Introducing the #WelcomeToSlumberland digital #TableofContents!
Updated each day, this new page will feature quick links to each of the daily threads making it easier for participants to find past conversations without having to scroll for hours!
https://t.co/yEvyIzazaa
@GSC_CSS President Zachary J.A. Rondinelli (@zjarondinelli) speaks with Secretary-Treasurer Maite Urcaregui (@MaiteUrcaregui) about winning the 2020 CSS Gilbert Seldes Prize for Public Scholarship for his project "#WelcometoSlumberland" (@LittleNemo1905).
https://t.co/OrMmCONXHT
I had a really great time talking about my @cssorg award-winning social media research project, #WelcomeToSlumberland (@LittleNemo1905), with the amazing @MaiteUrcaregui! If you’re interested, check it out: https://t.co/LkZfdskItz
@Stringer1956 Ya, there is something to be said here about Nemo’s paratextual iterations and how those impacted/affected the original strips.
Consumerism certainly plays a role here, as well, since much of Nemo’s non-print existence was driven by a desire to further monetize the Nemo IP.
@tom_tofroh Hey @tom_tofroh! After many discussions with copyright experts and my university copyright specialist I am confident in saying that McCay’s revival strips are indeed public domain.
As of this moment, the image on the #WelcomeToSlumberland are the only ones available on the web.
@pfxbryan I think it’s easy to do that with the revival strips because they lack the formal complexity and innovative spirit of the earlier strips. I most definitely would’ve blown by these strips much different had we not been reading day by day!