Slondo

Creative Director & AI Filmmaker | Head of Creative Projects @magnific_ai
Building at the intersection of AI, vibe coding, and storytelling.

[Slondo @MarioSlondo]

Ayer estuve en un photowalk con Lisa Carney por Miami Beach, aprendiendo a jugar con la luz, los colores y Lightroom. 📸🌴

Muy buena experiencia, y aquí van 3 fotos que salieron de ahí 👇
#AdobeMAX #ligthroom #photo

[Slondo @MarioSlondo]

Qué hace que una campaña publicitaria sea realmente memorable?

Interesante ponencia de AJ Bleyer sobre cómo conectar emocionalmente con la audiencia, construir conceptos creativos más potentes y utilizar la IA generativa para llevar las ideas más lejos.

#AdobeMAX #Advertising

[Kris Kashtanova @icreatelife]

Disney and Adobe announced a multi-year alliance at MAX. As someone who watched every Disney animation since age 3, I feel proud we will work with them.

Disney is building private AI models with Firefly Foundry, trained on its own characters
#AdobeMax2026

[Steve Nouri @SteveNouri]

@Adobe CEO just announced crazy new features at Adobe MAX.

All Adobe products now support MCP connections. Means Chatgpt and Claude can help creators directly within platforms.

[Mike Russell @imikerussell]

Premiere now has an AI Assistant.

You type what you want. It does the edit on your timeline.

Adobe just showed it on the MAX stage. I've been using it for weeks. Same with enhance speech and separate crosstalk!

[Alvaro Felipe Chávez @AlvaroFelipeCh]

Adobe acaba de lanzar MCP para toda su suite y eso significa el último clavo en el ataúd de los “creativos” que no se actualizaron y solo le andaban echando mierda a la IA.

Los que se actualizaron bienvenidos a 2027: a crear más y a tener más impacto que nunca.

Si eres diseñador y no andas repitiendo babosadas como que la IA es para los ociosos o que la IA nunca va a tener mi creatividad, y en cambio invertiste tu tiempo en aprender a usarla y ya no podrías diseñar sin IA, mándame un inbox porque estoy buscando tu perfil.

[Magnific @magnific]

Before the Show, a new animated series by Magnific Studios, produced by Magnific Originals

Explore how the team brought it to life 🧵

[Slondo @MarioSlondo]

Arranca #AdobeMAX 2026! El CEO Shantanu Narayen ya está en el escenario presentando el futuro de la creatividad y la inteligencia artificial. Se vienen días llenos de novedades, herramientas increíbles e inspiración pura.

[Magnific @magnific]

6 motion experiments made with Magnific One + Move

Stills created with Magnific One, then animated with Move to explore collage, texture and cinematic styles

The examples and prompts behind each look 👇

[Stan_Katayama @Dokko57932483]

I've been trying for three days to create a style that's somewhere between Arcane and Disney.

I think I've got it! 😁

[Magnific @magnific]

Gemini Omni 1.2 Flash is now on Magnific

Create and edit videos guided by image and video references, with dialogue and sound generated together

Now available

[Slondo @MarioSlondo]

El futuro del cine se está debatiendo hoy en Málaga. Espectacular el panel "Storytelling in Film with AI" en el #UpscaleDay @magnific . Un lujo escuchar las perspectivas de @Cont_animation y Phantom X sobre cómo la IA está transformando la narrativa audiovisual.

[Magnific @magnific]

Your team has the ideas. How does AI fit into the way you make them?

Meet Magnific Studios: creatives working alongside teams in fashion, marketing and VFX to build workflows around their needs.

Meet the people behind the work

[Bilal Khan @Bk23544]

The Three.js Forest Environment is officially live after some new updates.

Go play with it: https://t.co/tasyGgoWuZ

These are the updates I made:
- Updated Three.js to r187.
- The trees and other objects in the scene except grass and tree leaves now use the new meshlet pipeline. Giving a nice performance boost even after so much detail.
- Added different quality settings.
- Added some toggles and sliders to control the environment in realtime.
- Optimized the assets so much now that the whole scene fits in 11.7mb total.

The performance isn't still where I really wanted it. But I also didn't wanna compromise on the quality. I wanted to keep the whole environment dense and realistic. So, I cut corners where possible without compromising on the quality.

It runs at 30-35 fps on base M1 Mac at 1080p and 40-50 fps on an iPhone 16 Pro on high settings.

#threejs #webgpu

[LanFeng @YFeng2022]

都说GPT-6.2-astra灰度测试了！
要我说GPT-6pro才是Openai所有公开模型中的顶流

这条《清明上河图》品味、完整度从视觉、音效一点也看不出是GPT那种油腻机械的影子。
纯代码 零 3D 资材。
技术栈： Three.js TypeScript Vite
配乐是python合成的。#GPT #Threejs #AI #Fable55 #OpenAI #GPT62Astra #大模型 #codex

[Mark Gadala-Maria @markgadala]

I’ve seen a ton of AI video. I’ve never seen anything like this.

By far the most stunning realism from an AI generated dialogue that I’ve witnessed.

We just crossed a big line and we’re not going back.

[Shikhar @xikhar]

Opus 5.5 rigged and animated this two headed dragon.

Then put it inside the unreal engine world it created earlier.

The model was made using Tripo.

[Unreal Sensei @UnrealSensei]

How to make games in Unreal Engine with AI

[Magnific @magnific]

Your words set the scene in motion with Magnific Move

Learn how to create motion graphics from a prompt or template, apply your Brand Kit, and refine your motion with prompts or comments directly on the video

Watch the full walkthrough from Magnific Academy below

[TinyBox Games @tinyboxg]

Idle Village building meets Auto Battler!