The interior of this small rural church is one of Britain’s most remarkable Victorian artistic treasures.
In the 1980s, the church was deemed structurally unsafe and this exceptionally rare and beautiful interior was almost lost to demolition.
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To bring the cavalry charges of War and Peace and Waterloo to life, Mosfilm studio established its own Red Army cavalry brigade, overseen by a cavalry general who’d led his horsemen all the way across the Eastern Front to the Elbe: https://t.co/SW5u62dtkj
Fascinating, and awesome that someone is thinking deeply on this level: Can Hollywood Escape an Oligopoly Outcome?, by @RoyPrice https://t.co/k78SmIEvZI
Delighted to share that my short film 'Lyden af Andre' / 'The Sound of Others' has been selected for the Odense Film Festival @OdenseFilmFest . Cross fingers for us!
Q: Does it apply to foreign films filmed abroad? If so, we just won’t see those.
Q: Wondering how you calculate the “100% tariff”? 100%*production budget spent overseas? I think that means that most films that need those credits and lower costs just won’t get made. Most will not get made at a higher price in the US.
Q: Does this apply to direct to streaming films? Or are they “tv”?
Q: Does it apply to library film deals?
Q: How do industry specific tariffs interact with country tariffs? Do they stack?
Feels like something a team should think through for a few months.
What might serve this goal and work: create a federal subsidy to compete with other countries and eliminate individual state incentives.
‘With just a single, frictionless prompt each of us becomes the world-builder of our own private universe.’
Ghiblification is just the start. @louiselton96👇
https://t.co/zRLf3PzFN8
The Wolf of Wall Street (1929) is today believed to be a lost film. The only part of the movie known to still exist is this brief montage sequence created by Slavko Vorkapić