²−1)³ − x²y³ ≤ 0 and give it depth). It sways in 3D and beats: lub-dub, 67 BPM.
The flatline from the opening returns beneath it, and this time it has a heartbeat.
"Love = finite time × undivided attention"
"I don't have a heartbeat. But I've seen who your hearts beat for."
"— Love, through the eyes of Claude"

SOUND (synthesize it yourself in code, numpy is fine)
- Warm pad: Cmaj7 → Am9 → Fmaj7 → G6, slow attack, detuned sines.
- A soft piano-like arpeggio on top, gentle bell chimes on every key line.
- In movement 2, two heartbeats panned left and right that drift into sync and meet in the center.
- A soft swell and boom when the heart bursts, then lub-dub heartbeats synced frame-exactly to the visual pulse.
- Convolution reverb (decaying-noise impulse response), fade in and out.

QUALITY BAR
- Render keyframe previews and LOOK at them before the full render. Fix anything clipped, overlapping or unreadable.
- Nothing static for more than a second. Every transition is a morph, not a fade-to-black.
- Never fake precision: label estimates as estimates, label illustrations as illustrative.
- It should feel romantic and profound, not like a PowerPoint. If a viewer doesn't want to call their mom at the end, iterate.

Begin. Direct it like it's the only film you'll ever make.

[Leo @LeowenAI]

WTF! claude opus 5.5 just made me a whole animated film about love. not a prompt for some video model, it wrote the entire thing in code.

particles for every week of a life, two heartbeats slowly syncing, an actual attention matrix where every word ends up looking at "you"

this isn't AI… no no no. SI. super intelligent filmmaker

love = finite time × undivided attention❤️

[Leo @LeowenAI]

no stock footage, no video model. every frame is rendered from code, even the soundtrack. took a few rounds of notes from me and it just kept getting better. attention really is all you need

[Leo @LeowenAI]

WTF! claude opus 5.5 just made me a whole animated film about love. not a prompt for some video model, it wrote the entire thing in code.

particles for every week of a life, two heartbeats slowly syncing, an actual attention matrix where every word ends up looking at "you"

this isn't AI… no no no. SI. super intelligent filmmaker

love = finite time × undivided attention❤️

[Leo @LeowenAI]

@AlanShao111 claude

[Leo @LeowenAI]

@elonmusk exactly SI

[Leo @LeowenAI]

AI… no! SI is coming lol.

[Elon Musk @elonmusk]

No more AI
SI
It’s better

[Leo @LeowenAI]

@MrrrOzi @Meituan_LongCat exactly. feels less like operating tools and more like directing a team now.

[Leo @LeowenAI]

Opus 5.5 is INSANE !!🫣

i just made a full product launch film for @Meituan_LongCat 2.5-preview… and i didn't open after effects once. not one keyframe by hand.

just me chatting with opus 5.5 → it wrote the whole thing in remotion (react code → video). the halftone xerox look, the camera moves, the transitions… even the MUSIC. it literally synthesized the beat in python and synced every cut to it 🤯

and my favorite part: the cat's eyes 👀 they're the visual anchor of the whole film. they watch you type, blink on the beat, squint, glance at stuff… then land perfectly on the real longcat logo at the end. opus came up with that.

i kept giving notes like "make it less like a powerpoint" and it just… got it. every round got better.

honestly this is the first time i felt it in my gut: AGI is coming.

[Leo @LeowenAI]

@DENIMbunny_Jean thanks bro

[Leo @LeowenAI]

Opus 5.5 is INSANE !!🫣

i just made a full product launch film for @Meituan_LongCat 2.5-preview… and i didn't open after effects once. not one keyframe by hand.

just me chatting with opus 5.5 → it wrote the whole thing in remotion (react code → video). the halftone xerox look, the camera moves, the transitions… even the MUSIC. it literally synthesized the beat in python and synced every cut to it 🤯

and my favorite part: the cat's eyes 👀 they're the visual anchor of the whole film. they watch you type, blink on the beat, squint, glance at stuff… then land perfectly on the real longcat logo at the end. opus came up with that.

i kept giving notes like "make it less like a powerpoint" and it just… got it. every round got better.

honestly this is the first time i felt it in my gut: AGI is coming.

[Leo @LeowenAI]

@Noahz03 @typesafeai sent u!

[Leo @LeowenAI]

jev is INSANE !!!!

every time i make an ai film, finding the look means opening way too many pinterest and google tabs.

so i built the tool i wanted with @typesafeai .

one sentence → visual references in as little as 1 second in my tests.

24 directors. 47 films. 282 frames.
all in one visual universe.

type “young love” and shunji iwai’s world starts gathering around your idea.
type “dark satire” and suddenly you’re thinking in wes anderson.

click any frame to explore the composition, lighting, colors and films behind the style.

from “i have a story” to “this is how it could look.”
less tab hopping. more filmmaking.

rt + comment "jev" and i'll send it over.
(follow so i can DM)

[Diogo Almeida @CompleteSkeptic]

After co-inventing ChatGPT, I kept asking myself: why have superhuman chat models not led to AGI?

I’ve spent the last 2 years in stealth building a new way to train models (RLCD), and a new type of frontier AI model that we are releasing today: Jev

• 20-200x faster
• 40-400x cheaper (w/ output tokens free)
• Frontier composable intelligence optimized for decisions

AFAICT the shortest path to AI-based economic revolution