LisaFrankLloydWright

can't be unhinged without loosening the screws a bit

[َ @castcredits]

Costumes designed by Michiko Kitamura for Ichi the Killer (2001).

[KevinJPettit @KevinJPettit3]

Me and the boys hitting the Criterion van

[mjsrightglove @mjsrightglove]

dudes used to just hand you particles

[VIKARE @vikare06]

This is insane.
This 2006 Coca Cola Ad directed by Nagi Noda, with music by Jack White, aired just once. This is all shot on film in a single take with no CGI, all the snapshots are all real similar actors standing still.

[kala desh, nayi sadak @blackcuntry]

i want a cinematuationship (we go to theatres together)

[Maken Dominus Corpus @scatteraxis]

Tubi is easily THE MOST INSANE platform of our generation. I'm watching 964 Pinocchio on this shit right now in 720p with yellow subtitles.

[skyee 🍒 @skyeeebby]

i wonder what 3 carne asada tacos with green salsa and extra lime doing rn

[DepressedBergman @DannyDrinksWine]

Steven Soderbergh on George Miller's "Mad Max: Fury Road" (2015):

"Interviewer: You never storyboard?

Soderbergh: No. The ability to stage well is a skill and a talent that I value above almost everything else. And I say that because there are people who do it better than I’ll ever be able to do it after 40 years of active study. I just watched 'Mad Max: Fury Road' (2015) again last week, and I tell you I couldn’t direct 30 seconds of that. I’d put a gun in my mouth. I don’t understand how [George Miller] does that, I really don’t, and it’s my job to understand it. I don’t understand two things: I don’t understand how they’re not still shooting that film and I don’t understand how hundreds of people aren’t dead.

I could almost see that’s kind of possible until the polecat sequence, and then I give up. We are talking about the ability in three dimensions to break a sequence into a series of shots in which no matter how fast you’re cutting, you know where you are geographically. And each one is a real shot where a lot of things had to go right. I’m going to keep trying; I’m not going to keep trying in the sense that I’m going to volunteer to direct the next Mad Max movie. I’m going to keep trying in the sense that when I have sequences that demand a certain level of sophistication in terms of their visual staging, I’m going to try and watch the people who do it really well and see if I can climb inside their heads enough to think like that.

But he’s off the chart. I guarantee that the handful of people who are even in range of that, when they saw Fury Road, had blood squirting out of their eyes. The thing with George Miller, it’s not just that, he does everything really well. The scripts are great, the performances are great, the ideas are great. He’s exceptional. I met him once for about 30 seconds at the Directors Guild Awards in Los Angeles the year of Fury Road. But you don’t want to say that stuff to somebody’s face; it’s embarrassing."

(Steven Soderbergh's interview with Gavin J. Blair, The Hollywood Reporter, 2017)

P.S: On this day, 11 years ago, "Mad Max: Fury Road" (2015) premiered in Hollywood, California.

[Jonas Čeika @Jonas_Ceika]

One of my fav photo albums ever is this collection by Andrew Miksys of post-soviet dance clubs in provincial Lithuania

[copieconformes @copieconformes]

Resurrection (2025) dir. Bi Gan

[Insane Clips @StreetFightsHQ]

This guy is making industrial-strength Beyblades that literally burst into flames when they spin

[mandy is doing practical magic 🪻 @booksandmulder]

if you try to light a tv show like this today they just straight up kill you

[𝕶𝖆𝖙🕷️ @TheKatrooms]

It’s always “you’re autistic” and never “thank you for telling me everything you know about Resident Evil”

[marcus | re:veronica is coming @racgooncity]

this kills me everytime😭

[Ivan B. Parker @Parker_Luck394]

Just so you know, all of these scenes were from Spectrum Animation.

A studio that literally drove itself to bankruptcy because of how much they valued quality over everything else.

Their episodes of 'Batman: The Animated Series' are a pure joy for the eye.

[Movie Life @CinemaisSimple]

Kontroll (2003)

[Japan Society Film @js_film_nyc]

R.I.P. Shozin Fukui (1961-2026), visceral DIY and independent cyberpunk filmmaker known for RUBBER’S LOVER (1996), 964 PINOCCHIO (1991) and CATERPILLAR (1988).

[emily north @north0fnorth]

found the original 4k+ resolution artemis ii moon photos rather than the compressed 1080p ones official government accounts have been posting and the details are absolutely spectacular

https://t.co/NUGiefdfzK

[Jane Schoenbrun @sapphicspielbrg]

there is a hole at the bottom of the lake where the movies come from

[m @msnetik]

I’ve seen DVD menus you can’t imagine