@JoeBB8@ErickLorinc Hope it doesn't fall apart like the Scorsese film did but I've already seen they're doing the things shows do so as to drag out some things for more episodes.
@WilliamDoo48509@gorgeousbrains Don't think the landing can discount everything else that has been great so far.
Been hoping for long that Rhys gets a comedic role
@stoneandthestar@VashKohime@Undue_Risk I tried the Fassbender one but even in that one they used the age-old trope of him losing his senses by falling for her
@martiniblueue@mndnemuse I grew up on their soap operas but it's one of those languages that I used to think didn't sound great and convincing in angry situations until I saw some stuff on Netflix.
@stoneandthestar@VashKohime@Undue_Risk Does Le Bureau also make the spies commit so much murder?
Does it also make the people hunting the spies also overly incompetent and too lenient towards the spies despite knowing about those murders?
@btramdani@blauereiter Gotta see that one and this Tokyo drifter.
His Taisho trilogy is quite interesting and unique as well. In the Mood for Love owes a lot to the 3rd entry.
@hazelnuthat@gal_dawg Just like Scorsese and this realized they couldn't do better than that Hermann score, they should've realized the same about Mitchum's performance and the film as a whole
@hazelnuthat@gal_dawg The original is the one that makes me wonder why they still make these remakes.
But am liking the show so far but I see how it'll drag out and get tiring.
@kassandraboss@BadFilmTakes1 The writing hot worse in Tenet but then surprisingly got better with Oppenheimer which is weirder because he took longer with Tenet
@Strawhatmary@jpcsuka I tried to catch it before Avatar but it didn't show.
Then it suddenly played before Project Hail Mary and that score really hits you.