"The vast marvel is to be alive… The supreme triumph is to be most vividly, most perfectly alive. Whatever the unborn and the dead may know, they cannot know the beauty, the marvel of being alive in the flesh."
D.H. Lawrence on how to be a living unison: https://t.co/80QfCif3ln
In 2016, Richard Brody was a juror at the South by Southwest festival. There, he threw his support behind the film “The Arbalest” for the Grand Prize. It won. Recently, Brody became curious about the subsequent work of the film’s director, Adam Pinney. That’s when he heard about “Mudville.”
A baseball-centric family melodrama, it’s largely a story of loneliness. In the film, a middle-aged father and husband attempts to reclaim his dream of playing professional ball, something that slipped through his grasp after he was caught driving under the influence. But what makes “Mudville” particularly noteworthy is its extremely D.I.Y. production. Pinney wrote, directed, shot, recorded sound, edited, and created the score, among other things. The movie was filmed in and near the house in Lilburn that he shares with his family, and three of the central characters are played by his own family members: his wife and their young children. “It’s worth comparing Pinney’s work on ‘Mudville’ to the achievements of the reigning champion of D.I.Y. filmmaking, the South Korean director Hong Sangsoo,” Brody writes. Read his full review: https://t.co/7M7VXxyWA4
Jeremy Strong takes risks. Period. He might fall on his face playing Mark Zuckerberg in The Social Reckoning, but that’s part of being an artist- risking it all for something potentially great. Regardless of how this turns out, Strong has my respect. He’s a fearless actor.
Power Ballad baby. Humanity and gentle laughter and music. And to think it’s no. one and two on the box office charts, there must be some kind of Irish revolution in movies afoot.
“My motto is, ‘What’s the hurry?’ I’m trying to get it across to the modern world that we need to sit around and think a little bit more.”
- Joe Strummer
Every time I see INHERENT VICE I find it increasingly hard to believe that it exists. The film not only gets better with each viewing, it somehow becomes more mysterious.
“Anyone who writes is a seeker. You look at a blank page and you’re seeking. The role is assigned to us and never removed. I think this is an unbelievable blessing. I mean, to be seventy-eight years old and still looking, looking—this amazes me.” —Louise Glück https://t.co/4qwiVYsT1w