“A prismatic film,” Michael Sicinski of @InRO writes on @shireenseno’s new film, You dreamt you saw yourself but couldn’t see your face, screening one last time at FID Marseille this Sunday, July 12, 16:00 at Artplex Canebiere followed by a final Q&A
https://t.co/KdXutlD41d
👏👏 Han Nefkens Foundation—in association with Mori Art Museum in Tokyo, Hong Kong’s M+, and the Singapore Art Museum—has announced Manila-based artists John Torres and Shireen Seno as the winners of its 2025 Moving Image Commission. #VideoArt https://t.co/wZtOPptOqG
Grateful to pick up two awards from the 2024 @QCinemaPH Project Market for our project Heaven Help Us (Bato Bato Sa Langit Ang Tamaan Magagalit) dir. Eve Baswel, prod. John Torres, Jules Katanyag
QPM PHILIPPINES CO-PRODUCTION GRANT
CMB DISCOVERY AWARD
https://t.co/fNSfchkjrr
My show in Singapore is down to its last days in the Tunnel ~ Inclu early photos (2008-2012), film-essay To Pick a Flower (2021) + new 5-channel edition of A child dies, a child plays, a woman is born, a woman dies, a bird arrives, a bird flies off (2024)
https://t.co/NeRfJqg8nY
«Nowhere Near» de Miko Revereza (FIL/MÉX, 2023) en @OaxacaCine móvil.
Miércoles 21 de agosto, 19 horas.
Taller Popular (Porfirio Díaz 413 Centro).
¡Allí nos vemos!
‘Tomorrow’s History’, curated by Sine Screen is on show in the Gallery until this Saturday 27 July as part of 'An Inverted Journey of Counter Archiving,' our showcase of moving-image works alongside related archival and visual materials.
This Sine Screen shorts programme is presented as part of 'Vulnerable Histories', the collective's ongoing series exploring the representation of historical trauma in East and Southeast Asia. It brings together experimental works from Taiwan,
Vietnam, the Philippines, Thailand, and Hong Kong, delving into a range of personal and collective narratives.
From the colonial history in the Philippines,
the aftermath of the Khmer Rouge regime in Cambodia, the social movement in Hong Kong, to the White Terror period in Taiwan, ‘Tomorrow’s History’ seeks to examine how history is documented, narrated, remembered, and erased by juxtaposing the historical with the present-day.
The films include:
1. Darren Lin ‘Love letters’ (2022)
2. Prapat Jiwarangsan ‘Parasite Family’ (2022)
3. Shireen Seno ‘To Pick a Flower’ (2021)
4. Simon Liu ‘Devil’s Peak’ (2021)
WE STILL HAVE TO CLOSE OUR EYES (John Torres) screens @EYE_film in Amsterdam Tue 23 Jul as part of DOOMSCROLLING: SHORTS AGAINST DESPAIR with works by Harun Farocki, Jean-Gabriel Periot, Johan Van Der Keuken, Jean-Luc Godard, Alexei Dmitriev, Chris Marker
https://t.co/QUTCziEcrQ
Friday night in Cubao! Los Otros, in collaboration with Lost Frames + @artistsresbak, presents a screening of work by filmmaker/anthropologist @JulesLeano (Berlin) + artist-filmmaker Bea Mariano @imaginalsoup (Manila), whose works echo some of the global issues that we face today
Asian Film Archive @AFA_archive presents John Torres’ 2nd feature film ‘Years When I Was a Child Outside’ (2008) on Wednesday, June 19, 8pm at Oldham Theatre (1 Canning Rise, Singapore) @pelikula
https://t.co/HXpaAwpO48
Installation shots of my solo show in Singapore on view until Sep 1. All images courtesy of Esplanade - Theatres on the Bay
A child dies, a child plays, a woman is born, a woman dies, a bird arrives, a bird flies off
24 May – 1 Sep 2024
Esplanade Tunnel
https://t.co/NeRfJqg8nY