Club Meet Me At The Opera

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[Club Meet Me At The Opera @MMATOpera]

Opera is the greatest accomplishment of our Western Civilization!
World #Opera community at https://t.co/RZilOXxQcV

[Club Meet Me At The Opera @MMATOpera]

Met Opera Opening Night Gala . Verdi's MACBETH. Quinn Kelsey , Lise Davidsen, Ryan Speedo Green

https://t.co/SljraMQV8H

[Club Meet Me At The Opera @MMATOpera]

Pianist Daniil Trifonov’s Carnegie Hall existential Prokofiev with National Symphony transcends time, genre.
By George Grella. New York Classical Review.
Club "Meet Me At The Opera".
https://t.co/tWyopPg6Gz

[Club Meet Me At The Opera @MMATOpera]

The Last Ship is an original musical with music and lyrics by Sting and a book by Lorne Campbell.
Opening night at The Metropolitan Opera @metOpera #sting
https://t.co/G9t1B6RyRk

[Club Meet Me At The Opera @MMATOpera]

Sting’s New York Premiere of the  revised musical "The Last Ship" . Met Opera.
https://t.co/8Ehgd2u21U

[Club Meet Me At The Opera @MMATOpera]

Sting’s New York Premiere of the  revised musical "The Last Ship" . Met Opera.
Sting’s revised musical "The Last Ship" is playing a strictly limited engagement at the Metropolitan Opera House at Lincoln Center from June 9 to June 14. The autobiographical folk-musical features Sting as shipyard foreman Jackie White and reggae icon Shaggy as the Ferryman.

Based on Sting’s childhood in the British shipbuilding town of Wallsend, the show explores a tight-knit community of shipbuilders facing the closure of their local shipyard. This newly adapted staging features a new book by Barney Norris and an expanded company of 48 artists, musicians, and choristers.

For a quick look at the production and behind-the-scenes interviews with Sting regarding his return to the stage:

“I loved it,” Sting said of his musical “The Last Ship.” “I’m sad it didn’t go on longer.” Credit...Pete Kiehart for The New York Times
Sting Never Gave Up on His Musical ‘The Last Ship.’
Now Its Back
After his 2014 musical failed on Broadway, the musician is bringing a revised version of it to the Metropolitan Opera for a limited run this week.
Cast
Sting as Jackie White Shaggy as the Ferryman Declan Bennett as Gideon Fletcher Lauren Samuels as Meg Dawson Annette McLaughlin as Peggy White Marc Akinfolarin as Davey Cassiopeia Berkeley-Agyepong as Baroness Tynedale
The ensemble and swing company features Matt Beveridge, Joe Caffrey, Mathew Craig, Matthew Gent, Llandyll Gove, Lou Henry, Helen Hill, Lemuel Knights, Grant Neal, Hannah Richardson, Gabriella Stylianou, Emma Thornett, and Kevin Yates
https://t.co/p15dcqzJhw

[Club Meet Me At The Opera @MMATOpera]

Met Opera Premier: El Último Sueño de FRIDA y Diego.
Gabriela Lena Frank / Libretto by Nilo Cruz.
https://t.co/K2IC6Wbx9j

[Club Meet Me At The Opera @MMATOpera]

Daniil Trifonov, Piano. Carnegie Hall Gala “Concert of the Century" May 5th, 2026.
https://t.co/2Tl0zxTV0C

[Club Meet Me At The Opera @MMATOpera]

Metropolitan Opera .Eugene Onegin. Pyotr Ilyich Tchaikovsky .
Conductor -Timur Zangiev.
Baritone Iurii Samoilov as Onegin.
Soprano Asmik Grigorian as t
Tatiana.
Tenor Stanislas de Barbeyrac as Lenski.
Your Global Opera Club @MMATOpera
Join today to remember the most beautiful Fine Arts Moments.

[Club Meet Me At The Opera @MMATOpera]

Metropolitan Opera .Eugene Onegin. Pyotr Ilyich Tchaikovsky . Operatic adaptation of Alexander Pushkin.
Conductor -Timur Zangiev.
Baritone Iurii Samoilov as Onegin.
Soprano Asmik Grigorian as t
Tatiana.
Tenor Stanislas de Barbeyrac as Lenski.
@metopera @mmatopera
https://t.co/41pyefQmYJ

[Club Meet Me At The Opera @MMATOpera]

"Meet Me At The Opera"
https://t.co/8Ehgd2u21U
Social Club for Fine Arts Lovers.
Founder Nadia Kovarskaya.

[Club Meet Me At The Opera @MMATOpera]

TRISTAN & ISOLDA. MET OPERA. March 13, 2026.
https://t.co/1Lhc1ClRlC

[Club Meet Me At The Opera @MMATOpera]

Marina Abramović in ConversationArtist Talk. Great Hall Cooper Union, New York. March 18, 2026.
https://t.co/SwBp8cMumb

[Club Meet Me At The Opera @MMATOpera]

Tristan & Isolda. Met Opera Openning night.
“SOME OF THE BEST MOMENTS OF OPERA I’VE EVER HEARD ... A PEAK OF THE MET’S PAST DECADE” —New York Magazine

“AN ASTONISHING PERFORMANCE … THE EVENT OF THE SEASON.” —The New York Times

After years of anticipation, a truly unmissable event arrives as the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon—hailed by The New York Times as “the most visionary opera director of his generation” and the first American to direct an opera at the famed Wagner festival in Bayreuth—as well as Music Director Yannick Nézet-Séguin’s first time leading Tristan und Isolde at the Met. Mezzo-soprano Ekaterina Gubanova reprises her signature portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny, who sings Kurwenal after celebrated Met appearances in Wagner’s Der Fliegende Holländer and Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Marke.

Please note that video cameras will be in operation during the March 17 and March 21 performances as part of the Met’s Live in HD series of cinema transmissions
https://t.co/peWoAIZ8tM

[Club Meet Me At The Opera @MMATOpera]

Carnegie Hall : Vienna Philharmonic
Andris Nelsons, Conductor
Lang Lang, Piano

Program

BARTÓK Piano Concerto No. 3

G. MAHLER Symphony No. 1

Individually, concerts by the Vienna Philharmonic and piano superstar Lang Lang are among classical music’s most sought-after events. In this thrilling Friday-night performance, they join forces on Carnegie Hall’s grandest stage. Lang Lang is featured in Bartók’s unusually graceful Piano Concerto No. 3, highlighting a gentler, more “classically oriented” side of a composer responsible for some of the 20th century’s most important and demanding piano repertoire.

https://t.co/oSBTvcL2ME

[Club Meet Me At The Opera @MMATOpera]

Pianist Daniil Trifonov’s Carnegie Hall existential Prokofiev with National Symphony transcends time, genre.
By George Grella. New York Classical Review.
Club "Meet Me At The Opera".
https://t.co/tWyopPg6Gz

[Club Meet Me At The Opera @MMATOpera]

Met Opera. Carmen. Aigul Akhmetshina. Michael Fabiano. Matthew Polenzan. Conductor-Derrick Inouye.
https://t.co/i87C2JU74f

[Club Meet Me At The Opera @MMATOpera]

Performance to Remember!
December 27. Carnegie Hall.
Christmas Night Opera with Nadine Sierra, Sondra Radvanovsky, Thomas Hampson, Asmik Grigorian, Brian Jagde, and Anita Monserrat.
@carnegiehall
@nadinesierra @thomashampson @SondraRadvan
@MMATOpera
@NadiaKovarskaya

[Club Meet Me At The Opera @MMATOpera]

Tonight is The Night at The @metopera
https://t.co/hpxP45Yrac
https://t.co/2ov4ZLsCge

[BostonComicsRoundtbl @BostonComics]

Boston #Comics Roundtable pointer of the day: Today the Metropolitan Opera opens its season with “The Amazing Adventures of Kavalier & Clay,” an adaptation of Michael Chabon’s novel about the comic-book business with a score by Mason Bates & Gene Scheer – https://t.co/5TtauZkKp7

[Club Meet Me At The Opera @MMATOpera]

Met Opera .John Adams:
Antony and Cleopatra
New Production

The most recent opera by preeminent American composer #JohnAdams—a glorious adaptation of Shakespeare’s immortal drama—has its Met premiere. Following her debut in the company premiere of Adams’s El Niño in 2024, #sopranoJuliaBullock stars as the irresistible #Cleopatra, one of theater’s most complex and captivating characters, opposite bass-baritone #GeraldFinley as the conflicted Antony. Adams himself takes the podium to conduct his lyrical and richly orchestrated score, leading a new staging by groundbreaking director Elkhanah Pulitzer that transports the story of troubled romance and political strife from ancient Rome to the Golden Age of Hollywood in the 1930s. Tenor #PaulAppleby is Caesar, who goes to war with Antony, and mezzo-soprano Elizabeth DeShong is Caesar’s sister and Antony’s forsaken wife Octavia.
Opera in Two Acts
Composed by John Adams
Libretto adapted by John Adams from #Shakespeare
With supplementary passages from Plutarch, Virgil, and other classical texts